Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps

Detalhes bibliográficos
Autor(a) principal: Irlandini, Luigi Antonio
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/36944
Resumo: This article examines the combination of Japanese and Western musical traditional instruments in regards to Tōru Takemitsu’s November Steps. The composer brought into an yōgaku (Western music style) composition not only two traditional instruments but also their traditional music, with the intention of creating an opposition of Japanese and Western musical characteristics, and shaping them as irreconcilable forces. In order to give a fair consideration of the matter, it is necessary to know the circumstantial and historical factors that have contributed to the predicaments involved in this pioneer act of incorporation of traditional Japanese aesthetics and culture in the world of musical composition.
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spelling Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November StepsIntegración y oposición de instrumentos occidentales y tradicionales Japoneses en November Steps de TakemitsuIntegração e oposição de instrumentos ocidentais e tradicionais japoneses em November Steps de Takemitsu November StepsTakemitsuYōgakuJapanese traditional instrumentsTrans-culturalismNovember Steps TakemitsuYōgakuInstrumentos japoneses tradicionaisTransculturalismoNovember StepsTakemitsuYōgakuInstrumentos japoneses tradicionalesTransculturalismoThis article examines the combination of Japanese and Western musical traditional instruments in regards to Tōru Takemitsu’s November Steps. The composer brought into an yōgaku (Western music style) composition not only two traditional instruments but also their traditional music, with the intention of creating an opposition of Japanese and Western musical characteristics, and shaping them as irreconcilable forces. In order to give a fair consideration of the matter, it is necessary to know the circumstantial and historical factors that have contributed to the predicaments involved in this pioneer act of incorporation of traditional Japanese aesthetics and culture in the world of musical composition.Este artículo examina la combinación de instrumentos musicales japoneses tradicionales e occidentales en la obra November Steps, de Tōru Takemitsu. El compositor aportó a la composición Yōgaku (música de estilo occidental) no solo dos instrumentos tradicionales sino también su música tradicional, con la intención de crear una obra en la que la oposición entre características musicales japonesas y occidentales tome la forma de fuerzas irreconciliables. Para que se pueda dar una consideración justa a este asunto, es necesario conocer los factores históricos y circunstanciales que contribuyeron a la problemática que envuelve la composición de este acto pionero de incorporación de la estética y cultura tradicional japonesa en el mundo de la composición musical.Este artigo examina a combinação de instrumentos musicais japoneses e ocidentais tradicionais na obra November Steps, de Tōru Takemitsu. O compositor trouxe para a composição yōgaku (música de estilo ocidental) não somente dois instrumentos japoneses tradicionais como também sua música tradicional, com a intenção de criar uma oposição entre as características musicais japonesas e ocidentais, dando-lhes a forma de forças irreconciliáveis. Para que se possa fazer uma consideração justa deste assunto, é necessário conhecer os fatores históricos e circunstanciais que contribuíram na problemática envolvida neste ato pioneiro de incorporação da estética e cultura tradicionais do Japão no mundo da composição musical.Universidade Federal de Minas Gerais (UFMG)2022-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/3694410.35699/2317-6377.2022.36944Per Musi; No. 42 (2022): General Topics; 1-15Per Musi; Núm. 42 (2022): General Topics; 1-15Per Musi; n. 42 (2022): General Topics; 1-152317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/36944/37489https://periodicos.ufmg.br/index.php/permusi/article/view/36944/37490https://periodicos.ufmg.br/index.php/permusi/article/view/36944/29457Copyright (c) 2022 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessIrlandini, Luigi Antonio2023-10-14T00:15:10Zoai:periodicos.ufmg.br:article/36944Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-10-14T00:15:10Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps
Integración y oposición de instrumentos occidentales y tradicionales Japoneses en November Steps de Takemitsu
Integração e oposição de instrumentos ocidentais e tradicionais japoneses em November Steps de Takemitsu
title Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps
spellingShingle Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps
Irlandini, Luigi Antonio
November Steps
Takemitsu
Yōgaku
Japanese traditional instruments
Trans-culturalism
November Steps
Takemitsu
Yōgaku
Instrumentos japoneses tradicionais
Transculturalismo
November Steps
Takemitsu
Yōgaku
Instrumentos japoneses tradicionales
Transculturalismo
title_short Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps
title_full Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps
title_fullStr Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps
title_full_unstemmed Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps
title_sort Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps
author Irlandini, Luigi Antonio
author_facet Irlandini, Luigi Antonio
author_role author
dc.contributor.author.fl_str_mv Irlandini, Luigi Antonio
dc.subject.por.fl_str_mv November Steps
Takemitsu
Yōgaku
Japanese traditional instruments
Trans-culturalism
November Steps
Takemitsu
Yōgaku
Instrumentos japoneses tradicionais
Transculturalismo
November Steps
Takemitsu
Yōgaku
Instrumentos japoneses tradicionales
Transculturalismo
topic November Steps
Takemitsu
Yōgaku
Japanese traditional instruments
Trans-culturalism
November Steps
Takemitsu
Yōgaku
Instrumentos japoneses tradicionais
Transculturalismo
November Steps
Takemitsu
Yōgaku
Instrumentos japoneses tradicionales
Transculturalismo
description This article examines the combination of Japanese and Western musical traditional instruments in regards to Tōru Takemitsu’s November Steps. The composer brought into an yōgaku (Western music style) composition not only two traditional instruments but also their traditional music, with the intention of creating an opposition of Japanese and Western musical characteristics, and shaping them as irreconcilable forces. In order to give a fair consideration of the matter, it is necessary to know the circumstantial and historical factors that have contributed to the predicaments involved in this pioneer act of incorporation of traditional Japanese aesthetics and culture in the world of musical composition.
publishDate 2022
dc.date.none.fl_str_mv 2022-01-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/36944
10.35699/2317-6377.2022.36944
url https://periodicos.ufmg.br/index.php/permusi/article/view/36944
identifier_str_mv 10.35699/2317-6377.2022.36944
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/36944/37489
https://periodicos.ufmg.br/index.php/permusi/article/view/36944/37490
https://periodicos.ufmg.br/index.php/permusi/article/view/36944/29457
dc.rights.driver.fl_str_mv Copyright (c) 2022 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 42 (2022): General Topics; 1-15
Per Musi; Núm. 42 (2022): General Topics; 1-15
Per Musi; n. 42 (2022): General Topics; 1-15
2317-6377
1517-7599
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reponame_str Per Musi
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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