Sonnets of Love by Adami, for recorder and piano: analysis and performance

Detalhes bibliográficos
Autor(a) principal: Cuervo, Luciane da Costa
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/40053
Resumo: This paper analyzes and discusses the construction of the performance of Sonetos de Amor (Sonnets of Love), for flute and piano, work composed in 1999 by Felipe Kirst Adami. The work was inspired by the poetry collection Cien Sonetos de Amor by Pablo Neruda, having been recorded on CD Sonetos de Amor e Morte (Sonnets of Love and Death) by Luciane Cuervo. In this paper, the researcher and interpreter reflects on the context of the composition and its creator, as well as analyzes the idiomatic writing for the instruments and their interpretation, seeking to provide elements for future performers and composers interested in these instruments. The paper is organized in four parts, similarly to the four movements of the work: Morning, Noon, Evening, Night.
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spelling Sonnets of Love by Adami, for recorder and piano: analysis and performanceSonetos de amor de Adami, para flauta dulce dulce y piano: análisis e interpretaciónSonetos de Amor de Adami, para flauta doce e piano: análise e performancePerformanceMusical analyzesRecorder and pianoBrazilian contemporary musicPerformanceAnálise musicalFlauta doce e pianoMúsica brasileira contemporâneaPerformanceAnálisis musicalFlauta y pianoMúsica brasileña contemporáneaThis paper analyzes and discusses the construction of the performance of Sonetos de Amor (Sonnets of Love), for flute and piano, work composed in 1999 by Felipe Kirst Adami. The work was inspired by the poetry collection Cien Sonetos de Amor by Pablo Neruda, having been recorded on CD Sonetos de Amor e Morte (Sonnets of Love and Death) by Luciane Cuervo. In this paper, the researcher and interpreter reflects on the context of the composition and its creator, as well as analyzes the idiomatic writing for the instruments and their interpretation, seeking to provide elements for future performers and composers interested in these instruments. The paper is organized in four parts, similarly to the four movements of the work: Morning, Noon, Evening, Night.Este artículo analiza y discute la construcción de la representación de Sonetos de Amor, una obra de Felipe Kirst Adami para flauta de pico y piano compuesta en 1999. La composición se inspiró en la obra poética Cien Sonetos de Amor de Pablo Neruda, habiendo sido registrado en el CD Sonetos de Amor e Morte, de Luciane Cuervo. En este texto, el investigador e intérprete reflexiona sobre el contexto de la composición y su creador, así como analiza la escritura idiomática para el instrumentos y su interpretación, tratando de subvencionar a futuros intérpretes y compositores interesados en esta formación instrumental. El artículo está organizado en cuatro partes, de forma análoga a los cuatro movimientos de la obra: Mañana, mediodía, tarde, noche y noche.Este trabalho analisa e discute a construção da performance de Sonetos de Amor, obra de Felipe Kirst Adami para flauta doce e piano composta em 1999. A composição foi inspirada na obra poética Cien Sonetos de Amor de Pablo Neruda, tendo sido registrada no CD Sonetos de Amor e Morte, de Luciane Cuervo. Neste texto, a pesquisadora e intérprete reflete sobre o contexto da composição e de seu criador, bem como analisa a escrita idiomática para os instrumentos e a sua interpretação, buscando fornecer subsídios para futuros intérpretes e compositores interessados nesta formação instrumental. O artigo está organizado em quatro partes, analogamente aos quatro movimentos da obra: Manhã, Meio-Dia, Tarde, Noite.Universidade Federal de Minas Gerais (UFMG)2012-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/40053Per Musi; No. 26 (2012): General Topics; 1-11Per Musi; Núm. 26 (2012): General Topics; 1-11Per Musi; n. 26 (2012): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/40053/30694http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCuervo, Luciane da Costa 2022-07-01T19:19:58Zoai:periodicos.ufmg.br:article/40053Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-07-01T19:19:58Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Sonnets of Love by Adami, for recorder and piano: analysis and performance
Sonetos de amor de Adami, para flauta dulce dulce y piano: análisis e interpretación
Sonetos de Amor de Adami, para flauta doce e piano: análise e performance
title Sonnets of Love by Adami, for recorder and piano: analysis and performance
spellingShingle Sonnets of Love by Adami, for recorder and piano: analysis and performance
Cuervo, Luciane da Costa
Performance
Musical analyzes
Recorder and piano
Brazilian contemporary music
Performance
Análise musical
Flauta doce e piano
Música brasileira contemporânea
Performance
Análisis musical
Flauta y piano
Música brasileña contemporánea
title_short Sonnets of Love by Adami, for recorder and piano: analysis and performance
title_full Sonnets of Love by Adami, for recorder and piano: analysis and performance
title_fullStr Sonnets of Love by Adami, for recorder and piano: analysis and performance
title_full_unstemmed Sonnets of Love by Adami, for recorder and piano: analysis and performance
title_sort Sonnets of Love by Adami, for recorder and piano: analysis and performance
author Cuervo, Luciane da Costa
author_facet Cuervo, Luciane da Costa
author_role author
dc.contributor.author.fl_str_mv Cuervo, Luciane da Costa
dc.subject.por.fl_str_mv Performance
Musical analyzes
Recorder and piano
Brazilian contemporary music
Performance
Análise musical
Flauta doce e piano
Música brasileira contemporânea
Performance
Análisis musical
Flauta y piano
Música brasileña contemporánea
topic Performance
Musical analyzes
Recorder and piano
Brazilian contemporary music
Performance
Análise musical
Flauta doce e piano
Música brasileira contemporânea
Performance
Análisis musical
Flauta y piano
Música brasileña contemporánea
description This paper analyzes and discusses the construction of the performance of Sonetos de Amor (Sonnets of Love), for flute and piano, work composed in 1999 by Felipe Kirst Adami. The work was inspired by the poetry collection Cien Sonetos de Amor by Pablo Neruda, having been recorded on CD Sonetos de Amor e Morte (Sonnets of Love and Death) by Luciane Cuervo. In this paper, the researcher and interpreter reflects on the context of the composition and its creator, as well as analyzes the idiomatic writing for the instruments and their interpretation, seeking to provide elements for future performers and composers interested in these instruments. The paper is organized in four parts, similarly to the four movements of the work: Morning, Noon, Evening, Night.
publishDate 2012
dc.date.none.fl_str_mv 2012-12-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40053
url https://periodicos.ufmg.br/index.php/permusi/article/view/40053
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40053/30694
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 26 (2012): General Topics; 1-11
Per Musi; Núm. 26 (2012): General Topics; 1-11
Per Musi; n. 26 (2012): General Topics; 1-11
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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