The case of the “Som Imaginário” band: : counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2014 |
| Outros Autores: | |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Per Musi |
| Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/38864 |
Resumo: | In this article, we articulate the group’s musical production within the context of MPB (Música Popular Brasileira) in the early 1970s, marked mainly by the country’s dictatorship in its most repressive period coupled with the consolidation of the country’s music industry. Regarding the first two albums, which share the same title, we analyse the lyrics of the songs, which reveal political positions and cultural values of the 1970s generation, which suffered the dictatorial repression while receiving delayed information from foreign counterculture and the hippie movement. |
| id |
UFMG-3_7ad91d5bba68999389d2657d1c7de576 |
|---|---|
| oai_identifier_str |
oai:periodicos.ufmg.br:article/38864 |
| network_acronym_str |
UFMG-3 |
| network_name_str |
Per Musi |
| repository_id_str |
|
| spelling |
The case of the “Som Imaginário” band: : counterculture, experimentation and the music industry between the 1960s and 1970s in BrazilEl caso de Som Imaginário: la contracultura, la experimentación y la industria fonográfica entre los años 60 y 70O caso do Som Imaginário: contracultura, experimentação e indústria fonográfica entre as décadas de 1960 e 1970Som Imaginário and instrumental musicBrazilian popular music and counterculturemusic industry in the 1970sSom Imaginário e música instrumentalMPB e contraculturaIndústria fonográfica na década de 1970Sonido imaginario y música instrumentalMPB y contraculturaIndustria fonográfica en los años 70 In this article, we articulate the group’s musical production within the context of MPB (Música Popular Brasileira) in the early 1970s, marked mainly by the country’s dictatorship in its most repressive period coupled with the consolidation of the country’s music industry. Regarding the first two albums, which share the same title, we analyse the lyrics of the songs, which reveal political positions and cultural values of the 1970s generation, which suffered the dictatorial repression while receiving delayed information from foreign counterculture and the hippie movement. En este artículo, pretendemos articular la producción musical del grupo con el contexto de la MPB de principios de los años 70, marcado principalmente por la dictadura en su momento más represivo y por la consolidación de la industria fonográfica en el país. En relación con los dos primeros álbumes, ambos homónimos, nos centraremos en las letras de las canciones, que revelan las posiciones políticas y los valores culturales de aquella generación de los años setenta, que sufría los efectos de la represión dictatorial al mismo tiempo que recibía tardíamente la información extranjera de la contracultura y el movimiento hippie.Neste artigo, pretendemos articular a produção musical do grupo com o contexto da MPB no começo da década de 70, marcado principalmente pela ditadura em seu momento mais repressivo e pela consolidação da indústria fonográfica no país. No que se refere aos dois primeiros álbuns, ambos homônimos, nos deteremos nas letras das canções, que revelam os posicionamentos políticos e os valores culturais daquela geração dos anos de 1970, que sofria os efeitos da repressão ditatorial ao mesmo tempo em que recebia tardiamente as informações estrangeiras da contracultura e do movimento hippie.Universidade Federal de Minas Gerais (UFMG)2014-11-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38864Per Musi; No. 30 (2014): General Topics; 1-11Per Musi; Núm. 30 (2014): General Topics; 1-11Per Musi; n. 30 (2014): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/38864/29988http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMoreira, Maria Beatriz Cyrino Santos, Rafael dos 2022-06-03T18:47:27Zoai:periodicos.ufmg.br:article/38864Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T18:47:27Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
| dc.title.none.fl_str_mv |
The case of the “Som Imaginário” band: : counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil El caso de Som Imaginário: la contracultura, la experimentación y la industria fonográfica entre los años 60 y 70 O caso do Som Imaginário: contracultura, experimentação e indústria fonográfica entre as décadas de 1960 e 1970 |
| title |
The case of the “Som Imaginário” band: : counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil |
| spellingShingle |
The case of the “Som Imaginário” band: : counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil Moreira, Maria Beatriz Cyrino Som Imaginário and instrumental music Brazilian popular music and counterculture music industry in the 1970s Som Imaginário e música instrumental MPB e contracultura Indústria fonográfica na década de 1970 Sonido imaginario y música instrumental MPB y contracultura Industria fonográfica en los años 70 |
| title_short |
The case of the “Som Imaginário” band: : counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil |
| title_full |
The case of the “Som Imaginário” band: : counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil |
| title_fullStr |
The case of the “Som Imaginário” band: : counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil |
| title_full_unstemmed |
The case of the “Som Imaginário” band: : counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil |
| title_sort |
The case of the “Som Imaginário” band: : counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil |
| author |
Moreira, Maria Beatriz Cyrino |
| author_facet |
Moreira, Maria Beatriz Cyrino Santos, Rafael dos |
| author_role |
author |
| author2 |
Santos, Rafael dos |
| author2_role |
author |
| dc.contributor.author.fl_str_mv |
Moreira, Maria Beatriz Cyrino Santos, Rafael dos |
| dc.subject.por.fl_str_mv |
Som Imaginário and instrumental music Brazilian popular music and counterculture music industry in the 1970s Som Imaginário e música instrumental MPB e contracultura Indústria fonográfica na década de 1970 Sonido imaginario y música instrumental MPB y contracultura Industria fonográfica en los años 70 |
| topic |
Som Imaginário and instrumental music Brazilian popular music and counterculture music industry in the 1970s Som Imaginário e música instrumental MPB e contracultura Indústria fonográfica na década de 1970 Sonido imaginario y música instrumental MPB y contracultura Industria fonográfica en los años 70 |
| description |
In this article, we articulate the group’s musical production within the context of MPB (Música Popular Brasileira) in the early 1970s, marked mainly by the country’s dictatorship in its most repressive period coupled with the consolidation of the country’s music industry. Regarding the first two albums, which share the same title, we analyse the lyrics of the songs, which reveal political positions and cultural values of the 1970s generation, which suffered the dictatorial repression while receiving delayed information from foreign counterculture and the hippie movement. |
| publishDate |
2014 |
| dc.date.none.fl_str_mv |
2014-11-20 |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/38864 |
| url |
https://periodicos.ufmg.br/index.php/permusi/article/view/38864 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/38864/29988 |
| dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
| publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
| dc.source.none.fl_str_mv |
Per Musi; No. 30 (2014): General Topics; 1-11 Per Musi; Núm. 30 (2014): General Topics; 1-11 Per Musi; n. 30 (2014): General Topics; 1-11 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
| instname_str |
Universidade Federal de Minas Gerais (UFMG) |
| instacron_str |
UFMG |
| institution |
UFMG |
| reponame_str |
Per Musi |
| collection |
Per Musi |
| repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
| repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
| _version_ |
1799711236613472256 |