Tupac Amaru Shakur e os Panteras Negras : a esfera pública da experiência musical e os tempos históricos no rap (1991-1996)

Detalhes bibliográficos
Autor(a) principal: Vinícius Novaes Ricardo
Data de Publicação: 2021
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFMG
Texto Completo: http://hdl.handle.net/1843/45024
https://orcid.org/0000-0002-9996-3901
Resumo: The present thesis investigates the mechanisms used by the rapper Tupac Shakur to redefine in his musical production a set of ideological foundations defended by the Black Panther Party (1966-1982). In this sense, a study of the political, cultural and social environment of the United States in the mid and late twentieth century was carried out, revealing the continuities and ruptures in the system of oppression of black Americans throughout that period, as well as the historical events that paved on the North-American mentality a time bridge between the 1960s and 1990s. Based on a study of the career of the rapper (1991-1996) and a part of the political thought of the party, it is argued that Shakur was influenced by the radical tradition of black liberation promoted by the Panthers through the concept of revolutionary nationalism. As a result, through the artistic character 2Pac, he established a representation of the process of politicization of the sociocultural subject called street element, with the objective of “organizing the rage” evidenced during the L.A. riots (1992) and to "turn the 1990s upside down" making them similar to the 1960s - a moment of wide mobilization by the American black movement. Considering the aims of unveiling the historicity of this process, the reflections of Homi K. Bhabha (1998) on the concepts of “translation” and “third space” were mobilized to understand the effect of temporal displacement between the 1960s and 1990s on the content and mediation practices of the discourses conveyed.
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spelling Tupac Amaru Shakur e os Panteras Negras : a esfera pública da experiência musical e os tempos históricos no rap (1991-1996)Tupac ShakurPartido Pantera NegraAntirracismoRapThe present thesis investigates the mechanisms used by the rapper Tupac Shakur to redefine in his musical production a set of ideological foundations defended by the Black Panther Party (1966-1982). In this sense, a study of the political, cultural and social environment of the United States in the mid and late twentieth century was carried out, revealing the continuities and ruptures in the system of oppression of black Americans throughout that period, as well as the historical events that paved on the North-American mentality a time bridge between the 1960s and 1990s. Based on a study of the career of the rapper (1991-1996) and a part of the political thought of the party, it is argued that Shakur was influenced by the radical tradition of black liberation promoted by the Panthers through the concept of revolutionary nationalism. As a result, through the artistic character 2Pac, he established a representation of the process of politicization of the sociocultural subject called street element, with the objective of “organizing the rage” evidenced during the L.A. riots (1992) and to "turn the 1990s upside down" making them similar to the 1960s - a moment of wide mobilization by the American black movement. Considering the aims of unveiling the historicity of this process, the reflections of Homi K. Bhabha (1998) on the concepts of “translation” and “third space” were mobilized to understand the effect of temporal displacement between the 1960s and 1990s on the content and mediation practices of the discourses conveyed.A presente dissertação tem como cerne a investigação dos mecanismos utilizados pelo rapper Tupac Shakur para ressignificar em sua produção musical um conjunto de fundamentos ideológicos defendidos pelo Partido Pantera Negra (1966-1982). Nesse sentido é realizado um estudo do ambiente político, cultural e social dos Estados Unidos em meados e fins do século XX, desvelando as continuidades e rupturas no sistema de opressão dos negros estadunidenses ao longo desse período, bem como os acontecimentos históricos que pavimentaram na mentalidade norte-americana uma ponte temporal entre as décadas de 1960 e 1990. A partir do estudo da carreira deste rapper (1991-1996) e de parte do pensamento político do partido, argumenta-se que Shakur foi influenciado pela tradição radical de libertação negra promovida pelos Panteras através da noção de nacionalismo revolucionário. Em decorrência disso, por meio da personagem artística 2Pac, estabeleceu uma representação do processo de politização do sujeito sociocultural denominado como “elemento da rua” (street element) com o objetivo de “organizar a fúria” evidenciada durante as L.A. riots (1992) e “virar os anos 1990 de cabeça para baixo” tornando-os similares aos anos 1960 - momento de ampla mobilização do movimento negro estadunidense. Mobilizando os argumentos de Homi K. Bhabha (1998) sobre o conceito de “tradução” e “terceiro espaço”, é explicitado o efeito do deslocamento temporal entre as décadas de 1960 e 1990 no conteúdo e nas práticas de mediação dos discursos veiculados, com objetivo de desvelar a historicidade desse processo.CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorUniversidade Federal de Minas GeraisBrasilFAF - DEPARTAMENTO DE HISTÓRIAPrograma de Pós-Graduação em HistóriaUFMGAlexandre Almeida Marcussihttp://lattes.cnpq.br/2823588004623625Regina Helena Alves da SilvaMary Anne JunqueiraVinícius Novaes Ricardo2022-09-08T21:36:00Z2022-09-08T21:36:00Z2021-05-05info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/1843/45024https://orcid.org/0000-0002-9996-3901porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2022-09-08T21:36:00Zoai:repositorio.ufmg.br:1843/45024Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2022-09-08T21:36Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Tupac Amaru Shakur e os Panteras Negras : a esfera pública da experiência musical e os tempos históricos no rap (1991-1996)
title Tupac Amaru Shakur e os Panteras Negras : a esfera pública da experiência musical e os tempos históricos no rap (1991-1996)
spellingShingle Tupac Amaru Shakur e os Panteras Negras : a esfera pública da experiência musical e os tempos históricos no rap (1991-1996)
Vinícius Novaes Ricardo
Tupac Shakur
Partido Pantera Negra
Antirracismo
Rap
title_short Tupac Amaru Shakur e os Panteras Negras : a esfera pública da experiência musical e os tempos históricos no rap (1991-1996)
title_full Tupac Amaru Shakur e os Panteras Negras : a esfera pública da experiência musical e os tempos históricos no rap (1991-1996)
title_fullStr Tupac Amaru Shakur e os Panteras Negras : a esfera pública da experiência musical e os tempos históricos no rap (1991-1996)
title_full_unstemmed Tupac Amaru Shakur e os Panteras Negras : a esfera pública da experiência musical e os tempos históricos no rap (1991-1996)
title_sort Tupac Amaru Shakur e os Panteras Negras : a esfera pública da experiência musical e os tempos históricos no rap (1991-1996)
author Vinícius Novaes Ricardo
author_facet Vinícius Novaes Ricardo
author_role author
dc.contributor.none.fl_str_mv Alexandre Almeida Marcussi
http://lattes.cnpq.br/2823588004623625
Regina Helena Alves da Silva
Mary Anne Junqueira
dc.contributor.author.fl_str_mv Vinícius Novaes Ricardo
dc.subject.por.fl_str_mv Tupac Shakur
Partido Pantera Negra
Antirracismo
Rap
topic Tupac Shakur
Partido Pantera Negra
Antirracismo
Rap
description The present thesis investigates the mechanisms used by the rapper Tupac Shakur to redefine in his musical production a set of ideological foundations defended by the Black Panther Party (1966-1982). In this sense, a study of the political, cultural and social environment of the United States in the mid and late twentieth century was carried out, revealing the continuities and ruptures in the system of oppression of black Americans throughout that period, as well as the historical events that paved on the North-American mentality a time bridge between the 1960s and 1990s. Based on a study of the career of the rapper (1991-1996) and a part of the political thought of the party, it is argued that Shakur was influenced by the radical tradition of black liberation promoted by the Panthers through the concept of revolutionary nationalism. As a result, through the artistic character 2Pac, he established a representation of the process of politicization of the sociocultural subject called street element, with the objective of “organizing the rage” evidenced during the L.A. riots (1992) and to "turn the 1990s upside down" making them similar to the 1960s - a moment of wide mobilization by the American black movement. Considering the aims of unveiling the historicity of this process, the reflections of Homi K. Bhabha (1998) on the concepts of “translation” and “third space” were mobilized to understand the effect of temporal displacement between the 1960s and 1990s on the content and mediation practices of the discourses conveyed.
publishDate 2021
dc.date.none.fl_str_mv 2021-05-05
2022-09-08T21:36:00Z
2022-09-08T21:36:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/1843/45024
https://orcid.org/0000-0002-9996-3901
url http://hdl.handle.net/1843/45024
https://orcid.org/0000-0002-9996-3901
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
Brasil
FAF - DEPARTAMENTO DE HISTÓRIA
Programa de Pós-Graduação em História
UFMG
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
Brasil
FAF - DEPARTAMENTO DE HISTÓRIA
Programa de Pós-Graduação em História
UFMG
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Repositório Institucional da UFMG
collection Repositório Institucional da UFMG
repository.name.fl_str_mv Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv repositorio@ufmg.br
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