The anonymous collective and the network/conspiracy of genres: plural subjectivations and intertextuality in 1960’s Brazil
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/38987 |
Resumo: | This paper highlights the scarcely understood plurality of genres in 1960s MPB and Tropicália, correlating it to the decade’s upheavals. In this ethnomusicological research, music genres were taken as discourses, and different genres were perceived as the discourses of different social and cultural groups. Investigating this phenomenon through the concept of intertextuality, I analyzed how cultural identities built around delimited genres were deconstructed by the rupture of the frontiers between genres. |
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The anonymous collective and the network/conspiracy of genres: plural subjectivations and intertextuality in 1960’s BrazilEl colectivo anónimo y la trama de géneros: subjetivaciones plurales y la intertextualidad en el Brasil de los años 60O coletivo anônimo e a trama dos gêneros : subjetivações plurais e intertextualidade no Brasil dos anos 1960Intertextuality in Brazilian MPB and TropicáliaSubjectivity in musicMusical discourse and genrentertextualidade na MPB e na TropicáliaSubjetividade na músicaDiscurso musical e gênero musicalIntertextualidad en MPB y TropicáliaSubjetividad en la músicaDiscurso musical y género musicalThis paper highlights the scarcely understood plurality of genres in 1960s MPB and Tropicália, correlating it to the decade’s upheavals. In this ethnomusicological research, music genres were taken as discourses, and different genres were perceived as the discourses of different social and cultural groups. Investigating this phenomenon through the concept of intertextuality, I analyzed how cultural identities built around delimited genres were deconstructed by the rupture of the frontiers between genres.Este ensayo destaca la poco comprendida pluralidad de géneros musicales en la MPB y Tropicália de los años 60, relacionándola con los choques vividos en el período. En esta investigación investigación etnomusicológica, los géneros musicales se entendían como discursos y los diferentes géneros se percibían como el discursos de diferentes grupos sociales y culturales. Investigar este fenómeno a través del concepto de intertextualidad, cómo las identidades culturales erigidas en torno a géneros delimitados fueron deconstruidas por la ruptura de las fronteras entre géneros. fronteras entre géneros.Este ensaio destaca a pouco compreendida pluralidade de gêneros musicais na MPB e na Tropicália da década de 1960, relacionando-a aos abalos vividos no período. Nesta pesquisa etnomusicológica, gêneros musicais foram compreendidos como discursos e diferentes gêneros foram percebidos como os discursos de diferentes grupos sociais e culturais. Investigando este fenômeno através do conceito de intertextualidade, analisou-se como identidades culturais erigidas em torno de gêneros delimitados foram desconstruídas pela ruptura de fronteiras entre os gêneros.Universidade Federal de Minas Gerais (UFMG)2014-11-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38987Per Musi; No. 30 (2014): General Topics; 1-9Per Musi; Núm. 30 (2014): General Topics; 1-9Per Musi; n. 30 (2014): General Topics; 1-92317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/38987/30033http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNeder, Álvaro Simões Corrêa 2022-06-03T18:47:27Zoai:periodicos.ufmg.br:article/38987Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T18:47:27Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
The anonymous collective and the network/conspiracy of genres: plural subjectivations and intertextuality in 1960’s Brazil El colectivo anónimo y la trama de géneros: subjetivaciones plurales y la intertextualidad en el Brasil de los años 60 O coletivo anônimo e a trama dos gêneros : subjetivações plurais e intertextualidade no Brasil dos anos 1960 |
title |
The anonymous collective and the network/conspiracy of genres: plural subjectivations and intertextuality in 1960’s Brazil |
spellingShingle |
The anonymous collective and the network/conspiracy of genres: plural subjectivations and intertextuality in 1960’s Brazil Neder, Álvaro Simões Corrêa Intertextuality in Brazilian MPB and Tropicália Subjectivity in music Musical discourse and genre ntertextualidade na MPB e na Tropicália Subjetividade na música Discurso musical e gênero musical Intertextualidad en MPB y Tropicália Subjetividad en la música Discurso musical y género musical |
title_short |
The anonymous collective and the network/conspiracy of genres: plural subjectivations and intertextuality in 1960’s Brazil |
title_full |
The anonymous collective and the network/conspiracy of genres: plural subjectivations and intertextuality in 1960’s Brazil |
title_fullStr |
The anonymous collective and the network/conspiracy of genres: plural subjectivations and intertextuality in 1960’s Brazil |
title_full_unstemmed |
The anonymous collective and the network/conspiracy of genres: plural subjectivations and intertextuality in 1960’s Brazil |
title_sort |
The anonymous collective and the network/conspiracy of genres: plural subjectivations and intertextuality in 1960’s Brazil |
author |
Neder, Álvaro Simões Corrêa |
author_facet |
Neder, Álvaro Simões Corrêa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Neder, Álvaro Simões Corrêa |
dc.subject.por.fl_str_mv |
Intertextuality in Brazilian MPB and Tropicália Subjectivity in music Musical discourse and genre ntertextualidade na MPB e na Tropicália Subjetividade na música Discurso musical e gênero musical Intertextualidad en MPB y Tropicália Subjetividad en la música Discurso musical y género musical |
topic |
Intertextuality in Brazilian MPB and Tropicália Subjectivity in music Musical discourse and genre ntertextualidade na MPB e na Tropicália Subjetividade na música Discurso musical e gênero musical Intertextualidad en MPB y Tropicália Subjetividad en la música Discurso musical y género musical |
description |
This paper highlights the scarcely understood plurality of genres in 1960s MPB and Tropicália, correlating it to the decade’s upheavals. In this ethnomusicological research, music genres were taken as discourses, and different genres were perceived as the discourses of different social and cultural groups. Investigating this phenomenon through the concept of intertextuality, I analyzed how cultural identities built around delimited genres were deconstructed by the rupture of the frontiers between genres. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-11-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/38987 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/38987 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/38987/30033 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 30 (2014): General Topics; 1-9 Per Musi; Núm. 30 (2014): General Topics; 1-9 Per Musi; n. 30 (2014): General Topics; 1-9 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711236640735232 |