Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style

Detalhes bibliográficos
Autor(a) principal: Pinto, Marco Túlio de Paula
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/41243
Resumo: Discussion about the influence of the musical environment of Boston, especially that of the Berklee School of Music, between 1969 and 1974, on the development of the compositional style and arranging skills of Brazilian saxophone player and composer Victor Assis Brasil (1945-1981), and its reflexes in his musical production which mixes elements from classical music, jazz and Brazilian popular music.
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spelling Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional styleVictor Assis Brasil: la importancia del periodo en la Berklee School of Music (1969-1974) en su estilo compositivoVictor Assis Brasil: a importância do período na Berklee School of Music (1969-1974) em seu estilo composicionalJazzCompositionSaxophoneVictor Assis BrasilThird StreamJazzComposiçãoSaxofoneAssis BrasilThird StreamJazzComposiciónSaxofónAssis BrasilThird StreamDiscussion about the influence of the musical environment of Boston, especially that of the Berklee School of Music, between 1969 and 1974, on the development of the compositional style and arranging skills of Brazilian saxophone player and composer Victor Assis Brasil (1945-1981), and its reflexes in his musical production which mixes elements from classical music, jazz and Brazilian popular music.Discusión del papel del entorno musical de Boston, especialmente de la Berklee School of Music entre 1969 y 1974, en el desarrollo del estilo compositivo de Victor Assis Brasil (1945-1981) y de sus habilidades como arreglista y sus reflejos en la parte de su producción musical que presenta la mezcla de elementos de música clásica, jazz y brasileña.Discussão sobre o papel do ambiente musical de Boston, especialmente da Berklee School of Music entre 1969 e 1974, no desenvolvimento do estilo composicional e das habilidades como arranjador de Victor Assis Brasil (1945-1981) e seus reflexos na parcela de sua produção musical que apresenta a mistura de elementos de música clássica, jazz e música brasileira.Universidade Federal de Minas Gerais (UFMG)2011-01-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/41243Per Musi; No. 23 (2011): General Topics; 1-13Per Musi; Núm. 23 (2011): General Topics; 1-13Per Musi; n. 23 (2011): General Topics; 1-132317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/41243/31434http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPinto, Marco Túlio de Paula2023-01-25T11:56:10Zoai:periodicos.ufmg.br:article/41243Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-01-25T11:56:10Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style
Victor Assis Brasil: la importancia del periodo en la Berklee School of Music (1969-1974) en su estilo compositivo
Victor Assis Brasil: a importância do período na Berklee School of Music (1969-1974) em seu estilo composicional
title Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style
spellingShingle Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style
Pinto, Marco Túlio de Paula
Jazz
Composition
Saxophone
Victor Assis Brasil
Third Stream
Jazz
Composição
Saxofone
Assis Brasil
Third Stream
Jazz
Composición
Saxofón
Assis Brasil
Third Stream
title_short Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style
title_full Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style
title_fullStr Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style
title_full_unstemmed Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style
title_sort Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style
author Pinto, Marco Túlio de Paula
author_facet Pinto, Marco Túlio de Paula
author_role author
dc.contributor.author.fl_str_mv Pinto, Marco Túlio de Paula
dc.subject.por.fl_str_mv Jazz
Composition
Saxophone
Victor Assis Brasil
Third Stream
Jazz
Composição
Saxofone
Assis Brasil
Third Stream
Jazz
Composición
Saxofón
Assis Brasil
Third Stream
topic Jazz
Composition
Saxophone
Victor Assis Brasil
Third Stream
Jazz
Composição
Saxofone
Assis Brasil
Third Stream
Jazz
Composición
Saxofón
Assis Brasil
Third Stream
description Discussion about the influence of the musical environment of Boston, especially that of the Berklee School of Music, between 1969 and 1974, on the development of the compositional style and arranging skills of Brazilian saxophone player and composer Victor Assis Brasil (1945-1981), and its reflexes in his musical production which mixes elements from classical music, jazz and Brazilian popular music.
publishDate 2011
dc.date.none.fl_str_mv 2011-01-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/41243
url https://periodicos.ufmg.br/index.php/permusi/article/view/41243
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/41243/31434
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 23 (2011): General Topics; 1-13
Per Musi; Núm. 23 (2011): General Topics; 1-13
Per Musi; n. 23 (2011): General Topics; 1-13
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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