Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/41243 |
Resumo: | Discussion about the influence of the musical environment of Boston, especially that of the Berklee School of Music, between 1969 and 1974, on the development of the compositional style and arranging skills of Brazilian saxophone player and composer Victor Assis Brasil (1945-1981), and its reflexes in his musical production which mixes elements from classical music, jazz and Brazilian popular music. |
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Per Musi |
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Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional styleVictor Assis Brasil: la importancia del periodo en la Berklee School of Music (1969-1974) en su estilo compositivoVictor Assis Brasil: a importância do período na Berklee School of Music (1969-1974) em seu estilo composicionalJazzCompositionSaxophoneVictor Assis BrasilThird StreamJazzComposiçãoSaxofoneAssis BrasilThird StreamJazzComposiciónSaxofónAssis BrasilThird StreamDiscussion about the influence of the musical environment of Boston, especially that of the Berklee School of Music, between 1969 and 1974, on the development of the compositional style and arranging skills of Brazilian saxophone player and composer Victor Assis Brasil (1945-1981), and its reflexes in his musical production which mixes elements from classical music, jazz and Brazilian popular music.Discusión del papel del entorno musical de Boston, especialmente de la Berklee School of Music entre 1969 y 1974, en el desarrollo del estilo compositivo de Victor Assis Brasil (1945-1981) y de sus habilidades como arreglista y sus reflejos en la parte de su producción musical que presenta la mezcla de elementos de música clásica, jazz y brasileña.Discussão sobre o papel do ambiente musical de Boston, especialmente da Berklee School of Music entre 1969 e 1974, no desenvolvimento do estilo composicional e das habilidades como arranjador de Victor Assis Brasil (1945-1981) e seus reflexos na parcela de sua produção musical que apresenta a mistura de elementos de música clássica, jazz e música brasileira.Universidade Federal de Minas Gerais (UFMG)2011-01-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/41243Per Musi; No. 23 (2011): General Topics; 1-13Per Musi; Núm. 23 (2011): General Topics; 1-13Per Musi; n. 23 (2011): General Topics; 1-132317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/41243/31434http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPinto, Marco Túlio de Paula2023-01-25T11:56:10Zoai:periodicos.ufmg.br:article/41243Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-01-25T11:56:10Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style Victor Assis Brasil: la importancia del periodo en la Berklee School of Music (1969-1974) en su estilo compositivo Victor Assis Brasil: a importância do período na Berklee School of Music (1969-1974) em seu estilo composicional |
title |
Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style |
spellingShingle |
Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style Pinto, Marco Túlio de Paula Jazz Composition Saxophone Victor Assis Brasil Third Stream Jazz Composição Saxofone Assis Brasil Third Stream Jazz Composición Saxofón Assis Brasil Third Stream |
title_short |
Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style |
title_full |
Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style |
title_fullStr |
Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style |
title_full_unstemmed |
Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style |
title_sort |
Victor Assis Brasil: the importance of the Berklee School of Music period (1969-1974) on his compositional style |
author |
Pinto, Marco Túlio de Paula |
author_facet |
Pinto, Marco Túlio de Paula |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pinto, Marco Túlio de Paula |
dc.subject.por.fl_str_mv |
Jazz Composition Saxophone Victor Assis Brasil Third Stream Jazz Composição Saxofone Assis Brasil Third Stream Jazz Composición Saxofón Assis Brasil Third Stream |
topic |
Jazz Composition Saxophone Victor Assis Brasil Third Stream Jazz Composição Saxofone Assis Brasil Third Stream Jazz Composición Saxofón Assis Brasil Third Stream |
description |
Discussion about the influence of the musical environment of Boston, especially that of the Berklee School of Music, between 1969 and 1974, on the development of the compositional style and arranging skills of Brazilian saxophone player and composer Victor Assis Brasil (1945-1981), and its reflexes in his musical production which mixes elements from classical music, jazz and Brazilian popular music. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-01-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/41243 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/41243 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/41243/31434 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 23 (2011): General Topics; 1-13 Per Musi; Núm. 23 (2011): General Topics; 1-13 Per Musi; n. 23 (2011): General Topics; 1-13 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711237216403456 |