Interpretation – musical reproduction – theory of performance: bringing together the elements for a conceptual reform of the interpretative and the performance practice as a scholar discipline
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/39890 |
Resumo: | Great difficulties are noted in human sciences regarding the definition and use of the concepts designating cultural phenomena. The main objective is to demonstrate how these concepts differ in sense and end. The next step consists in a careful analysis of the concept of musical reproduction. Finally, the trinomial reproduction, interpretation and musical performance is proposed as a conceptual basis for teaching and research of the musical interpretative practice. At the same time, the theoretical field of the discipline increases in its scope, migrating from a basically interpretative concept to that of a multiform artistic process with great productive and transformational potential that also includes the extramusical elements of reproduction. |
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Interpretation – musical reproduction – theory of performance: bringing together the elements for a conceptual reform of the interpretative and the performance practice as a scholar disciplineInterpretación - reproducción musical – teoría del rendimiento: reunir los elementos para una reformulación conceptual de práctica(s) interpretativa(s)Interpretação – reprodução musical – teoria da performance: reunindo-se os elementos para uma reformulação conceitual da(s) prática(s) interpretativa(s)Prática(s) interpretativa(s)Teoria da interpretaçãoTeoria da performanceTradição musical vienenseReformulação conceitual da(s) prática(s) interpretativa(s)Práctica(s) interpretativa(s)Teoría de la interpretaciónTeoría de la performanceTradición musical vienesaReformulación conceptual de la(s) práctica(s) interpretativa(s)Interpretative/performance practiceTheory of musical interpretation and of performanceViennese musical traditionConceptual reform of interpretative and performance practiceGreat difficulties are noted in human sciences regarding the definition and use of the concepts designating cultural phenomena. The main objective is to demonstrate how these concepts differ in sense and end. The next step consists in a careful analysis of the concept of musical reproduction. Finally, the trinomial reproduction, interpretation and musical performance is proposed as a conceptual basis for teaching and research of the musical interpretative practice. At the same time, the theoretical field of the discipline increases in its scope, migrating from a basically interpretative concept to that of a multiform artistic process with great productive and transformational potential that also includes the extramusical elements of reproduction.En las ciencias humanas se observan enormes dificultades en la definición y el uso de los conceptos que designan los fenómenos culturales. Lo mismo ocurre en el ámbito de la música, donde suele surgir cierta confusión a la hora de entender lo que significan los términos interpretación y ejecución. Por último, se propone el trinomio reproducción, interpretación y ejecución musical como marco conceptual para la enseñanza e investigación de la(s) práctica(s) interpretativa(s). Al mismo tiempo, el campo teórico de la disciplina aumenta su alcance, migrando de una noción basada casi únicamente en la interpretación a la de un proceso artístico multiforme con gran potencial productivo y realizador. Notam-se nas ciências humanas enormes dificuldades na definição e no emprego dos conceitos que designam fenômenos culturais. Isso vale também para a área da música, onde costuma se notar certa confusão quando se passa para o entendimento do que designam os termos interpretação e performance. Por fim, propõe-se o trinômio reprodução musical, interpretação e performance como arcabouço conceitual para o ensino e a pesquisa da(s) prática(s) interpretativa(s). Ao mesmo tempo, o campo teórico da disciplina aumenta em sua abrangência migrando de uma noção embasada quase que unicamente na interpretação para a de um processo artístico multiforme de grande potencial produtivo e transformador que inclui também os elementos extramusicais da reprodução.Universidade Federal de Minas Gerais (UFMG)2012-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39890Per Musi; No. 26 (2012): General Topics; 1-14Per Musi; Núm. 26 (2012): General Topics; 1-14Per Musi; n. 26 (2012): General Topics; 1-142317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39890/30611http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessKuehn, Frank Michael Carlos 2022-07-01T19:19:58Zoai:periodicos.ufmg.br:article/39890Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-07-01T19:19:58Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Interpretation – musical reproduction – theory of performance: bringing together the elements for a conceptual reform of the interpretative and the performance practice as a scholar discipline Interpretación - reproducción musical – teoría del rendimiento: reunir los elementos para una reformulación conceptual de práctica(s) interpretativa(s) Interpretação – reprodução musical – teoria da performance: reunindo-se os elementos para uma reformulação conceitual da(s) prática(s) interpretativa(s) |
title |
Interpretation – musical reproduction – theory of performance: bringing together the elements for a conceptual reform of the interpretative and the performance practice as a scholar discipline |
spellingShingle |
Interpretation – musical reproduction – theory of performance: bringing together the elements for a conceptual reform of the interpretative and the performance practice as a scholar discipline Kuehn, Frank Michael Carlos Prática(s) interpretativa(s) Teoria da interpretação Teoria da performance Tradição musical vienense Reformulação conceitual da(s) prática(s) interpretativa(s) Práctica(s) interpretativa(s) Teoría de la interpretación Teoría de la performance Tradición musical vienesa Reformulación conceptual de la(s) práctica(s) interpretativa(s) Interpretative/performance practice Theory of musical interpretation and of performance Viennese musical tradition Conceptual reform of interpretative and performance practice |
title_short |
Interpretation – musical reproduction – theory of performance: bringing together the elements for a conceptual reform of the interpretative and the performance practice as a scholar discipline |
title_full |
Interpretation – musical reproduction – theory of performance: bringing together the elements for a conceptual reform of the interpretative and the performance practice as a scholar discipline |
title_fullStr |
Interpretation – musical reproduction – theory of performance: bringing together the elements for a conceptual reform of the interpretative and the performance practice as a scholar discipline |
title_full_unstemmed |
Interpretation – musical reproduction – theory of performance: bringing together the elements for a conceptual reform of the interpretative and the performance practice as a scholar discipline |
title_sort |
Interpretation – musical reproduction – theory of performance: bringing together the elements for a conceptual reform of the interpretative and the performance practice as a scholar discipline |
author |
Kuehn, Frank Michael Carlos |
author_facet |
Kuehn, Frank Michael Carlos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Kuehn, Frank Michael Carlos |
dc.subject.por.fl_str_mv |
Prática(s) interpretativa(s) Teoria da interpretação Teoria da performance Tradição musical vienense Reformulação conceitual da(s) prática(s) interpretativa(s) Práctica(s) interpretativa(s) Teoría de la interpretación Teoría de la performance Tradición musical vienesa Reformulación conceptual de la(s) práctica(s) interpretativa(s) Interpretative/performance practice Theory of musical interpretation and of performance Viennese musical tradition Conceptual reform of interpretative and performance practice |
topic |
Prática(s) interpretativa(s) Teoria da interpretação Teoria da performance Tradição musical vienense Reformulação conceitual da(s) prática(s) interpretativa(s) Práctica(s) interpretativa(s) Teoría de la interpretación Teoría de la performance Tradición musical vienesa Reformulación conceptual de la(s) práctica(s) interpretativa(s) Interpretative/performance practice Theory of musical interpretation and of performance Viennese musical tradition Conceptual reform of interpretative and performance practice |
description |
Great difficulties are noted in human sciences regarding the definition and use of the concepts designating cultural phenomena. The main objective is to demonstrate how these concepts differ in sense and end. The next step consists in a careful analysis of the concept of musical reproduction. Finally, the trinomial reproduction, interpretation and musical performance is proposed as a conceptual basis for teaching and research of the musical interpretative practice. At the same time, the theoretical field of the discipline increases in its scope, migrating from a basically interpretative concept to that of a multiform artistic process with great productive and transformational potential that also includes the extramusical elements of reproduction. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-12-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/39890 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/39890 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/39890/30611 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 26 (2012): General Topics; 1-14 Per Musi; Núm. 26 (2012): General Topics; 1-14 Per Musi; n. 26 (2012): General Topics; 1-14 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711237087428608 |