The composition and interpretation by Victor Assis Brasil in Pro Zeca: hybridism between the Brazilian baião and bebop

Detalhes bibliográficos
Autor(a) principal: Linhares, Leonardo Barreto
Data de Publicação: 2011
Outros Autores: Borém, Fausto
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/41180
Resumo: Study about the recognition of compositional and intrepretive elements typical of bebop and baião in the Introduction and Theme of Pro Zeca by Brazilian composer and saxophonist Victor Assis Brasil (1945-1981) departing from three primary sources: (1) the edited lead sheet that reproduces the composer’s autograph (ASSIS BRASIL, sem data a), (2) an anonymous lead sheet manuscript (ASSIS BRASIL, sem data b) and (3) the lead sheet of the transcription based on the composer’s recording (ASSIS BRASIL, 1974) included at the end of this article. This comparative analysis reveals hybridization between bebop and the Brazilian baião, in which the characteristics of these popular genres from two different countries sometimes remain separate and sometimes are interwoven into a synthesis.
id UFMG-3_822239c8f8203e8dc0888b0b8b263913
oai_identifier_str oai:periodicos.ufmg.br:article/41180
network_acronym_str UFMG-3
network_name_str Per Musi
repository_id_str
spelling The composition and interpretation by Victor Assis Brasil in Pro Zeca: hybridism between the Brazilian baião and bebopLa composición e interpretación de Victor Assis Brasil en Pro Zeca: hibridismo entre el baião y el bebopA composição e interpretação de Victor Assis Brasil em Pro Zeca: hibridismo entre o baião e o bebopVictor Assis BrasilMusical hybridismBrazilian baiãoBebopPopular musicMusic analysisVictor Assis BrasilHibridismo musicalBaiãoBebopMúsica popularAnálise musicalVictor Assis BrasilHibridismo musicalBaiãoBebopMúsica popularAnálisis musicalStudy about the recognition of compositional and intrepretive elements typical of bebop and baião in the Introduction and Theme of Pro Zeca by Brazilian composer and saxophonist Victor Assis Brasil (1945-1981) departing from three primary sources: (1) the edited lead sheet that reproduces the composer’s autograph (ASSIS BRASIL, sem data a), (2) an anonymous lead sheet manuscript (ASSIS BRASIL, sem data b) and (3) the lead sheet of the transcription based on the composer’s recording (ASSIS BRASIL, 1974) included at the end of this article. This comparative analysis reveals hybridization between bebop and the Brazilian baião, in which the characteristics of these popular genres from two different countries sometimes remain separate and sometimes are interwoven into a synthesis.Estudio sobre el reconocimiento de elementos compositivos e interpretativos característicos del baião y del bebop en la Introducción y el Tema de la canción Pro Zeca de Victor Assis Brasil (1945-1981), a partir de tres fuentes primarias: (1) la hoja de instrucciones editada que reproduce el manuscrito autógrafo del compositor (ASSIS BRASIL, sin fecha a), (2) una hoja de instrucciones manuscrita con letra anónima (ASSIS BRASIL, sin fecha b) y (3) la hoja de instrucciones editada de la transcripción de la grabación del compositor (ASSIS BRASIL, 1974), incluyendo su improvisación, que se publica en las pp. 39-44 en este volumen de Per Musi. Este análisis comparativo revela un hibridismo entre elementos del bebop y del baião, en el que las características de estos dos géneros populares de diferentes países a veces se mantienen distintas y a veces se entrelazan en una síntesis.Estudo sobre o reconhecimento de elementos composicionais e interpretativos característicos do baião e do bebop na Introdução e Tema da música Pro Zeca de Victor Assis Brasil (1945-1981), a partir de três fontes primárias: (1) a lead sheet editada que reproduz o manuscrito autógrafo do compositor (ASSIS BRASIL, sem data a), (2) uma lead sheet manuscrita de caligrafia anônima (ASSIS BRASIL, sem data b) e (3) a lead sheet editada da transcrição a partir da gravação do compositor (ASSIS BRASIL, 1974), incluindo sua improvisação, que está publicada às p.39-44 nesse volume de Per Musi. Esta análise comparativa revela um hibridismo entre elementos do bebop e do baião, no qual as características desses dois gêneros populares de países diferentes às vezes permanecem distintas e às vezes se entrelaçam em uma síntese.Universidade Federal de Minas Gerais (UFMG)2011-01-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/41180Per Musi; No. 23 (2011): General Topics; 1-11Per Musi; Núm. 23 (2011): General Topics; 1-11Per Musi; n. 23 (2011): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/41180/31383http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLinhares, Leonardo BarretoBorém, Fausto2023-01-25T11:56:17Zoai:periodicos.ufmg.br:article/41180Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-01-25T11:56:17Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The composition and interpretation by Victor Assis Brasil in Pro Zeca: hybridism between the Brazilian baião and bebop
La composición e interpretación de Victor Assis Brasil en Pro Zeca: hibridismo entre el baião y el bebop
A composição e interpretação de Victor Assis Brasil em Pro Zeca: hibridismo entre o baião e o bebop
title The composition and interpretation by Victor Assis Brasil in Pro Zeca: hybridism between the Brazilian baião and bebop
spellingShingle The composition and interpretation by Victor Assis Brasil in Pro Zeca: hybridism between the Brazilian baião and bebop
Linhares, Leonardo Barreto
Victor Assis Brasil
Musical hybridism
Brazilian baião
Bebop
Popular music
Music analysis
Victor Assis Brasil
Hibridismo musical
Baião
Bebop
Música popular
Análise musical
Victor Assis Brasil
Hibridismo musical
Baião
Bebop
Música popular
Análisis musical
title_short The composition and interpretation by Victor Assis Brasil in Pro Zeca: hybridism between the Brazilian baião and bebop
title_full The composition and interpretation by Victor Assis Brasil in Pro Zeca: hybridism between the Brazilian baião and bebop
title_fullStr The composition and interpretation by Victor Assis Brasil in Pro Zeca: hybridism between the Brazilian baião and bebop
title_full_unstemmed The composition and interpretation by Victor Assis Brasil in Pro Zeca: hybridism between the Brazilian baião and bebop
title_sort The composition and interpretation by Victor Assis Brasil in Pro Zeca: hybridism between the Brazilian baião and bebop
author Linhares, Leonardo Barreto
author_facet Linhares, Leonardo Barreto
Borém, Fausto
author_role author
author2 Borém, Fausto
author2_role author
dc.contributor.author.fl_str_mv Linhares, Leonardo Barreto
Borém, Fausto
dc.subject.por.fl_str_mv Victor Assis Brasil
Musical hybridism
Brazilian baião
Bebop
Popular music
Music analysis
Victor Assis Brasil
Hibridismo musical
Baião
Bebop
Música popular
Análise musical
Victor Assis Brasil
Hibridismo musical
Baião
Bebop
Música popular
Análisis musical
topic Victor Assis Brasil
Musical hybridism
Brazilian baião
Bebop
Popular music
Music analysis
Victor Assis Brasil
Hibridismo musical
Baião
Bebop
Música popular
Análise musical
Victor Assis Brasil
Hibridismo musical
Baião
Bebop
Música popular
Análisis musical
description Study about the recognition of compositional and intrepretive elements typical of bebop and baião in the Introduction and Theme of Pro Zeca by Brazilian composer and saxophonist Victor Assis Brasil (1945-1981) departing from three primary sources: (1) the edited lead sheet that reproduces the composer’s autograph (ASSIS BRASIL, sem data a), (2) an anonymous lead sheet manuscript (ASSIS BRASIL, sem data b) and (3) the lead sheet of the transcription based on the composer’s recording (ASSIS BRASIL, 1974) included at the end of this article. This comparative analysis reveals hybridization between bebop and the Brazilian baião, in which the characteristics of these popular genres from two different countries sometimes remain separate and sometimes are interwoven into a synthesis.
publishDate 2011
dc.date.none.fl_str_mv 2011-01-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/41180
url https://periodicos.ufmg.br/index.php/permusi/article/view/41180
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/41180/31383
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 23 (2011): General Topics; 1-11
Per Musi; Núm. 23 (2011): General Topics; 1-11
Per Musi; n. 23 (2011): General Topics; 1-11
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
_version_ 1799711237212209152

Registros relacionados