Alfred Schnittke’s Third String Quartet: an intertextuality analysis

Detalhes bibliográficos
Autor(a) principal: Corrêa, João Francisco de Souza
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/20068
Resumo: This is an analytical study of intertextual procedures in Alfred Schnittke's Third String Quartet (1983). The study intends to demonstrate how intertextual compositional elements (“texts”) are appropriated by the composer in the creation of his work. The texts are: the main theme of Beethoven’s Great Fugue op. 133, a motif of Orlando Di Lasso's Stabat Mater and Shostakovich’s DSCH monogram. To this end, this study discusses: the use of citations and allusions according to Schnittke; the genesis ans stricture of the String Quartet n° 3; and the way in which the texts approprieted by Schnittke are reframed in his work. The analysis demonstrated that Schnittke performs several transformations in the texts to adapt them to the structural context of Third String Quartet.
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spelling Alfred Schnittke’s Third String Quartet: an intertextuality analysis Cuarteto de cuerda nº 3 de Alfred Schnittke: un análisis de sus intertextualidades Quarteto de Cordas nº 3 de Alfred Schnittke: uma análise de suas intertextualidadesAlfred SchnittkeIntertextualityCompositional processMusical analysisAlfred SchnittkeIntertextualidadeProcesso composicionalAnálise musicalAlfred SchnittkeIntertextualidadProceso de composiciónAnálisis musicalThis is an analytical study of intertextual procedures in Alfred Schnittke's Third String Quartet (1983). The study intends to demonstrate how intertextual compositional elements (“texts”) are appropriated by the composer in the creation of his work. The texts are: the main theme of Beethoven’s Great Fugue op. 133, a motif of Orlando Di Lasso's Stabat Mater and Shostakovich’s DSCH monogram. To this end, this study discusses: the use of citations and allusions according to Schnittke; the genesis ans stricture of the String Quartet n° 3; and the way in which the texts approprieted by Schnittke are reframed in his work. The analysis demonstrated that Schnittke performs several transformations in the texts to adapt them to the structural context of Third String Quartet.Este estudio es un análisis del proceso de composición intertextual de Alfred Schnittke en su Third String Quartet (1983). El propósito del análisis es comprender cómo Schnittke abstrae elementos musicales de las obras de otros compositores ("textos") para reutilizarlos en su Cuarteto, específicamente el tema de la Gran Fuga op. 133 de Beethoven, un motivo de Stabat Mater de Orlando Di Lasso y el monograma DSCH de Dmitri Shostakovich. El análisis mostró que Schnittke realiza varias transformaciones en los textos abstractos para adaptarlos al contexto sonoro y estructural de su Cuarteto.Este estudo é uma análise do processo composicional intertextual de Alfred Schnittke no seu Quarteto de Cordas nº 3 (1983). O objetivo da análise é compreender como Schnittke abstrai elementos musicais de obras de outros compositores (“textos”) para reutilizá-los em seu Quarteto, especificamente o tema da Grande Fuga op. 133 de Beethoven, um motivo do Stabat Mater de Orlando Di Lasso e o monograma DSCH de Dmitri Shostakovich. Para tanto, este estudo discorre sobre: o uso de citações e alusões segundo Schnittke; a gênese e a estrutura do Quarteto de cordas nº 3; e a forma como os textos apropriados por Schnittke são resignificados em sua obra. A análise demonstrou que Schnittke realiza diversas transformações nos textos abstraídos para adaptá-los ao contexto sonoro e estrutural do Quarteto de cordas nº 3.Universidade Federal de Minas Gerais (UFMG)2021-06-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/2006810.35699/2317-6377.2020.20068Per Musi; No. 40 (2020): General Topics; 1-22Per Musi; Núm. 40 (2020): General Topics; 1-22Per Musi; n. 40 (2020): General Topics; 1-222317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/20068/27369Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCorrêa, João Francisco de Souza 2021-07-09T22:38:23Zoai:periodicos.ufmg.br:article/20068Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2021-07-09T22:38:23Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Alfred Schnittke’s Third String Quartet: an intertextuality analysis
Cuarteto de cuerda nº 3 de Alfred Schnittke: un análisis de sus intertextualidades
Quarteto de Cordas nº 3 de Alfred Schnittke: uma análise de suas intertextualidades
title Alfred Schnittke’s Third String Quartet: an intertextuality analysis
spellingShingle Alfred Schnittke’s Third String Quartet: an intertextuality analysis
Corrêa, João Francisco de Souza
Alfred Schnittke
Intertextuality
Compositional process
Musical analysis
Alfred Schnittke
Intertextualidade
Processo composicional
Análise musical
Alfred Schnittke
Intertextualidad
Proceso de composición
Análisis musical
title_short Alfred Schnittke’s Third String Quartet: an intertextuality analysis
title_full Alfred Schnittke’s Third String Quartet: an intertextuality analysis
title_fullStr Alfred Schnittke’s Third String Quartet: an intertextuality analysis
title_full_unstemmed Alfred Schnittke’s Third String Quartet: an intertextuality analysis
title_sort Alfred Schnittke’s Third String Quartet: an intertextuality analysis
author Corrêa, João Francisco de Souza
author_facet Corrêa, João Francisco de Souza
author_role author
dc.contributor.author.fl_str_mv Corrêa, João Francisco de Souza
dc.subject.por.fl_str_mv Alfred Schnittke
Intertextuality
Compositional process
Musical analysis
Alfred Schnittke
Intertextualidade
Processo composicional
Análise musical
Alfred Schnittke
Intertextualidad
Proceso de composición
Análisis musical
topic Alfred Schnittke
Intertextuality
Compositional process
Musical analysis
Alfred Schnittke
Intertextualidade
Processo composicional
Análise musical
Alfred Schnittke
Intertextualidad
Proceso de composición
Análisis musical
description This is an analytical study of intertextual procedures in Alfred Schnittke's Third String Quartet (1983). The study intends to demonstrate how intertextual compositional elements (“texts”) are appropriated by the composer in the creation of his work. The texts are: the main theme of Beethoven’s Great Fugue op. 133, a motif of Orlando Di Lasso's Stabat Mater and Shostakovich’s DSCH monogram. To this end, this study discusses: the use of citations and allusions according to Schnittke; the genesis ans stricture of the String Quartet n° 3; and the way in which the texts approprieted by Schnittke are reframed in his work. The analysis demonstrated that Schnittke performs several transformations in the texts to adapt them to the structural context of Third String Quartet.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/20068
10.35699/2317-6377.2020.20068
url https://periodicos.ufmg.br/index.php/permusi/article/view/20068
identifier_str_mv 10.35699/2317-6377.2020.20068
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/20068/27369
dc.rights.driver.fl_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 40 (2020): General Topics; 1-22
Per Musi; Núm. 40 (2020): General Topics; 1-22
Per Musi; n. 40 (2020): General Topics; 1-22
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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