On rock as an alternative materiality to access “structures of feeling”: the Velvet Underground’s case and the pop music scenario in late’ 1960’s

Detalhes bibliográficos
Autor(a) principal: Marquioni, Carlos Eduardo
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5162
Resumo: Starting from the hypothesis that rock music can be considered as a kind of alternative materiality to access the culture of a period, Velvet Underground’s album White Light/White Heat (1968) is addressed in this paper considering one of the contexts observed in late 1960’s. The academic education of the band members, as well as the Pop Art as proposed by Andy Warhol, and the way of life observed at the Factory studio are analyzed as parts that contribute to the constitution of a “structure of feeling”. The hypothesis is reinforced with a brief comparison between White Light/White Heat and the White Album from the Beatles, what presents the possibility of access to distinct cultures of the same period by rock music analysis.
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spelling On rock as an alternative materiality to access “structures of feeling”: the Velvet Underground’s case and the pop music scenario in late’ 1960’sDel rock como materialidad alternativa al acceso a "estructuras de sentimiento": el caso de Velvet Underground y el escenario de la música pop a finales de los años 1960Do rock como materialidade alternativa para acessar “estruturas de sentimento”: o caso do Velvet Underground e o cenário da música pop no final dos anos 1960Velvet UndergroundWhite Light/White HeatRockStructure of FeelingPop-art and musicVelvet UndergroundWhite Light/White HeatRockestrutura de sentimentoPop-art e músicaVelvet UndergroundWhite Light/White HeatRockestructura de sentimientosPop-art y músicaStarting from the hypothesis that rock music can be considered as a kind of alternative materiality to access the culture of a period, Velvet Underground’s album White Light/White Heat (1968) is addressed in this paper considering one of the contexts observed in late 1960’s. The academic education of the band members, as well as the Pop Art as proposed by Andy Warhol, and the way of life observed at the Factory studio are analyzed as parts that contribute to the constitution of a “structure of feeling”. The hypothesis is reinforced with a brief comparison between White Light/White Heat and the White Album from the Beatles, what presents the possibility of access to distinct cultures of the same period by rock music analysis.Partiendo de la hipótesis de que el rock puede constituir una forma de materialidad alternativa para acceder a la cultura de una época, se aborda el álbum White Light/White Heat de Velvet Underground (1968) considerando uno de los contextos observables en los últimos años de la década de 1960. La formación académica de los miembros de la banda, el Pop Art propuesto por Andy Warhol y su forma de vida en el estudio Factory se analizan como partes que contribuyen a constituir una "estructura de sentimiento". La hipótesis se ve reforzada por una breve comparación entre White Light/White Heat y el White Album de los Beatles, que presenta la posibilidad de acceder a distintas culturas del mismo periodo desde el rock.Partindo da hipótese de que o rock pode constituir uma forma de materialidade alternativa para acesso à cultura de um período, o álbum White Light/White Heat da banda Velvet Underground (1968) é abordado considerando um dos contextos observáveis nos últimos anos da década de 1960. A formação acadêmica dos membros da banda, a Pop Art proposta por Andy Warhol e seu modo de vida no estúdio Factory são analisados enquanto partes que contribuem para constituir uma “estrutura de sentimento”. A hipótese é reforçada por uma breve comparação entre White Light/White Heat e o White Album dos Beatles, apresentando a possibilidade de acesso a culturas distintas de um mesmo período a partir do rock.Universidade Federal de Minas Gerais (UFMG)2018-05-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfimage/jpegimage/jpegimage/jpegimage/jpeghttps://periodicos.ufmg.br/index.php/permusi/article/view/516210.35699/2317-6377.2018.5162Per Musi; No. 38 (2018): General TopicsPer Musi; Núm. 38 (2018): General TopicsPer Musi; n. 38 (2018): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5162/3205https://periodicos.ufmg.br/index.php/permusi/article/view/5162/9423https://periodicos.ufmg.br/index.php/permusi/article/view/5162/9424https://periodicos.ufmg.br/index.php/permusi/article/view/5162/9425https://periodicos.ufmg.br/index.php/permusi/article/view/5162/9426Marquioni, Carlos Eduardoinfo:eu-repo/semantics/openAccess2020-02-27T19:14:44Zoai:periodicos.ufmg.br:article/5162Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-02-27T19:14:44Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv On rock as an alternative materiality to access “structures of feeling”: the Velvet Underground’s case and the pop music scenario in late’ 1960’s
Del rock como materialidad alternativa al acceso a "estructuras de sentimiento": el caso de Velvet Underground y el escenario de la música pop a finales de los años 1960
Do rock como materialidade alternativa para acessar “estruturas de sentimento”: o caso do Velvet Underground e o cenário da música pop no final dos anos 1960
title On rock as an alternative materiality to access “structures of feeling”: the Velvet Underground’s case and the pop music scenario in late’ 1960’s
spellingShingle On rock as an alternative materiality to access “structures of feeling”: the Velvet Underground’s case and the pop music scenario in late’ 1960’s
Marquioni, Carlos Eduardo
Velvet Underground
White Light/White Heat
Rock
Structure of Feeling
Pop-art and music
Velvet Underground
White Light/White Heat
Rock
estrutura de sentimento
Pop-art e música
Velvet Underground
White Light/White Heat
Rock
estructura de sentimientos
Pop-art y música
title_short On rock as an alternative materiality to access “structures of feeling”: the Velvet Underground’s case and the pop music scenario in late’ 1960’s
title_full On rock as an alternative materiality to access “structures of feeling”: the Velvet Underground’s case and the pop music scenario in late’ 1960’s
title_fullStr On rock as an alternative materiality to access “structures of feeling”: the Velvet Underground’s case and the pop music scenario in late’ 1960’s
title_full_unstemmed On rock as an alternative materiality to access “structures of feeling”: the Velvet Underground’s case and the pop music scenario in late’ 1960’s
title_sort On rock as an alternative materiality to access “structures of feeling”: the Velvet Underground’s case and the pop music scenario in late’ 1960’s
author Marquioni, Carlos Eduardo
author_facet Marquioni, Carlos Eduardo
author_role author
dc.contributor.author.fl_str_mv Marquioni, Carlos Eduardo
dc.subject.por.fl_str_mv Velvet Underground
White Light/White Heat
Rock
Structure of Feeling
Pop-art and music
Velvet Underground
White Light/White Heat
Rock
estrutura de sentimento
Pop-art e música
Velvet Underground
White Light/White Heat
Rock
estructura de sentimientos
Pop-art y música
topic Velvet Underground
White Light/White Heat
Rock
Structure of Feeling
Pop-art and music
Velvet Underground
White Light/White Heat
Rock
estrutura de sentimento
Pop-art e música
Velvet Underground
White Light/White Heat
Rock
estructura de sentimientos
Pop-art y música
description Starting from the hypothesis that rock music can be considered as a kind of alternative materiality to access the culture of a period, Velvet Underground’s album White Light/White Heat (1968) is addressed in this paper considering one of the contexts observed in late 1960’s. The academic education of the band members, as well as the Pop Art as proposed by Andy Warhol, and the way of life observed at the Factory studio are analyzed as parts that contribute to the constitution of a “structure of feeling”. The hypothesis is reinforced with a brief comparison between White Light/White Heat and the White Album from the Beatles, what presents the possibility of access to distinct cultures of the same period by rock music analysis.
publishDate 2018
dc.date.none.fl_str_mv 2018-05-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5162
10.35699/2317-6377.2018.5162
url https://periodicos.ufmg.br/index.php/permusi/article/view/5162
identifier_str_mv 10.35699/2317-6377.2018.5162
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5162/3205
https://periodicos.ufmg.br/index.php/permusi/article/view/5162/9423
https://periodicos.ufmg.br/index.php/permusi/article/view/5162/9424
https://periodicos.ufmg.br/index.php/permusi/article/view/5162/9425
https://periodicos.ufmg.br/index.php/permusi/article/view/5162/9426
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
image/jpeg
image/jpeg
image/jpeg
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 38 (2018): General Topics
Per Musi; Núm. 38 (2018): General Topics
Per Musi; n. 38 (2018): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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