Musical corporality in popular music: a view of Baden Powell e Egberto Gismonti ́s performances on the guitar

Detalhes bibliográficos
Autor(a) principal: Schroeder, Jorge Luiz
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/45095
Resumo: Study based on the doctoral dissertation (SCHROEDER, 2006) in which I propose the concept of musical corporality to be able to explain the performances of five Brazilian popular musicians. Through the investigation of the relations that two of these musicians (Baden Powell e Egberto Gismonti) construct with their instruments (the popular acoustic guitar) and languages (instrumental popular music), we intend to emphasize the performance as a game of tensions between the particular possibilities of the musicians (for the realization as well as for the musical understanding) and the languages, genres and musical instruments chosen by them for expression. These instruments are marked by rules derived from a historical and collective process that does not happen in one single individual. On the other hand, the musicians are marked by possibilities and difficulties that do not allow the full realization of collective requirements. Music is born from this complex game.
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spelling Musical corporality in popular music: a view of Baden Powell e Egberto Gismonti ́s performances on the guitarLa corporeidad musical en la música popular: una visión de la interpretación guitarrística de Baden Powell y Egberto GismontiCorporalidade musical na música popular: uma visão da performance violonística de Baden Powell e Egberto GismontiMusical corporalityMusic performancePopular musicBaden PowellEgberto GismontiCorporalidade musicalPerformance musicalMúsica popularBaden PowellEgberto GismontiCorporalidad musicalInterpretación musicalMúsica popularBaden PowellEgberto GismontiStudy based on the doctoral dissertation (SCHROEDER, 2006) in which I propose the concept of musical corporality to be able to explain the performances of five Brazilian popular musicians. Through the investigation of the relations that two of these musicians (Baden Powell e Egberto Gismonti) construct with their instruments (the popular acoustic guitar) and languages (instrumental popular music), we intend to emphasize the performance as a game of tensions between the particular possibilities of the musicians (for the realization as well as for the musical understanding) and the languages, genres and musical instruments chosen by them for expression. These instruments are marked by rules derived from a historical and collective process that does not happen in one single individual. On the other hand, the musicians are marked by possibilities and difficulties that do not allow the full realization of collective requirements. Music is born from this complex game.Extracto de mi tesis doctoral (SCHROEDER, 2006) en la que propongo el concepto de corporalidad musical para explicar las actuaciones de cinco músicos populares. A través de la investigación de las relaciones que dos de ellos (Baden Powell y Egberto Gismonti) construyen con sus instrumentos (guitarra popular) y lenguajes (instrumen tal), pretendemos enfatizar la performance como un juego de tensiones entre las posibilidades particulares de los músicos (tanto de realización como de comprensión musical). (y los lenguajes, géneros e instrumentos musicales elegidos por ellos para expresarse. elegidos por ellos para expresarse. Estos instrumentos están marcados por reglas derivadas de un proceso histórico y colectivo que no es y los músicos, marcados por posibilidades y dificultades que no permiten la plena realización de una exigencia colectiva. de una exigencia colectiva. De este complejo juego nace la música.Recorte da tese de doutorado (SCHROEDER, 2006) em que proponho o conceito de corporalidade musical para poder explicar as performances de cinco músicos populares. Através da investigação das relações que dois deles (Baden Powell e Egberto Gismonti) constroem com seus instrumentos (violão popular) e linguagens (música popular instrumental), pretende-se enfatizar a performance como um jogo de tensões entre as possibilidades particulares dos músicos (tanto de realização quanto de entendimento musical) e as linguagens, gêneros e instrumentos musicais escolhidos por eles para expressão. Estes instrumentos são marcados por regras oriundas de um processo histórico e coletivo que não se realiza num só indivíduo, e os músicos, marcados por possibilidades e dificuldades que não permitem a realização plena de uma exigência coletiva. Deste jogo complexo nasce a música.Universidade Federal de Minas Gerais (UFMG)2010-07-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/45095Per Musi; No. 22 (2010): General Topics; 1-14Per Musi; Núm. 22 (2010): General Topics; 1-14Per Musi; n. 22 (2010): General Topics; 1-142317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/45095/37005http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSchroeder, Jorge Luiz2023-03-10T21:39:46Zoai:periodicos.ufmg.br:article/45095Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-03-10T21:39:46Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Musical corporality in popular music: a view of Baden Powell e Egberto Gismonti ́s performances on the guitar
La corporeidad musical en la música popular: una visión de la interpretación guitarrística de Baden Powell y Egberto Gismonti
Corporalidade musical na música popular: uma visão da performance violonística de Baden Powell e Egberto Gismonti
title Musical corporality in popular music: a view of Baden Powell e Egberto Gismonti ́s performances on the guitar
spellingShingle Musical corporality in popular music: a view of Baden Powell e Egberto Gismonti ́s performances on the guitar
Schroeder, Jorge Luiz
Musical corporality
Music performance
Popular music
Baden Powell
Egberto Gismonti
Corporalidade musical
Performance musical
Música popular
Baden Powell
Egberto Gismonti
Corporalidad musical
Interpretación musical
Música popular
Baden Powell
Egberto Gismonti
title_short Musical corporality in popular music: a view of Baden Powell e Egberto Gismonti ́s performances on the guitar
title_full Musical corporality in popular music: a view of Baden Powell e Egberto Gismonti ́s performances on the guitar
title_fullStr Musical corporality in popular music: a view of Baden Powell e Egberto Gismonti ́s performances on the guitar
title_full_unstemmed Musical corporality in popular music: a view of Baden Powell e Egberto Gismonti ́s performances on the guitar
title_sort Musical corporality in popular music: a view of Baden Powell e Egberto Gismonti ́s performances on the guitar
author Schroeder, Jorge Luiz
author_facet Schroeder, Jorge Luiz
author_role author
dc.contributor.author.fl_str_mv Schroeder, Jorge Luiz
dc.subject.por.fl_str_mv Musical corporality
Music performance
Popular music
Baden Powell
Egberto Gismonti
Corporalidade musical
Performance musical
Música popular
Baden Powell
Egberto Gismonti
Corporalidad musical
Interpretación musical
Música popular
Baden Powell
Egberto Gismonti
topic Musical corporality
Music performance
Popular music
Baden Powell
Egberto Gismonti
Corporalidade musical
Performance musical
Música popular
Baden Powell
Egberto Gismonti
Corporalidad musical
Interpretación musical
Música popular
Baden Powell
Egberto Gismonti
description Study based on the doctoral dissertation (SCHROEDER, 2006) in which I propose the concept of musical corporality to be able to explain the performances of five Brazilian popular musicians. Through the investigation of the relations that two of these musicians (Baden Powell e Egberto Gismonti) construct with their instruments (the popular acoustic guitar) and languages (instrumental popular music), we intend to emphasize the performance as a game of tensions between the particular possibilities of the musicians (for the realization as well as for the musical understanding) and the languages, genres and musical instruments chosen by them for expression. These instruments are marked by rules derived from a historical and collective process that does not happen in one single individual. On the other hand, the musicians are marked by possibilities and difficulties that do not allow the full realization of collective requirements. Music is born from this complex game.
publishDate 2010
dc.date.none.fl_str_mv 2010-07-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/45095
url https://periodicos.ufmg.br/index.php/permusi/article/view/45095
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/45095/37005
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 22 (2010): General Topics; 1-14
Per Musi; Núm. 22 (2010): General Topics; 1-14
Per Musi; n. 22 (2010): General Topics; 1-14
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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