Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu: Elements of the Maracatu folkloric tradition and interpretative suggestions

Detalhes bibliográficos
Autor(a) principal: Ramalho, Marcel
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/38325
Resumo: This article describes how Brazilian composer José Siqueira (1907-1985) used musical elements from the folkloric tradition known as Maracatu in the composition of the songs titled Loanda and Maracatu. A secondary goal is to suggest interpretative performance approaches that take into consideration the musical, textual, and sociocultural aspects of these songs. The methodology for the analyses was based on the categories and terms for examining the musical frameworks of art songs outlined by Carol Kimball in her two books about art song, as well as Siqueira’s own-devised Trimodal System. In Loanda and Maracatu, the composer uses several rhythmic cells that are characteristic of the Maracatu folkloric tradition, as well as a clear twentieth-century musical language, confirming Siqueira’s two aesthetic orientations: Folkloric Nationalism (when the composer uses the pure elements of folklore) and Essential Nationalism (when the composer draws inspiration from folklore to create his own musical language).
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spelling Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu: Elements of the Maracatu folkloric tradition and interpretative suggestionsNacionalismo folclórico y nacionalismo esencial en Loanda y Maracatu de José Siqueira: Elementos de Maracatu y sugerencias para la interpretaciónNacionalismo Folclórico e Nacionalismo Essencial em Loanda e Maracatu de José Siqueira: Elementos do Maracatu e sugestões para interpretaçãoJosé SiqueiraBrazilian Art SongOito Canções Populares BrasileirasLoandaMaracatuJosé SiqueiraCanção de Câmara BrasileiraOito Canções Populares BrasileirasLoandaMaracatuJosé SiqueiraCanción de Cámara BrasileñaOcho Canciones Populares BrasileñasLoandaMaracatuThis article describes how Brazilian composer José Siqueira (1907-1985) used musical elements from the folkloric tradition known as Maracatu in the composition of the songs titled Loanda and Maracatu. A secondary goal is to suggest interpretative performance approaches that take into consideration the musical, textual, and sociocultural aspects of these songs. The methodology for the analyses was based on the categories and terms for examining the musical frameworks of art songs outlined by Carol Kimball in her two books about art song, as well as Siqueira’s own-devised Trimodal System. In Loanda and Maracatu, the composer uses several rhythmic cells that are characteristic of the Maracatu folkloric tradition, as well as a clear twentieth-century musical language, confirming Siqueira’s two aesthetic orientations: Folkloric Nationalism (when the composer uses the pure elements of folklore) and Essential Nationalism (when the composer draws inspiration from folklore to create his own musical language).Este artículo describe cómo el compositor brasileño José Siqueira (1907-1985) utilizó elementos de la tradición folclórica conocida como Maracatu en la composición de las canciones tituladas Loanda e Maracatu. El objetivo secundario es sugerir enfoques interpretativos que tengan en cuenta los aspectos musicales, textuales y socioculturales de estas canciones. La metodología utilizada para el análisis se basó en las categorías y términos de análisis de canciones de cámara descritos por Carol Kimball en sus dos libros sobre música de cámara, así como en el Sistema Trimodal desarrollado por Siqueira. En Loanda y Maracatu, Siqueira utiliza varias células rítmicas propias de Maracatu, así como un lenguaje musical claramente propio del siglo XX, confirmando las dos orientaciones estéticas del compositor: Nacionalismo Folclórico (cuando el compositor utiliza los elementos puros del folclore) y Nacionalismo esencial (cuando el compositor se inspira en el folclore para crear su propio lenguaje musical).Este artigo descreve como o compositor brasileiro José Siqueira (1907-1985) utilizou elementos da tradição folclórica conhecida como Maracatu na composição das canções intituladas Loanda e Maracatu. O objetivo secundário é sugerir abordagens interpretativas que levem em consideração os aspectos musicais, textuais e socioculturais destas canções. A metodologia utilizada para as análises foi baseada nas categorias e termos para análise de canções de câmara descritos por Carol Kimball em seus dois livros sobre canção de câmara, assim como no Sistema Trimodal desenvolvido por Siqueira. Em Loanda e Maracatu, Siqueira usa várias células rítmicas típicas do Maracatu, assim como uma linguagem musical claramente pertencente ao século XX, confirmando as duas orientações estéticas do compositor: Nacionalismo Folclórico (quando o compositor usa os elementos puros do folclore) e Nacionalismo Essencial (quando o compositor se inspira no folclore para criar sua própria linguagem musical).Universidade Federal de Minas Gerais (UFMG)2022-05-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextTextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/3832510.35699/2317-6377.2022.38325Per Musi; No. 42 (2022): General Topics; 1-24Per Musi; Núm. 42 (2022): General Topics; 1-24Per Musi; n. 42 (2022): General Topics; 1-242317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/38325/37487https://periodicos.ufmg.br/index.php/permusi/article/view/38325/37488https://periodicos.ufmg.br/index.php/permusi/article/view/38325/30400Copyright (c) 2022 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRamalho, Marcel 2023-10-14T00:15:15Zoai:periodicos.ufmg.br:article/38325Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-10-14T00:15:15Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu: Elements of the Maracatu folkloric tradition and interpretative suggestions
Nacionalismo folclórico y nacionalismo esencial en Loanda y Maracatu de José Siqueira: Elementos de Maracatu y sugerencias para la interpretación
Nacionalismo Folclórico e Nacionalismo Essencial em Loanda e Maracatu de José Siqueira: Elementos do Maracatu e sugestões para interpretação
title Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu: Elements of the Maracatu folkloric tradition and interpretative suggestions
spellingShingle Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu: Elements of the Maracatu folkloric tradition and interpretative suggestions
Ramalho, Marcel
José Siqueira
Brazilian Art Song
Oito Canções Populares Brasileiras
Loanda
Maracatu
José Siqueira
Canção de Câmara Brasileira
Oito Canções Populares Brasileiras
Loanda
Maracatu
José Siqueira
Canción de Cámara Brasileña
Ocho Canciones Populares Brasileñas
Loanda
Maracatu
title_short Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu: Elements of the Maracatu folkloric tradition and interpretative suggestions
title_full Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu: Elements of the Maracatu folkloric tradition and interpretative suggestions
title_fullStr Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu: Elements of the Maracatu folkloric tradition and interpretative suggestions
title_full_unstemmed Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu: Elements of the Maracatu folkloric tradition and interpretative suggestions
title_sort Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu: Elements of the Maracatu folkloric tradition and interpretative suggestions
author Ramalho, Marcel
author_facet Ramalho, Marcel
author_role author
dc.contributor.author.fl_str_mv Ramalho, Marcel
dc.subject.por.fl_str_mv José Siqueira
Brazilian Art Song
Oito Canções Populares Brasileiras
Loanda
Maracatu
José Siqueira
Canção de Câmara Brasileira
Oito Canções Populares Brasileiras
Loanda
Maracatu
José Siqueira
Canción de Cámara Brasileña
Ocho Canciones Populares Brasileñas
Loanda
Maracatu
topic José Siqueira
Brazilian Art Song
Oito Canções Populares Brasileiras
Loanda
Maracatu
José Siqueira
Canção de Câmara Brasileira
Oito Canções Populares Brasileiras
Loanda
Maracatu
José Siqueira
Canción de Cámara Brasileña
Ocho Canciones Populares Brasileñas
Loanda
Maracatu
description This article describes how Brazilian composer José Siqueira (1907-1985) used musical elements from the folkloric tradition known as Maracatu in the composition of the songs titled Loanda and Maracatu. A secondary goal is to suggest interpretative performance approaches that take into consideration the musical, textual, and sociocultural aspects of these songs. The methodology for the analyses was based on the categories and terms for examining the musical frameworks of art songs outlined by Carol Kimball in her two books about art song, as well as Siqueira’s own-devised Trimodal System. In Loanda and Maracatu, the composer uses several rhythmic cells that are characteristic of the Maracatu folkloric tradition, as well as a clear twentieth-century musical language, confirming Siqueira’s two aesthetic orientations: Folkloric Nationalism (when the composer uses the pure elements of folklore) and Essential Nationalism (when the composer draws inspiration from folklore to create his own musical language).
publishDate 2022
dc.date.none.fl_str_mv 2022-05-06
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38325
10.35699/2317-6377.2022.38325
url https://periodicos.ufmg.br/index.php/permusi/article/view/38325
identifier_str_mv 10.35699/2317-6377.2022.38325
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38325/37487
https://periodicos.ufmg.br/index.php/permusi/article/view/38325/37488
https://periodicos.ufmg.br/index.php/permusi/article/view/38325/30400
dc.rights.driver.fl_str_mv Copyright (c) 2022 Per Musi
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rights_invalid_str_mv Copyright (c) 2022 Per Musi
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eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 42 (2022): General Topics; 1-24
Per Musi; Núm. 42 (2022): General Topics; 1-24
Per Musi; n. 42 (2022): General Topics; 1-24
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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reponame_str Per Musi
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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