Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/39944 |
Resumo: | The present work analyses the melodic structure of the pieces Syrinx, by Claude Debussy, and the first of the Three pieces for solo clarinet, by Igor Stravinsky, in search of procedures employed to generate the sensation of directionality along the discourse. In order to do so, aspects such as dynamics, rhythmic structure, the organization of the intervals and the movement through the register were taken into consideration. The analysis shows that both composers make use of traditional procedures to make their lines directional, and yet they contribute with new and particular resources. |
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Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor StravinskyDireccionalidad en dos melodías del siglo XX: Syrinx de Claude Debussy y la primera de las Tres piezas para clarinete solo de Igor StravinskyDirecionalidade em duas melodias do século XX: Syrinx, de Claude Debussy e a primeira das Três peças para clarinete solo, de Igor StravinskyMelodic analysisDirectionality in musicTwentieth-century musicDebussyStravinskyAnálise melódicaDirecionalidade em músicaMúsica do século XXDebussyStravinskyAnálisis melódicoDireccionalidad en la músicaMúsica del siglo XXDebussyStravinskyThe present work analyses the melodic structure of the pieces Syrinx, by Claude Debussy, and the first of the Three pieces for solo clarinet, by Igor Stravinsky, in search of procedures employed to generate the sensation of directionality along the discourse. In order to do so, aspects such as dynamics, rhythmic structure, the organization of the intervals and the movement through the register were taken into consideration. The analysis shows that both composers make use of traditional procedures to make their lines directional, and yet they contribute with new and particular resources.El presente trabajo analiza la estructura melódica de las piezas Syrinx, de Claude Debussy, y la primera de las Tres piezas para clarinete solo, de Igor Stravinsky, en busca de los procedimientos que generan direccionalidad en el discurso. Para ello, se consideraron aspectos como la dinámica, la estructura rítmica, la composición de intervalos y el movimiento en el registro. Al final del trabajo, se concluyó que ambos compositores hacen uso de procedimientos tradicionales para conferir direccionalidad a las líneas melódicas, al tiempo que aportan recursos nuevos y particulares.O presente trabalho analisa a estruturação melódica das peças Syrinx, de Claude Debussy, e a primeira das Três peças para clarinete solo, de Igor Stravinsky, em busca dos procedimentos geradores de direcionalidade no discurso. Para tal, foram considerados aspectos como dinâmica, estrutura rítmica, composição intervalar e movimento no registro. Ao final do trabalho, chegou-se à conclusão que ambos os compositores lançam mão de procedimentos tradicionais para conferir direcionalidade às linhas melódicas, ao mesmo tempo em que contribuem com recursos novos e particulares.Universidade Federal de Minas Gerais (UFMG)2012-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39944Per Musi; No. 26 (2012): General Topics; 1-13Per Musi; Núm. 26 (2012): General Topics; 1-13Per Musi; n. 26 (2012): General Topics; 1-132317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39944/30672http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBitondi, Matheus Gentile 2022-07-01T19:19:58Zoai:periodicos.ufmg.br:article/39944Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-07-01T19:19:58Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky Direccionalidad en dos melodías del siglo XX: Syrinx de Claude Debussy y la primera de las Tres piezas para clarinete solo de Igor Stravinsky Direcionalidade em duas melodias do século XX: Syrinx, de Claude Debussy e a primeira das Três peças para clarinete solo, de Igor Stravinsky |
title |
Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky |
spellingShingle |
Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky Bitondi, Matheus Gentile Melodic analysis Directionality in music Twentieth-century music Debussy Stravinsky Análise melódica Direcionalidade em música Música do século XX Debussy Stravinsky Análisis melódico Direccionalidad en la música Música del siglo XX Debussy Stravinsky |
title_short |
Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky |
title_full |
Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky |
title_fullStr |
Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky |
title_full_unstemmed |
Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky |
title_sort |
Directionality in two melodies of the twentieth century: Syrinx, by Claude Debussy and the first of Three pieces for solo clarinet, by Igor Stravinsky |
author |
Bitondi, Matheus Gentile |
author_facet |
Bitondi, Matheus Gentile |
author_role |
author |
dc.contributor.author.fl_str_mv |
Bitondi, Matheus Gentile |
dc.subject.por.fl_str_mv |
Melodic analysis Directionality in music Twentieth-century music Debussy Stravinsky Análise melódica Direcionalidade em música Música do século XX Debussy Stravinsky Análisis melódico Direccionalidad en la música Música del siglo XX Debussy Stravinsky |
topic |
Melodic analysis Directionality in music Twentieth-century music Debussy Stravinsky Análise melódica Direcionalidade em música Música do século XX Debussy Stravinsky Análisis melódico Direccionalidad en la música Música del siglo XX Debussy Stravinsky |
description |
The present work analyses the melodic structure of the pieces Syrinx, by Claude Debussy, and the first of the Three pieces for solo clarinet, by Igor Stravinsky, in search of procedures employed to generate the sensation of directionality along the discourse. In order to do so, aspects such as dynamics, rhythmic structure, the organization of the intervals and the movement through the register were taken into consideration. The analysis shows that both composers make use of traditional procedures to make their lines directional, and yet they contribute with new and particular resources. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-12-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/39944 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/39944 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/39944/30672 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 26 (2012): General Topics; 1-13 Per Musi; Núm. 26 (2012): General Topics; 1-13 Per Musi; n. 26 (2012): General Topics; 1-13 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711237101060096 |