Interpretation versus Performance in the work De Profundis by Sofia Gubaidulina

Detalhes bibliográficos
Autor(a) principal: Pescada, Gonçalo
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10174/32741
https://doi.org/10.31926/but.pa.2021.14.63.2.10
Resumo: Sofia Gubaidulina's work introduces new sounds and an incessant search for spirituality through sound. De Profundis, Et Expecto, Silenzio, Last seven Words, Fachwerk, Under the sign of Scorpio are some of the composer's works inspired by the orthodox chants that insert the Bayan (accordion) as a scholarly instrument and essential vehicle for metamorphosis in musical language. The article is presented in three sections: general notions about the composer and work, interpretive analysis and the interpreter's point of view (interpretive practice).
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spelling Interpretation versus Performance in the work De Profundis by Sofia GubaidulinaDe ProfundisSofia GubaidulinaInterpretive PracticesContemporary MusicSofia Gubaidulina's work introduces new sounds and an incessant search for spirituality through sound. De Profundis, Et Expecto, Silenzio, Last seven Words, Fachwerk, Under the sign of Scorpio are some of the composer's works inspired by the orthodox chants that insert the Bayan (accordion) as a scholarly instrument and essential vehicle for metamorphosis in musical language. The article is presented in three sections: general notions about the composer and work, interpretive analysis and the interpreter's point of view (interpretive practice).Bulletin of the Transilvania University of Braşov2022-11-16T16:55:29Z2022-11-162021-11-14T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10174/32741https://doi.org/10.31926/but.pa.2021.14.63.2.10http://hdl.handle.net/10174/32741porgpescada@uevora.pt203org/10.31926/but.pa.2021.14.63.2.10Pescada, Gonçaloinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-03T19:33:35Zoai:dspace.uevora.pt:10174/32741Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:21:38.260592Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Interpretation versus Performance in the work De Profundis by Sofia Gubaidulina
title Interpretation versus Performance in the work De Profundis by Sofia Gubaidulina
spellingShingle Interpretation versus Performance in the work De Profundis by Sofia Gubaidulina
Pescada, Gonçalo
De Profundis
Sofia Gubaidulina
Interpretive Practices
Contemporary Music
title_short Interpretation versus Performance in the work De Profundis by Sofia Gubaidulina
title_full Interpretation versus Performance in the work De Profundis by Sofia Gubaidulina
title_fullStr Interpretation versus Performance in the work De Profundis by Sofia Gubaidulina
title_full_unstemmed Interpretation versus Performance in the work De Profundis by Sofia Gubaidulina
title_sort Interpretation versus Performance in the work De Profundis by Sofia Gubaidulina
author Pescada, Gonçalo
author_facet Pescada, Gonçalo
author_role author
dc.contributor.author.fl_str_mv Pescada, Gonçalo
dc.subject.por.fl_str_mv De Profundis
Sofia Gubaidulina
Interpretive Practices
Contemporary Music
topic De Profundis
Sofia Gubaidulina
Interpretive Practices
Contemporary Music
description Sofia Gubaidulina's work introduces new sounds and an incessant search for spirituality through sound. De Profundis, Et Expecto, Silenzio, Last seven Words, Fachwerk, Under the sign of Scorpio are some of the composer's works inspired by the orthodox chants that insert the Bayan (accordion) as a scholarly instrument and essential vehicle for metamorphosis in musical language. The article is presented in three sections: general notions about the composer and work, interpretive analysis and the interpreter's point of view (interpretive practice).
publishDate 2021
dc.date.none.fl_str_mv 2021-11-14T00:00:00Z
2022-11-16T16:55:29Z
2022-11-16
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dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10174/32741
https://doi.org/10.31926/but.pa.2021.14.63.2.10
http://hdl.handle.net/10174/32741
url http://hdl.handle.net/10174/32741
https://doi.org/10.31926/but.pa.2021.14.63.2.10
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv gpescada@uevora.pt
203
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dc.publisher.none.fl_str_mv Bulletin of the Transilvania University of Braşov
publisher.none.fl_str_mv Bulletin of the Transilvania University of Braşov
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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