Consider the Madrigal
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/5198 |
Resumo: | The huge proliferation of the polyphonic madrigal around 1600 raises basic questions that have not been effectively posed, let alone answered, in the scholarly literature. This essay presents these questions and suggests provisional answers for them. In doing so, it describes several dynamics in the development of the madrigal that seem to oppose the close relation between language and music previously noticed by all commentators. These dynamics create a kind of musical formalism at times, even an anti-linguistic one, where we would least expect it. They point up the opening of a space between sung words and the musical means of their singing that is certainly new in western musical experience. |
id |
UFMG-3_3a93632d33a6a68dca9f11a6765333f2 |
---|---|
oai_identifier_str |
oai:periodicos.ufmg.br:article/5198 |
network_acronym_str |
UFMG-3 |
network_name_str |
Per Musi |
repository_id_str |
|
spelling |
Consider the MadrigalConsiderando o Madrigalrenaissance madrigalneoplatonism and musical rhetoricmadrigal renascentistaneoplatonismo e retórica musicalThe huge proliferation of the polyphonic madrigal around 1600 raises basic questions that have not been effectively posed, let alone answered, in the scholarly literature. This essay presents these questions and suggests provisional answers for them. In doing so, it describes several dynamics in the development of the madrigal that seem to oppose the close relation between language and music previously noticed by all commentators. These dynamics create a kind of musical formalism at times, even an anti-linguistic one, where we would least expect it. They point up the opening of a space between sung words and the musical means of their singing that is certainly new in western musical experience.A enorme proliferação do madrigal polifônico por volta de 1600 levanta questões básicas que não foram efetivamente propostas e muito menos respondidas na literatura acadêmica. Este ensaio coloca estas questões e sugere respostas, pelo menos provisórias, para elas. Ao fazer isso, descreve várias dinâmicas no desenvolvimento do madrigal que parecem ir contra à estreita relação da linguagem e música que todos os comentaristas notaram anteriormente. Essas dinâmicas criam um tipo de formalismo musical, às vezes até mesmo anti-linguísticos, onde menos esperaríamos. Eles apontam para a abertura de um espaço entre as palavras cantadas e os meios musicais do canto que é indiscutivelmente nova na experiência musical ocidental.Universidade Federal de Minas Gerais (UFMG)2017-08-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/5198Per Musi; No. 36 (2017): Early MusicPer Musi; Núm. 36 (2017): Early MusicPer Musi; n. 36 (2017): Early Music2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/5198/3224Tomlinson, Garyinfo:eu-repo/semantics/openAccess2019-08-11T12:49:44Zoai:periodicos.ufmg.br:article/5198Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2019-08-11T12:49:44Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Consider the Madrigal Considerando o Madrigal |
title |
Consider the Madrigal |
spellingShingle |
Consider the Madrigal Tomlinson, Gary renaissance madrigal neoplatonism and musical rhetoric madrigal renascentista neoplatonismo e retórica musical |
title_short |
Consider the Madrigal |
title_full |
Consider the Madrigal |
title_fullStr |
Consider the Madrigal |
title_full_unstemmed |
Consider the Madrigal |
title_sort |
Consider the Madrigal |
author |
Tomlinson, Gary |
author_facet |
Tomlinson, Gary |
author_role |
author |
dc.contributor.author.fl_str_mv |
Tomlinson, Gary |
dc.subject.por.fl_str_mv |
renaissance madrigal neoplatonism and musical rhetoric madrigal renascentista neoplatonismo e retórica musical |
topic |
renaissance madrigal neoplatonism and musical rhetoric madrigal renascentista neoplatonismo e retórica musical |
description |
The huge proliferation of the polyphonic madrigal around 1600 raises basic questions that have not been effectively posed, let alone answered, in the scholarly literature. This essay presents these questions and suggests provisional answers for them. In doing so, it describes several dynamics in the development of the madrigal that seem to oppose the close relation between language and music previously noticed by all commentators. These dynamics create a kind of musical formalism at times, even an anti-linguistic one, where we would least expect it. They point up the opening of a space between sung words and the musical means of their singing that is certainly new in western musical experience. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-08-09 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5198 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/5198 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5198/3224 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 36 (2017): Early Music Per Musi; Núm. 36 (2017): Early Music Per Musi; n. 36 (2017): Early Music 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711235603693568 |