Gubaidulina’s String Quartet No.4: recreation of traditions in a new musical context

Detalhes bibliográficos
Autor(a) principal: Koay, Kheng Keow
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5237
Resumo: This study examines Sofia Gubaidulina's exploration of traditional musical idioms in her String Quartet No.4. Together with influences of Baroque and Renaissance musical styles, the composer experiments with the accommodation of minimalist repetitive musical texture and the European tradition of ground bass, providing a different kind of musical synthesis. Gubaidulina also explores new possibilities in several musical and technical aspects. Unexpected timbres are created in the music, providing a unique sonic experience.
id UFMG-3_9c94563d8e6a8c10cdf164444d510579
oai_identifier_str oai:periodicos.ufmg.br:article/5237
network_acronym_str UFMG-3
network_name_str Per Musi
repository_id_str
spelling Gubaidulina’s String Quartet No.4: recreation of traditions in a new musical contextCuarteto de cuerdas N.4 de Gubaidulina: recreación de tradiciones en un nuevo contexto musicalO Quarteto de Cordas N.4 de Gubaidulina: recriação de tradições em um novo contexto musicallament basschamber music by Sofia Gubaidulinamusical eclecticismstylesynthesisbaixo ostinatomúsica de câmara de Sofia Gubaidulinasíntese de estilosecletismo musicalbajo ostinatomúsica de cámara de Sofia GubaidulinaDescripción general del estiloeclecticismo musicalThis study examines Sofia Gubaidulina's exploration of traditional musical idioms in her String Quartet No.4. Together with influences of Baroque and Renaissance musical styles, the composer experiments with the accommodation of minimalist repetitive musical texture and the European tradition of ground bass, providing a different kind of musical synthesis. Gubaidulina also explores new possibilities in several musical and technical aspects. Unexpected timbres are created in the music, providing a unique sonic experience.Este estudio examina el enfoque de Sofia Gubaidulina sobre las expresiones musicales tradicionales en su Cuarteto de Cuerdas N.4. Junto a las influencias de los estilos musicales barroco y renacentista, el compositor experimenta la acomodación de la textura musical repetitiva minimalista y la tradición europea del bajo, proporcionando un tipo diferente de síntesis musical. Gubaidulina también explora nuevas posibilidades en varios aspectos musicales y técnicos. Se crean timbres inesperados que proporcionan una experiencia de sonido única.Este estudo examina a abordagem de Sofia Gubaidulina de expressões musicais tradicionais em seu Quarteto de Cordas N.4. Ao lado de influências dos estilos musicais barroco e renascentista, a compositora experimenta a acomodação da textura musical repetitiva minimalista e a tradição européia do baixo, proporcionando um tipo diferente de síntese musical. Gubaidulina também explora novas possibilidades em vários aspectos musicais e técnicos. Timbres inesperados são criados, proporcionando uma experiência sonora única.Universidade Federal de Minas Gerais (UFMG)2018-05-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextotextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/523710.35699/2317-6377.2018.5237Per Musi; No. 38 (2018): General TopicsPer Musi; Núm. 38 (2018): General TopicsPer Musi; n. 38 (2018): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/5237/3253Koay, Kheng Keowinfo:eu-repo/semantics/openAccess2020-02-27T19:15:00Zoai:periodicos.ufmg.br:article/5237Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-02-27T19:15Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Gubaidulina’s String Quartet No.4: recreation of traditions in a new musical context
Cuarteto de cuerdas N.4 de Gubaidulina: recreación de tradiciones en un nuevo contexto musical
O Quarteto de Cordas N.4 de Gubaidulina: recriação de tradições em um novo contexto musical
title Gubaidulina’s String Quartet No.4: recreation of traditions in a new musical context
spellingShingle Gubaidulina’s String Quartet No.4: recreation of traditions in a new musical context
Koay, Kheng Keow
lament bass
chamber music by Sofia Gubaidulina
musical eclecticism
stylesynthesis
baixo ostinato
música de câmara de Sofia Gubaidulina
síntese de estilos
ecletismo musical
bajo ostinato
música de cámara de Sofia Gubaidulina
Descripción general del estilo
eclecticismo musical
title_short Gubaidulina’s String Quartet No.4: recreation of traditions in a new musical context
title_full Gubaidulina’s String Quartet No.4: recreation of traditions in a new musical context
title_fullStr Gubaidulina’s String Quartet No.4: recreation of traditions in a new musical context
title_full_unstemmed Gubaidulina’s String Quartet No.4: recreation of traditions in a new musical context
title_sort Gubaidulina’s String Quartet No.4: recreation of traditions in a new musical context
author Koay, Kheng Keow
author_facet Koay, Kheng Keow
author_role author
dc.contributor.author.fl_str_mv Koay, Kheng Keow
dc.subject.por.fl_str_mv lament bass
chamber music by Sofia Gubaidulina
musical eclecticism
stylesynthesis
baixo ostinato
música de câmara de Sofia Gubaidulina
síntese de estilos
ecletismo musical
bajo ostinato
música de cámara de Sofia Gubaidulina
Descripción general del estilo
eclecticismo musical
topic lament bass
chamber music by Sofia Gubaidulina
musical eclecticism
stylesynthesis
baixo ostinato
música de câmara de Sofia Gubaidulina
síntese de estilos
ecletismo musical
bajo ostinato
música de cámara de Sofia Gubaidulina
Descripción general del estilo
eclecticismo musical
description This study examines Sofia Gubaidulina's exploration of traditional musical idioms in her String Quartet No.4. Together with influences of Baroque and Renaissance musical styles, the composer experiments with the accommodation of minimalist repetitive musical texture and the European tradition of ground bass, providing a different kind of musical synthesis. Gubaidulina also explores new possibilities in several musical and technical aspects. Unexpected timbres are created in the music, providing a unique sonic experience.
publishDate 2018
dc.date.none.fl_str_mv 2018-05-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5237
10.35699/2317-6377.2018.5237
url https://periodicos.ufmg.br/index.php/permusi/article/view/5237
identifier_str_mv 10.35699/2317-6377.2018.5237
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5237/3253
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 38 (2018): General Topics
Per Musi; Núm. 38 (2018): General Topics
Per Musi; n. 38 (2018): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
_version_ 1799711235657170944

Registros relacionados