The rhythmic complexity in Percussion Study II by Arthur Kampela

Detalhes bibliográficos
Autor(a) principal: Coelho, Daniel Vargas
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/40066
Resumo: This article discusses the use of complex rhythmic structures, such as tuplets within triplets in piece Percussion Study II, of 1993, by the Brazilian composer Arthur Kampela. In some cases, it will be shown notational procedures of complex writing by British composer Brian Ferneyhoug. This article proposes a discussion about this peculiar writing in Percussion Study II and finally there will be shown the complex script from the standpoint of other composers such as Pierre Boulez, and from this vision, will be offered other possibilities notational Percussion in Study II.
id UFMG-3_fdacaf840a1c34a5c57b171de117d1a9
oai_identifier_str oai:periodicos.ufmg.br:article/40066
network_acronym_str UFMG-3
network_name_str Per Musi
repository_id_str
spelling The rhythmic complexity in Percussion Study II by Arthur KampelaLa complejidad rítmica en Estudio Estudio II de Arthur KampelaA complexidade rítmica no Estudo Percussivo II de Arthur KampelaNew ComplexityComplex rhythmsAvant-gardeComposition and performanceNova ComplexidadeRitmos complexosMúsica de VanguardaComposição e performanceNueva complejidadRitmos complejosMúsica de vanguardiaComposición e interpretaciónThis article discusses the use of complex rhythmic structures, such as tuplets within triplets in piece Percussion Study II, of 1993, by the Brazilian composer Arthur Kampela. In some cases, it will be shown notational procedures of complex writing by British composer Brian Ferneyhoug. This article proposes a discussion about this peculiar writing in Percussion Study II and finally there will be shown the complex script from the standpoint of other composers such as Pierre Boulez, and from this vision, will be offered other possibilities notational Percussion in Study II.Este artículo analiza el uso de estructuras rítmicas complejas, como las chalteras dentro de las chalteras, en la obra Estudo Percussivo II, del compositor brasileño Arthur Kampela, de 1993. En algunos casos, se demostrarán los procedimientos de notación de la compleja escritura del compositor británico Brian Ferneyhoug. Este artículo propone una discusión sobre esta peculiar escritura en el Estudio Percusivo II. Por último, se abordará la escritura compleja desde el punto de vista de otros compositores como Pierre Boulez para que desde esta visión se puedan proponer otras posibilidades de escritura rítmica en el Estudio de Percusión II.Este artigo discute o uso das estruturas rítmicas complexas, tais como quiálteras dentro de quiálteras na obra Estudo Percussivo II, de 1993, do compositor brasileiro Arthur Kampela. Em alguns casos, serão demonstrados procedimentos de notação da escrita complexa do compositor britânico Brian Ferneyhoug. Este artigo propõe uma discussão a respeito desta escrita peculiar no Estudo Percussivo II. Para finalizar será abordada a escrita complexa sobre a ótica de outros compositores como Pierre Boulez para que a partir desta visão sejam propostas outras possibilidades de escrita rítmica no Estudo Percussivo II.Universidade Federal de Minas Gerais (UFMG)2012-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/40066Per Musi; No. 26 (2012): General Topics; 1-11Per Musi; Núm. 26 (2012): General Topics; 1-11Per Musi; n. 26 (2012): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/40066/30705http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCoelho, Daniel Vargas2022-07-01T19:19:58Zoai:periodicos.ufmg.br:article/40066Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-07-01T19:19:58Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The rhythmic complexity in Percussion Study II by Arthur Kampela
La complejidad rítmica en Estudio Estudio II de Arthur Kampela
A complexidade rítmica no Estudo Percussivo II de Arthur Kampela
title The rhythmic complexity in Percussion Study II by Arthur Kampela
spellingShingle The rhythmic complexity in Percussion Study II by Arthur Kampela
Coelho, Daniel Vargas
New Complexity
Complex rhythms
Avant-garde
Composition and performance
Nova Complexidade
Ritmos complexos
Música de Vanguarda
Composição e performance
Nueva complejidad
Ritmos complejos
Música de vanguardia
Composición e interpretación
title_short The rhythmic complexity in Percussion Study II by Arthur Kampela
title_full The rhythmic complexity in Percussion Study II by Arthur Kampela
title_fullStr The rhythmic complexity in Percussion Study II by Arthur Kampela
title_full_unstemmed The rhythmic complexity in Percussion Study II by Arthur Kampela
title_sort The rhythmic complexity in Percussion Study II by Arthur Kampela
author Coelho, Daniel Vargas
author_facet Coelho, Daniel Vargas
author_role author
dc.contributor.author.fl_str_mv Coelho, Daniel Vargas
dc.subject.por.fl_str_mv New Complexity
Complex rhythms
Avant-garde
Composition and performance
Nova Complexidade
Ritmos complexos
Música de Vanguarda
Composição e performance
Nueva complejidad
Ritmos complejos
Música de vanguardia
Composición e interpretación
topic New Complexity
Complex rhythms
Avant-garde
Composition and performance
Nova Complexidade
Ritmos complexos
Música de Vanguarda
Composição e performance
Nueva complejidad
Ritmos complejos
Música de vanguardia
Composición e interpretación
description This article discusses the use of complex rhythmic structures, such as tuplets within triplets in piece Percussion Study II, of 1993, by the Brazilian composer Arthur Kampela. In some cases, it will be shown notational procedures of complex writing by British composer Brian Ferneyhoug. This article proposes a discussion about this peculiar writing in Percussion Study II and finally there will be shown the complex script from the standpoint of other composers such as Pierre Boulez, and from this vision, will be offered other possibilities notational Percussion in Study II.
publishDate 2012
dc.date.none.fl_str_mv 2012-12-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40066
url https://periodicos.ufmg.br/index.php/permusi/article/view/40066
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40066/30705
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 26 (2012): General Topics; 1-11
Per Musi; Núm. 26 (2012): General Topics; 1-11
Per Musi; n. 26 (2012): General Topics; 1-11
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
_version_ 1799711237129371648

Registros relacionados