Subtlety, intensification and inventiveness: musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)

Detalhes bibliográficos
Autor(a) principal: Galvão, Christiano Lima
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/39810
Resumo: This article presents a descriptive analysis of drummer Nenê's performance on Egberto Gismonti's “Maracatu” phonogram on the 1981 album Sanfona. His interpretation of Maracatu on this track illustrates how certain Brazilian rhythms can be creatively adapted and performed on the drum set. Based on the theoretical concepts on musical performance present in the work of Ingrid Monson (1996) and Nicholas Cook (2013), I intend to shed light on the inventive interpretation of this popular Brazilian rhythm on drums in the context of Brazilian jazz.
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spelling Subtlety, intensification and inventiveness: musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)Sutileza, intensificación y inventiva: análisis musical de la actuación del baterista Nenê en “Maracatu” de Egberto Gismonti en el disco Sanfona (1981)Sutileza, intensificação e inventividade: análise musical da performance do baterista Nenê em “Maracatu” de Egberto Gismonti no álbum Sanfona (1981) DrumsBrazilian JazzMusical PerformanceEgberto GismontiBateriaMúsica Instrumental BrasileiraPerformance MusicalEgberto GismontiBateríaMúsica Instrumental BrasileñaActuación MusicalEgberto GismontiThis article presents a descriptive analysis of drummer Nenê's performance on Egberto Gismonti's “Maracatu” phonogram on the 1981 album Sanfona. His interpretation of Maracatu on this track illustrates how certain Brazilian rhythms can be creatively adapted and performed on the drum set. Based on the theoretical concepts on musical performance present in the work of Ingrid Monson (1996) and Nicholas Cook (2013), I intend to shed light on the inventive interpretation of this popular Brazilian rhythm on drums in the context of Brazilian jazz.Este artículo presenta un análisis musical descriptivo de la actuación del baterista Nenê en el fonograma “Maracatu” de Egberto Gismonti del álbum Sanfona de 1981. Su interpretación del maracatu en el tema mencionado ilustra cómo ciertos ritmos brasileños pueden ser adaptados creativamente e interpretados en los tambores Con base en los conceptos teóricos sobre la ejecución musical presentes en el trabajo de Ingrid Monson (1996) y Nicholas Cook (2013), pretendo en este texto arrojar luz sobre la interpretación inventiva de este ritmo popular en la batería en el contexto de la música instrumental brasileña.Este artigo apresenta uma análise musical descritiva da performance do baterista Nenê no fonograma “Maracatu” de Egberto Gismonti presente no álbum Sanfona de 1981. A sua interpretação do maracatu na referida faixa ilustra como determinados ritmos brasileiros podem ser adaptados e executados de forma criativa na bateria. Apoiado nos conceitos teóricos sobre performance musical presentes no trabalho Ingrid Monson (1996) e Nicholas Cook (2013), pretendo neste texto colocar luz sobre a inventiva interpretação desse ritmo popular na bateria no contexto da música instrumental brasileira.Universidade Federal de Minas Gerais (UFMG)2022-06-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextTextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/3981010.35699/2317-6377.2022.39810Per Musi; No. 42 (2022): General Topics; 1-21Per Musi; Núm. 42 (2022): General Topics; 1-21Per Musi; n. 42 (2022): General Topics; 1-212317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39810/37507https://periodicos.ufmg.br/index.php/permusi/article/view/39810/37508https://periodicos.ufmg.br/index.php/permusi/article/view/39810/30761Copyright (c) 2022 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGalvão, Christiano Lima2023-10-14T00:15:31Zoai:periodicos.ufmg.br:article/39810Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-10-14T00:15:31Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Subtlety, intensification and inventiveness: musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)
Sutileza, intensificación y inventiva: análisis musical de la actuación del baterista Nenê en “Maracatu” de Egberto Gismonti en el disco Sanfona (1981)
Sutileza, intensificação e inventividade: análise musical da performance do baterista Nenê em “Maracatu” de Egberto Gismonti no álbum Sanfona (1981)
title Subtlety, intensification and inventiveness: musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)
spellingShingle Subtlety, intensification and inventiveness: musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)
Galvão, Christiano Lima
Drums
Brazilian Jazz
Musical Performance
Egberto Gismonti
Bateria
Música Instrumental Brasileira
Performance Musical
Egberto Gismonti
Batería
Música Instrumental Brasileña
Actuación Musical
Egberto Gismonti
title_short Subtlety, intensification and inventiveness: musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)
title_full Subtlety, intensification and inventiveness: musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)
title_fullStr Subtlety, intensification and inventiveness: musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)
title_full_unstemmed Subtlety, intensification and inventiveness: musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)
title_sort Subtlety, intensification and inventiveness: musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)
author Galvão, Christiano Lima
author_facet Galvão, Christiano Lima
author_role author
dc.contributor.author.fl_str_mv Galvão, Christiano Lima
dc.subject.por.fl_str_mv Drums
Brazilian Jazz
Musical Performance
Egberto Gismonti
Bateria
Música Instrumental Brasileira
Performance Musical
Egberto Gismonti
Batería
Música Instrumental Brasileña
Actuación Musical
Egberto Gismonti
topic Drums
Brazilian Jazz
Musical Performance
Egberto Gismonti
Bateria
Música Instrumental Brasileira
Performance Musical
Egberto Gismonti
Batería
Música Instrumental Brasileña
Actuación Musical
Egberto Gismonti
description This article presents a descriptive analysis of drummer Nenê's performance on Egberto Gismonti's “Maracatu” phonogram on the 1981 album Sanfona. His interpretation of Maracatu on this track illustrates how certain Brazilian rhythms can be creatively adapted and performed on the drum set. Based on the theoretical concepts on musical performance present in the work of Ingrid Monson (1996) and Nicholas Cook (2013), I intend to shed light on the inventive interpretation of this popular Brazilian rhythm on drums in the context of Brazilian jazz.
publishDate 2022
dc.date.none.fl_str_mv 2022-06-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39810
10.35699/2317-6377.2022.39810
url https://periodicos.ufmg.br/index.php/permusi/article/view/39810
identifier_str_mv 10.35699/2317-6377.2022.39810
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39810/37507
https://periodicos.ufmg.br/index.php/permusi/article/view/39810/37508
https://periodicos.ufmg.br/index.php/permusi/article/view/39810/30761
dc.rights.driver.fl_str_mv Copyright (c) 2022 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 42 (2022): General Topics; 1-21
Per Musi; Núm. 42 (2022): General Topics; 1-21
Per Musi; n. 42 (2022): General Topics; 1-21
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
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reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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