Terra dos Pássaros: permanence of counterculture elements in Toninho Horta’s production of the 1970’s

Detalhes bibliográficos
Autor(a) principal: Nicodemo, Thaís Lima
Data de Publicação: 2014
Outros Autores: Santos, Rafael dos
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/38863
Resumo: This article presents an analysis of the production of the composer and player Toninho Horta, with emphasis on his performance throughout the 1970’s and on the process of elaboration of his inaugural record Terra dos Pássaros, which was released independently in 1979. Starting from MPB (Brazilian Popular Music) and the song festivals of the late 1960’s, in a context marked by the politics of an authoritarian regime and by the consolidation of the cultural industry, we have attempted to discuss the permanence of elements of counterculture in the production of Toninho Horta. These elements were noticeable in the artist’s creative discourse and in the content of his songwriting during the 1970’s.
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spelling Terra dos Pássaros: permanence of counterculture elements in Toninho Horta’s production of the 1970’sTerra dos Pássaros: la permanencia de elementos de contracultura en producción de Toninho Horta en la década de 1970Terra dos Pássaros: a permanência de elementos da contracultura na produção de Toninho Horta nos anos de 1970Brazilian Popular MusicToninho HortaClube da EsquinaEletric guitarAcoustic guitarCountercultureMPBToninho HortaClube da EsquinaGuitarraViolãoContraculturaMPBToninho HortaClub de la EsquinaLa guitarraLa contraculturaThis article presents an analysis of the production of the composer and player Toninho Horta, with emphasis on his performance throughout the 1970’s and on the process of elaboration of his inaugural record Terra dos Pássaros, which was released independently in 1979. Starting from MPB (Brazilian Popular Music) and the song festivals of the late 1960’s, in a context marked by the politics of an authoritarian regime and by the consolidation of the cultural industry, we have attempted to discuss the permanence of elements of counterculture in the production of Toninho Horta. These elements were noticeable in the artist’s creative discourse and in the content of his songwriting during the 1970’s. Este artículo presenta un análisis de la producción del compositor e instrumentista Toninho Horta, centrándose en su actuación a lo largo de la década de 1970 y en el proceso de elaboración de su álbum inaugural, Terra dos Pássaros, publicado de forma independiente en 1979. Tomando como punto de partida la MPB y los festivales de la canción a finales de los años 60, en un contexto marcado por el régimen autoritario y la consolidación de la industria cultural, buscamos discutir la permanencia de elementos vinculados a la contracultura en la producción de Toninho Horta, perceptibles en su discurso, en su proceso creativo y en el contenido de sus canciones durante los años 70. Esse artigo apresenta uma análise da produção do compositor e instrumentista Toninho Horta, com enfoque em sua atuação ao longo dos anos 1970 e no processo de elaboração de seu disco inaugural, Terra dos Pássaros, lançado de forma independente, em 1979. Tendo como ponto de partida a MPB e os festivais da canção, em fins dos anos 1960, em um contexto marcado pelo regime autoritário e pela  consolidação da indústria cultural, procuramos discutir a permanência de elementos ligados à contracultura na produção de Toninho Horta, perceptíveis em seu discurso, em seu processo criativo e no conteúdo de suas canções, durante os anos 1970. Universidade Federal de Minas Gerais (UFMG)2014-11-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38863Per Musi; No. 30 (2014): General Topics; 1-11Per Musi; Núm. 30 (2014): General Topics; 1-11Per Musi; n. 30 (2014): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/38863/29987Copyright (c) 2014 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNicodemo, Thaís Lima Santos, Rafael dos 2022-06-03T18:47:27Zoai:periodicos.ufmg.br:article/38863Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T18:47:27Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Terra dos Pássaros: permanence of counterculture elements in Toninho Horta’s production of the 1970’s
Terra dos Pássaros: la permanencia de elementos de contracultura en producción de Toninho Horta en la década de 1970
Terra dos Pássaros: a permanência de elementos da contracultura na produção de Toninho Horta nos anos de 1970
title Terra dos Pássaros: permanence of counterculture elements in Toninho Horta’s production of the 1970’s
spellingShingle Terra dos Pássaros: permanence of counterculture elements in Toninho Horta’s production of the 1970’s
Nicodemo, Thaís Lima
Brazilian Popular Music
Toninho Horta
Clube da Esquina
Eletric guitar
Acoustic guitar
Counterculture
MPB
Toninho Horta
Clube da Esquina
Guitarra
Violão
Contracultura
MPB
Toninho Horta
Club de la Esquina
La guitarra
La contracultura
title_short Terra dos Pássaros: permanence of counterculture elements in Toninho Horta’s production of the 1970’s
title_full Terra dos Pássaros: permanence of counterculture elements in Toninho Horta’s production of the 1970’s
title_fullStr Terra dos Pássaros: permanence of counterculture elements in Toninho Horta’s production of the 1970’s
title_full_unstemmed Terra dos Pássaros: permanence of counterculture elements in Toninho Horta’s production of the 1970’s
title_sort Terra dos Pássaros: permanence of counterculture elements in Toninho Horta’s production of the 1970’s
author Nicodemo, Thaís Lima
author_facet Nicodemo, Thaís Lima
Santos, Rafael dos
author_role author
author2 Santos, Rafael dos
author2_role author
dc.contributor.author.fl_str_mv Nicodemo, Thaís Lima
Santos, Rafael dos
dc.subject.por.fl_str_mv Brazilian Popular Music
Toninho Horta
Clube da Esquina
Eletric guitar
Acoustic guitar
Counterculture
MPB
Toninho Horta
Clube da Esquina
Guitarra
Violão
Contracultura
MPB
Toninho Horta
Club de la Esquina
La guitarra
La contracultura
topic Brazilian Popular Music
Toninho Horta
Clube da Esquina
Eletric guitar
Acoustic guitar
Counterculture
MPB
Toninho Horta
Clube da Esquina
Guitarra
Violão
Contracultura
MPB
Toninho Horta
Club de la Esquina
La guitarra
La contracultura
description This article presents an analysis of the production of the composer and player Toninho Horta, with emphasis on his performance throughout the 1970’s and on the process of elaboration of his inaugural record Terra dos Pássaros, which was released independently in 1979. Starting from MPB (Brazilian Popular Music) and the song festivals of the late 1960’s, in a context marked by the politics of an authoritarian regime and by the consolidation of the cultural industry, we have attempted to discuss the permanence of elements of counterculture in the production of Toninho Horta. These elements were noticeable in the artist’s creative discourse and in the content of his songwriting during the 1970’s.
publishDate 2014
dc.date.none.fl_str_mv 2014-11-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38863
url https://periodicos.ufmg.br/index.php/permusi/article/view/38863
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38863/29987
dc.rights.driver.fl_str_mv Copyright (c) 2014 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 30 (2014): General Topics; 1-11
Per Musi; Núm. 30 (2014): General Topics; 1-11
Per Musi; n. 30 (2014): General Topics; 1-11
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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