Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky

Detalhes bibliográficos
Autor(a) principal: Bitondi, Matheus Gentile
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/39944
Resumo: The present work analyses the melodic structure of the pieces Syrinx, by Claude Debussy, and the first of the Three pieces for solo clarinet, by Igor Stravinsky, in search of procedures employed to generate the sensation of directionality along the discourse. In order to do so, aspects such as dynamics, rhythmic structure, the organization of the intervals and the movement through the register were taken into consideration. The analysis shows that both composers make use of traditional procedures to make their lines directional, and yet they contribute with new and particular resources.
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spelling Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor StravinskyDireccionalidad en dos melodías del siglo XX: Syrinx de Claude Debussy y la primera de las Tres piezas para clarinete solo de Igor StravinskyDirecionalidade em duas melodias do século XX: Syrinx, de Claude Debussy e a primeira das Três peças para clarinete solo, de Igor StravinskyMelodic analysisDirectionality in musicTwentieth-century musicDebussyStravinskyAnálise melódicaDirecionalidade em músicaMúsica do século XXDebussyStravinskyAnálisis melódicoDireccionalidad en la músicaMúsica del siglo XXDebussyStravinskyThe present work analyses the melodic structure of the pieces Syrinx, by Claude Debussy, and the first of the Three pieces for solo clarinet, by Igor Stravinsky, in search of procedures employed to generate the sensation of directionality along the discourse. In order to do so, aspects such as dynamics, rhythmic structure, the organization of the intervals and the movement through the register were taken into consideration. The analysis shows that both composers make use of traditional procedures to make their lines directional, and yet they contribute with new and particular resources.El presente trabajo analiza la estructura melódica de las piezas Syrinx, de Claude Debussy, y la primera de las Tres piezas para clarinete solo, de Igor Stravinsky, en busca de los procedimientos que generan direccionalidad en el discurso. Para ello, se consideraron aspectos como la dinámica, la estructura rítmica, la composición de intervalos y el movimiento en el registro. Al final del trabajo, se concluyó que ambos compositores hacen uso de procedimientos tradicionales para conferir direccionalidad a las líneas melódicas, al tiempo que aportan recursos nuevos y particulares.O presente trabalho analisa a estruturação melódica das peças Syrinx, de Claude Debussy, e a primeira das Três peças para clarinete solo, de Igor Stravinsky, em busca dos procedimentos geradores de direcionalidade no discurso. Para tal, foram considerados aspectos como dinâmica, estrutura rítmica, composição intervalar e movimento no registro. Ao final do trabalho, chegou-se à conclusão que ambos os compositores lançam mão de procedimentos tradicionais para conferir direcionalidade às linhas melódicas, ao mesmo tempo em que contribuem com recursos novos e particulares.Universidade Federal de Minas Gerais (UFMG)2012-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39944Per Musi; No. 26 (2012): General Topics; 1-13Per Musi; Núm. 26 (2012): General Topics; 1-13Per Musi; n. 26 (2012): General Topics; 1-132317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39944/30672http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBitondi, Matheus Gentile 2022-07-01T19:19:58Zoai:periodicos.ufmg.br:article/39944Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-07-01T19:19:58Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky
Direccionalidad en dos melodías del siglo XX: Syrinx de Claude Debussy y la primera de las Tres piezas para clarinete solo de Igor Stravinsky
Direcionalidade em duas melodias do século XX: Syrinx, de Claude Debussy e a primeira das Três peças para clarinete solo, de Igor Stravinsky
title Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky
spellingShingle Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky
Bitondi, Matheus Gentile
Melodic analysis
Directionality in music
Twentieth-century music
Debussy
Stravinsky
Análise melódica
Direcionalidade em música
Música do século XX
Debussy
Stravinsky
Análisis melódico
Direccionalidad en la música
Música del siglo XX
Debussy
Stravinsky
title_short Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky
title_full Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky
title_fullStr Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky
title_full_unstemmed Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky
title_sort Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky
author Bitondi, Matheus Gentile
author_facet Bitondi, Matheus Gentile
author_role author
dc.contributor.author.fl_str_mv Bitondi, Matheus Gentile
dc.subject.por.fl_str_mv Melodic analysis
Directionality in music
Twentieth-century music
Debussy
Stravinsky
Análise melódica
Direcionalidade em música
Música do século XX
Debussy
Stravinsky
Análisis melódico
Direccionalidad en la música
Música del siglo XX
Debussy
Stravinsky
topic Melodic analysis
Directionality in music
Twentieth-century music
Debussy
Stravinsky
Análise melódica
Direcionalidade em música
Música do século XX
Debussy
Stravinsky
Análisis melódico
Direccionalidad en la música
Música del siglo XX
Debussy
Stravinsky
description The present work analyses the melodic structure of the pieces Syrinx, by Claude Debussy, and the first of the Three pieces for solo clarinet, by Igor Stravinsky, in search of procedures employed to generate the sensation of directionality along the discourse. In order to do so, aspects such as dynamics, rhythmic structure, the organization of the intervals and the movement through the register were taken into consideration. The analysis shows that both composers make use of traditional procedures to make their lines directional, and yet they contribute with new and particular resources.
publishDate 2012
dc.date.none.fl_str_mv 2012-12-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39944
url https://periodicos.ufmg.br/index.php/permusi/article/view/39944
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39944/30672
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 26 (2012): General Topics; 1-13
Per Musi; Núm. 26 (2012): General Topics; 1-13
Per Musi; n. 26 (2012): General Topics; 1-13
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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