RePercussion thematic section: Editorial

Detalhes bibliográficos
Autor(a) principal: Morais, Ronan Gil de
Data de Publicação: 2023
Outros Autores: Bittencourt, Luís
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/49361
Resumo: Per Musi Scholarly Music Journal, in partnership with the Federal Institute of Education, Science and Technology of Goiás (IFG), the Experimental Group for Percussion Teaching, Research and Performance (NΞP3/IFG) and the Incomum Research Group, is proud to announce the RePercussions Thematic Session, dedicated to Percussion music. Aware to the strong shift, which took place in the 21st century, of research on this musical practice in an international sphere, this session seeks to cover the heterogeneity that the word Percussion and its ramifications encompass: from tradition to avant-garde experimentalism, from popular manifestations to concert halls, from the streets to the stage, from the backyard to the classroom. The Editorial Board gathered original proposals that address themes necessarily involving percussion in its different fields of research and action: musical performance; organology; music education; analysis; notation; technological development/innovation; ethnomusicology; musicology.
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spelling RePercussion thematic section: EditorialSesión temática RePercusiones: EditorialSessão temática RePercussões: EditorialThematic sectionRePercussionsPercussionEditorialSessão temáticaRePercussõesPercussãoEditorialSesión temáticaRePercusionesPercusionesEditorialPer Musi Scholarly Music Journal, in partnership with the Federal Institute of Education, Science and Technology of Goiás (IFG), the Experimental Group for Percussion Teaching, Research and Performance (NΞP3/IFG) and the Incomum Research Group, is proud to announce the RePercussions Thematic Session, dedicated to Percussion music. Aware to the strong shift, which took place in the 21st century, of research on this musical practice in an international sphere, this session seeks to cover the heterogeneity that the word Percussion and its ramifications encompass: from tradition to avant-garde experimentalism, from popular manifestations to concert halls, from the streets to the stage, from the backyard to the classroom. The Editorial Board gathered original proposals that address themes necessarily involving percussion in its different fields of research and action: musical performance; organology; music education; analysis; notation; technological development/innovation; ethnomusicology; musicology.Per Musi Revista Acadêmica de Música, en colaboración con el Instituto Federal de Educación, Ciencia y Tecnología de Goiás (IFG), el Centro Experimental de Enseñanza, Investigación e Interpretación en Percusión (NΞP3/IFG) y el Grupo de Investigación Incomum (IFG), tiene el placer de anunciar la Sesión Temática RePercussões, dedicada a la música para percusión. Consciente del brusco giro que se ha producido en el siglo XXI en la investigación de este quehacer musical a escala internacional, esta sesión pretende abarcar la heterogeneidad que encierra la palabra Percusión y sus ramificaciones: de la tradición al experimentalismo de vanguardia, de las manifestaciones populares a las salas de concierto, de la calle al escenario, del patio trasero a las aulas. A continuación, el Consejo de Redacción ha reunido propuestas originales que abordan temas que implican necesariamente a la percusión en sus diferentes campos de investigación y actividad: interpretación musical; organología; educación y/o enseñanza musical; análisis; notación; desarrollo/innovación tecnológica; etnomusicología; musicología.A Per Musi Revista Acadêmica de Música, em parceria com o Instituto Federal de Educação, Ciência e Tecnologia de Goiás (IFG), o Núcleo Experimental para o Ensino, Pesquisa e Performance em Percussão (NΞP3/IFG) e o Incomum Grupo de Pesquisa (IFG), orgulha-se em anunciar a Sessão Temática RePercussões, dedicada à música para Percussão. Atentos à forte guinada, que se deu no séc. XXI, de pesquisas sobre esse fazer musical numa esfera internacional, esta sessão busca abranger a heterogeneidade que a palavra Percussão e suas ramificações abarcam: da tradição ao experimentalismo de vanguarda, das manifestações populares às salas de concerto, das ruas ao palco, do quintal de casas às salas de aula.  O Conselho Editorial reuniu então propostas originais que abordam temas envolvendo necessariamente Percussão em seus diferentes campos de pesquisa e atuação: performance musical; organologia; educação e/ou ensino musical; análise; notação; desenvolvimento/inovação tecnológicos; etnomusicologia; musicologia.Universidade Federal de Minas Gerais (UFMG)2023-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/4936110.35699/2317-6377.2023.49361Per Musi; Vol. 24 (2023): General Topics; 1-3Per Musi; Vol. 24 (2023): General Topics; 1-3Per Musi; v. 24 (2023): General Topics; 1-32317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/49361/43614https://periodicos.ufmg.br/index.php/permusi/article/view/49361/43615https://periodicos.ufmg.br/index.php/permusi/article/view/49361/43616Copyright (c) 2023 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMorais, Ronan Gil deBittencourt, Luís2024-03-24T22:57:33Zoai:periodicos.ufmg.br:article/49361Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2024-03-24T22:57:33Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv RePercussion thematic section: Editorial
Sesión temática RePercusiones: Editorial
Sessão temática RePercussões: Editorial
title RePercussion thematic section: Editorial
spellingShingle RePercussion thematic section: Editorial
Morais, Ronan Gil de
Thematic section
RePercussions
Percussion
Editorial
Sessão temática
RePercussões
Percussão
Editorial
Sesión temática
RePercusiones
Percusiones
Editorial
title_short RePercussion thematic section: Editorial
title_full RePercussion thematic section: Editorial
title_fullStr RePercussion thematic section: Editorial
title_full_unstemmed RePercussion thematic section: Editorial
title_sort RePercussion thematic section: Editorial
author Morais, Ronan Gil de
author_facet Morais, Ronan Gil de
Bittencourt, Luís
author_role author
author2 Bittencourt, Luís
author2_role author
dc.contributor.author.fl_str_mv Morais, Ronan Gil de
Bittencourt, Luís
dc.subject.por.fl_str_mv Thematic section
RePercussions
Percussion
Editorial
Sessão temática
RePercussões
Percussão
Editorial
Sesión temática
RePercusiones
Percusiones
Editorial
topic Thematic section
RePercussions
Percussion
Editorial
Sessão temática
RePercussões
Percussão
Editorial
Sesión temática
RePercusiones
Percusiones
Editorial
description Per Musi Scholarly Music Journal, in partnership with the Federal Institute of Education, Science and Technology of Goiás (IFG), the Experimental Group for Percussion Teaching, Research and Performance (NΞP3/IFG) and the Incomum Research Group, is proud to announce the RePercussions Thematic Session, dedicated to Percussion music. Aware to the strong shift, which took place in the 21st century, of research on this musical practice in an international sphere, this session seeks to cover the heterogeneity that the word Percussion and its ramifications encompass: from tradition to avant-garde experimentalism, from popular manifestations to concert halls, from the streets to the stage, from the backyard to the classroom. The Editorial Board gathered original proposals that address themes necessarily involving percussion in its different fields of research and action: musical performance; organology; music education; analysis; notation; technological development/innovation; ethnomusicology; musicology.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/49361
10.35699/2317-6377.2023.49361
url https://periodicos.ufmg.br/index.php/permusi/article/view/49361
identifier_str_mv 10.35699/2317-6377.2023.49361
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/49361/43614
https://periodicos.ufmg.br/index.php/permusi/article/view/49361/43615
https://periodicos.ufmg.br/index.php/permusi/article/view/49361/43616
dc.rights.driver.fl_str_mv Copyright (c) 2023 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; Vol. 24 (2023): General Topics; 1-3
Per Musi; Vol. 24 (2023): General Topics; 1-3
Per Musi; v. 24 (2023): General Topics; 1-3
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
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