Rhythm and Music in the contemplation of poets and philosophers: from Hölderlin to Rilke and Heidegger

Detalhes bibliográficos
Autor(a) principal: Rosenfield, Kathrin
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5153
Resumo: Since German pre‐romanticism, music has being keeping a closer relationship with poetry and literature. We have collected a few ways of approaching these two different forms of art expression, demonstrating how literature explores the alterity of music in order to intensify the affective and reflexive emotions of poetry. It deals with a powerful tradition that comprises ‘romantic’ authors from Hölderlin to Tieck to Rilke, and play an important role in the reasoning of Schopenhauer, Nietzsche and Heidegger. Rilke’s reflections have been given special emphasis in this article, which is shown by means of his translated reading notes of the famous essay The Birth of Tragedy through the Spirit of Music.
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spelling Rhythm and Music in the contemplation of poets and philosophers: from Hölderlin to Rilke and HeideggerRitmo e música no pensamento de poetas e filósofos: de Hölderlin a Rilke e Heideggerliterature and musiccritical and philosophical reflectionliteratura e músicareflexão crítica e filosóficaSince German pre‐romanticism, music has being keeping a closer relationship with poetry and literature. We have collected a few ways of approaching these two different forms of art expression, demonstrating how literature explores the alterity of music in order to intensify the affective and reflexive emotions of poetry. It deals with a powerful tradition that comprises ‘romantic’ authors from Hölderlin to Tieck to Rilke, and play an important role in the reasoning of Schopenhauer, Nietzsche and Heidegger. Rilke’s reflections have been given special emphasis in this article, which is shown by means of his translated reading notes of the famous essay The Birth of Tragedy through the Spirit of Music.Desde o pré‐romantismo alemão, a música mantém relações cada vez mais íntimas com a poesia e a literatura. Rastreamos aqui alguns dos modos de aproximação destas duas formas diversas de expressão artística, mostrando como a literatura explora a alteridade da música para intensificar as dimensões afetivas e reflexivas da poesia. Trata‐se de uma tradição poderosa que se estende de românticos comoHölderlin e Tieck até Rilke e além, ocupando um lugar de destaque no pensamento de Schopenhauer, Nietzsche, Heidegger. As reflexões de Rilke recebem um lugar de destaque neste artigo, mediante a tradução de suas anotações de leitura do famoso ensaio de Nietzsche, O nascimento da tragédia a partir do espírito da música.Universidade Federal de Minas Gerais (UFMG)2017-01-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextotextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/515310.1590/permusi20163502Per Musi; No. 35 (2016): Aesthetics and Philosophy of MusicPer Musi; Núm. 35 (2016): Aesthetics and Philosophy of MusicPer Musi; n. 35 (2016): Estética e Filosofia da Música2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5153/3197Rosenfield, Kathrininfo:eu-repo/semantics/openAccess2020-01-23T17:08:52Zoai:periodicos.ufmg.br:article/5153Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T17:08:52Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Rhythm and Music in the contemplation of poets and philosophers: from Hölderlin to Rilke and Heidegger
Ritmo e música no pensamento de poetas e filósofos: de Hölderlin a Rilke e Heidegger
title Rhythm and Music in the contemplation of poets and philosophers: from Hölderlin to Rilke and Heidegger
spellingShingle Rhythm and Music in the contemplation of poets and philosophers: from Hölderlin to Rilke and Heidegger
Rosenfield, Kathrin
literature and music
critical and philosophical reflection
literatura e música
reflexão crítica e filosófica
title_short Rhythm and Music in the contemplation of poets and philosophers: from Hölderlin to Rilke and Heidegger
title_full Rhythm and Music in the contemplation of poets and philosophers: from Hölderlin to Rilke and Heidegger
title_fullStr Rhythm and Music in the contemplation of poets and philosophers: from Hölderlin to Rilke and Heidegger
title_full_unstemmed Rhythm and Music in the contemplation of poets and philosophers: from Hölderlin to Rilke and Heidegger
title_sort Rhythm and Music in the contemplation of poets and philosophers: from Hölderlin to Rilke and Heidegger
author Rosenfield, Kathrin
author_facet Rosenfield, Kathrin
author_role author
dc.contributor.author.fl_str_mv Rosenfield, Kathrin
dc.subject.por.fl_str_mv literature and music
critical and philosophical reflection
literatura e música
reflexão crítica e filosófica
topic literature and music
critical and philosophical reflection
literatura e música
reflexão crítica e filosófica
description Since German pre‐romanticism, music has being keeping a closer relationship with poetry and literature. We have collected a few ways of approaching these two different forms of art expression, demonstrating how literature explores the alterity of music in order to intensify the affective and reflexive emotions of poetry. It deals with a powerful tradition that comprises ‘romantic’ authors from Hölderlin to Tieck to Rilke, and play an important role in the reasoning of Schopenhauer, Nietzsche and Heidegger. Rilke’s reflections have been given special emphasis in this article, which is shown by means of his translated reading notes of the famous essay The Birth of Tragedy through the Spirit of Music.
publishDate 2017
dc.date.none.fl_str_mv 2017-01-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5153
10.1590/permusi20163502
url https://periodicos.ufmg.br/index.php/permusi/article/view/5153
identifier_str_mv 10.1590/permusi20163502
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5153/3197
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 35 (2016): Aesthetics and Philosophy of Music
Per Musi; Núm. 35 (2016): Aesthetics and Philosophy of Music
Per Musi; n. 35 (2016): Estética e Filosofia da Música
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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