Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão

Detalhes bibliográficos
Autor(a) principal: Castro, Renato Moreira Varoni
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5202
Resumo: This article proposes the combination of performance and autoethnography as alternative methods to make use of musical scores concerning the viola (five‐course guitar) and the violão (six‐course guitar) in historical ethnomusicology. The author performs and records the same set of songs on the viola and the violão, and based on the multidimensionality of the interaction performer/instrument, writes an autoethnography differentiating his experiences in playing at both chordophones. This approach strives for overcoming the duality body/mind in academic musical research and comprises the embodied knowledge that arises from experience as a complementary epistemology to the corpus of knowledge about these instruments. Moreover, it is added the professional viewpoint of the virtuoso viola player Ivan Vilela who, interviewed by the author, gives his impressions about the differences in ergonomics and playing technics between those chordophones.
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spelling Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the ViolãoPerformance e autoetnografia em etnomusicologia histórica: diferenciando a viola e o violãoviola and violãoembodied musical knowledgeautoethnographyhistorical ethnomusicologyIvan Vilelaviola e violãoconhecimento musical vivenciado no corpoautoetnografiaetnomusicologia históricaIvan VilelaThis article proposes the combination of performance and autoethnography as alternative methods to make use of musical scores concerning the viola (five‐course guitar) and the violão (six‐course guitar) in historical ethnomusicology. The author performs and records the same set of songs on the viola and the violão, and based on the multidimensionality of the interaction performer/instrument, writes an autoethnography differentiating his experiences in playing at both chordophones. This approach strives for overcoming the duality body/mind in academic musical research and comprises the embodied knowledge that arises from experience as a complementary epistemology to the corpus of knowledge about these instruments. Moreover, it is added the professional viewpoint of the virtuoso viola player Ivan Vilela who, interviewed by the author, gives his impressions about the differences in ergonomics and playing technics between those chordophones.Este artigo propõe a combinação de performance e autoetnografia como métodos alternativos para utilizar partituras musicais referentes à viola (de cinco ordens de cordas duplas) e ao violão (de seis ordens de cordas simples) em etnomusicologia histórica. O autor executa e grava sonoramente o mesmo conjunto de canções na viola e no violão e, baseado‐se na multidimensionalidade da interação instrumentista/instrumento, escreve uma autoetnografia diferenciando suas experiências em tocar ambos cordofones. Tal abordagem esforça‐se para superar a dualidade corpo/mente em investigação musical acadêmica, valorizando o conhecimento vivenciado no corpo como epistemologia complementar ao conjunto de conhecimentos históricos sobre os referidos instrumentos musicais. Ademais, incluise o ponto de vista profissional do virtuoso violeiro Ivan Vilela que, entrevistado pelo autor, aponta diferenças ergonômicas e técnicas entre esses cordofones.Universidade Federal de Minas Gerais (UFMG)2018-05-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/520210.1590/permusi20163402Per Musi; No. 34 (2016): General TopicsPer Musi; Núm. 34 (2016): General TopicsPer Musi; n. 34 (2016): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/5202/3227Castro, Renato Moreira Varoniinfo:eu-repo/semantics/openAccess2020-01-23T17:09:18Zoai:periodicos.ufmg.br:article/5202Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T17:09:18Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão
Performance e autoetnografia em etnomusicologia histórica: diferenciando a viola e o violão
title Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão
spellingShingle Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão
Castro, Renato Moreira Varoni
viola and violão
embodied musical knowledge
autoethnography
historical ethnomusicology
Ivan Vilela
viola e violão
conhecimento musical vivenciado no corpo
autoetnografia
etnomusicologia histórica
Ivan Vilela
title_short Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão
title_full Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão
title_fullStr Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão
title_full_unstemmed Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão
title_sort Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão
author Castro, Renato Moreira Varoni
author_facet Castro, Renato Moreira Varoni
author_role author
dc.contributor.author.fl_str_mv Castro, Renato Moreira Varoni
dc.subject.por.fl_str_mv viola and violão
embodied musical knowledge
autoethnography
historical ethnomusicology
Ivan Vilela
viola e violão
conhecimento musical vivenciado no corpo
autoetnografia
etnomusicologia histórica
Ivan Vilela
topic viola and violão
embodied musical knowledge
autoethnography
historical ethnomusicology
Ivan Vilela
viola e violão
conhecimento musical vivenciado no corpo
autoetnografia
etnomusicologia histórica
Ivan Vilela
description This article proposes the combination of performance and autoethnography as alternative methods to make use of musical scores concerning the viola (five‐course guitar) and the violão (six‐course guitar) in historical ethnomusicology. The author performs and records the same set of songs on the viola and the violão, and based on the multidimensionality of the interaction performer/instrument, writes an autoethnography differentiating his experiences in playing at both chordophones. This approach strives for overcoming the duality body/mind in academic musical research and comprises the embodied knowledge that arises from experience as a complementary epistemology to the corpus of knowledge about these instruments. Moreover, it is added the professional viewpoint of the virtuoso viola player Ivan Vilela who, interviewed by the author, gives his impressions about the differences in ergonomics and playing technics between those chordophones.
publishDate 2018
dc.date.none.fl_str_mv 2018-05-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5202
10.1590/permusi20163402
url https://periodicos.ufmg.br/index.php/permusi/article/view/5202
identifier_str_mv 10.1590/permusi20163402
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5202/3227
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 34 (2016): General Topics
Per Musi; Núm. 34 (2016): General Topics
Per Musi; n. 34 (2016): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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