Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/36944 |
Resumo: | This article examines the combination of Japanese and Western musical traditional instruments in regards to Tōru Takemitsu’s November Steps. The composer brought into an yōgaku (Western music style) composition not only two traditional instruments but also their traditional music, with the intention of creating an opposition of Japanese and Western musical characteristics, and shaping them as irreconcilable forces. In order to give a fair consideration of the matter, it is necessary to know the circumstantial and historical factors that have contributed to the predicaments involved in this pioneer act of incorporation of traditional Japanese aesthetics and culture in the world of musical composition. |
id |
UFMG-3_63f4ac03d2bb4e1da56b2ea0ab393653 |
---|---|
oai_identifier_str |
oai:periodicos.ufmg.br:article/36944 |
network_acronym_str |
UFMG-3 |
network_name_str |
Per Musi |
repository_id_str |
|
spelling |
Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November StepsIntegración y oposición de instrumentos occidentales y tradicionales Japoneses en November Steps de TakemitsuIntegração e oposição de instrumentos ocidentais e tradicionais japoneses em November Steps de Takemitsu November StepsTakemitsuYōgakuJapanese traditional instrumentsTrans-culturalismNovember Steps TakemitsuYōgakuInstrumentos japoneses tradicionaisTransculturalismoNovember StepsTakemitsuYōgakuInstrumentos japoneses tradicionalesTransculturalismoThis article examines the combination of Japanese and Western musical traditional instruments in regards to Tōru Takemitsu’s November Steps. The composer brought into an yōgaku (Western music style) composition not only two traditional instruments but also their traditional music, with the intention of creating an opposition of Japanese and Western musical characteristics, and shaping them as irreconcilable forces. In order to give a fair consideration of the matter, it is necessary to know the circumstantial and historical factors that have contributed to the predicaments involved in this pioneer act of incorporation of traditional Japanese aesthetics and culture in the world of musical composition.Este artículo examina la combinación de instrumentos musicales japoneses tradicionales e occidentales en la obra November Steps, de Tōru Takemitsu. El compositor aportó a la composición Yōgaku (música de estilo occidental) no solo dos instrumentos tradicionales sino también su música tradicional, con la intención de crear una obra en la que la oposición entre características musicales japonesas y occidentales tome la forma de fuerzas irreconciliables. Para que se pueda dar una consideración justa a este asunto, es necesario conocer los factores históricos y circunstanciales que contribuyeron a la problemática que envuelve la composición de este acto pionero de incorporación de la estética y cultura tradicional japonesa en el mundo de la composición musical.Este artigo examina a combinação de instrumentos musicais japoneses e ocidentais tradicionais na obra November Steps, de Tōru Takemitsu. O compositor trouxe para a composição yōgaku (música de estilo ocidental) não somente dois instrumentos japoneses tradicionais como também sua música tradicional, com a intenção de criar uma oposição entre as características musicais japonesas e ocidentais, dando-lhes a forma de forças irreconciliáveis. Para que se possa fazer uma consideração justa deste assunto, é necessário conhecer os fatores históricos e circunstanciais que contribuíram na problemática envolvida neste ato pioneiro de incorporação da estética e cultura tradicionais do Japão no mundo da composição musical.Universidade Federal de Minas Gerais (UFMG)2022-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/3694410.35699/2317-6377.2022.36944Per Musi; No. 42 (2022): General Topics; 1-15Per Musi; Núm. 42 (2022): General Topics; 1-15Per Musi; n. 42 (2022): General Topics; 1-152317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/36944/37489https://periodicos.ufmg.br/index.php/permusi/article/view/36944/37490https://periodicos.ufmg.br/index.php/permusi/article/view/36944/29457Copyright (c) 2022 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessIrlandini, Luigi Antonio2023-10-14T00:15:10Zoai:periodicos.ufmg.br:article/36944Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-10-14T00:15:10Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps Integración y oposición de instrumentos occidentales y tradicionales Japoneses en November Steps de Takemitsu Integração e oposição de instrumentos ocidentais e tradicionais japoneses em November Steps de Takemitsu |
title |
Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps |
spellingShingle |
Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps Irlandini, Luigi Antonio November Steps Takemitsu Yōgaku Japanese traditional instruments Trans-culturalism November Steps Takemitsu Yōgaku Instrumentos japoneses tradicionais Transculturalismo November Steps Takemitsu Yōgaku Instrumentos japoneses tradicionales Transculturalismo |
title_short |
Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps |
title_full |
Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps |
title_fullStr |
Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps |
title_full_unstemmed |
Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps |
title_sort |
Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps |
author |
Irlandini, Luigi Antonio |
author_facet |
Irlandini, Luigi Antonio |
author_role |
author |
dc.contributor.author.fl_str_mv |
Irlandini, Luigi Antonio |
dc.subject.por.fl_str_mv |
November Steps Takemitsu Yōgaku Japanese traditional instruments Trans-culturalism November Steps Takemitsu Yōgaku Instrumentos japoneses tradicionais Transculturalismo November Steps Takemitsu Yōgaku Instrumentos japoneses tradicionales Transculturalismo |
topic |
November Steps Takemitsu Yōgaku Japanese traditional instruments Trans-culturalism November Steps Takemitsu Yōgaku Instrumentos japoneses tradicionais Transculturalismo November Steps Takemitsu Yōgaku Instrumentos japoneses tradicionales Transculturalismo |
description |
This article examines the combination of Japanese and Western musical traditional instruments in regards to Tōru Takemitsu’s November Steps. The composer brought into an yōgaku (Western music style) composition not only two traditional instruments but also their traditional music, with the intention of creating an opposition of Japanese and Western musical characteristics, and shaping them as irreconcilable forces. In order to give a fair consideration of the matter, it is necessary to know the circumstantial and historical factors that have contributed to the predicaments involved in this pioneer act of incorporation of traditional Japanese aesthetics and culture in the world of musical composition. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-01-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/36944 10.35699/2317-6377.2022.36944 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/36944 |
identifier_str_mv |
10.35699/2317-6377.2022.36944 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/36944/37489 https://periodicos.ufmg.br/index.php/permusi/article/view/36944/37490 https://periodicos.ufmg.br/index.php/permusi/article/view/36944/29457 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html text/xml application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 42 (2022): General Topics; 1-15 Per Musi; Núm. 42 (2022): General Topics; 1-15 Per Musi; n. 42 (2022): General Topics; 1-15 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711236202430464 |