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2023-12-01T19:34:59Z2023-12-01T19:34:59Z20222656210220https://doi.org/10.5752/P.2358-3428.2022v26n56p210-2202358-3428http://hdl.handle.net/1843/61639https://orcid.org/0000-0003-0098-2481O livro do deslembramento (2020), último romance de Ondjaki, marca os vinte anos de carreira do escritor angolano. Diferente do que a palavra “deslembrar” pode evocar em um leitor sem familiaridade com a produção de Ondjaki, o romance estabelece um intenso diálogo intertextual a partir da retomada da infância, presente em diversas publicações do escritor, nos poemas, nos contos, em romances anteriores. Este artigo, portanto, reflete sobre a produção ondjakiana como um escrever-ler em continuum, tendo o “antigamente” da infância como um tempo/lugar de forte referência. Para tanto, a abordagem propõe que, apesar de recorrer ao “pacto” autobiográfico ou ao “contrato” autoficcional, o diálogo no interior do universo ficcional do escritor ultrapassa tais leituras teóricas. O escrever-ler em continuum será compreendido neste artigo como um processo de adaptação, no qual a escrita é também releitura da própria obra, além de interlocução com outros escritores angolanos. Nesse sentido, a constante revisitação da infância, estabelecendo uma extensa teia entre O livro do deslembramento (2020) e outros títulos de Ondjaki, como Bom dia camaradas(2001), Os da minha rua (2007), AvoDezanove e o segredo do soviético (2008), A bicicleta que tinha bigodes (2011), Uma escuridão bonita (2013), configurariam a construção de um projeto literário em que o (des)lembrar é um caminho crucial para uma opção estética pelas políticas de afeto.O livro do deslembramento (2020), Ondjaki’s last novel, marks the twenty-year career of the Angolan writer. Different from what the word “deslembrar” can evoke in a reader unfamiliar with Ondjaki’s production, the novel establishes an intense intertextual dialogue from the resumption of childhood, present in several of the writer’s publications, in poems, in short stories, in novels. previous. This article, therefore, reflects on the Ondjaki’s production as a writing-reading continuum, having the “antigamente” of childhood as a time/place of strong reference. Therefore, the approach proposes that, despite resorting to the autobiographical “pact” or the autofictional “contract”, the dialogue within the writer’s fictional universe goes beyond such theoretical readings. The writing-reading in continuum will be understood in this article as a process of adaptation, in which writing is also a re-reading of the work itself, in addition to dialogue with other Angolan writers. In this sense, the constant revisiting of childhood, establishing an extensive web between O Livro do Deslembramento (2020) and other titles by Ondjaki, such as Bom dia camaradas (2001), Os da minha rua (2007), AvoDezanove e o secreto do soviético (2007), 2008), A bicicleta que tinha bigodes (2011), Uma escuridão bonita (2013), would configure the construction of a literary project in which (dis)remembering is a crucial way for an aesthetic option for the politics of affection.porUniversidade Federal de Minas GeraisUFMGBrasilFALE - FACULDADE DE LETRASScriptaOndjaki,1977- - Critica e interpretaçãoLiteratura angolanaOndjakiAntigamenteReescritaAdaptaçãoAfetoUm escrever-ler em continuum: políticas de afeto no (des)lembrar de OndjakiA continuum write-read: politics of affection in Ondjaki (dis)rememberinginfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://periodicos.pucminas.br/index.php/scripta/article/view/28278Roberta Guimarães Franco Faria de Assisapplication/pdfinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGLICENSELicense.txtLicense.txttext/plain; charset=utf-82042https://repositorio.ufmg.br/bitstream/1843/61639/1/License.txtfa505098d172de0bc8864fc1287ffe22MD51ORIGINALUm escrever-ler em continuum políticas de afeto no (des)lembrar de Ondjaki.pdfUm escrever-ler em continuum políticas de afeto no (des)lembrar de Ondjaki.pdfapplication/pdf379804https://repositorio.ufmg.br/bitstream/1843/61639/2/Um%20escrever-ler%20em%20continuum%20pol%c3%adticas%20de%20afeto%20no%20%28des%29lembrar%20de%20Ondjaki.pdf2761217cc089cd918a629bfdc047fc16MD521843/616392023-12-01 16:34:59.721oai:repositorio.ufmg.br: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Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oaiopendoar:2023-12-01T19:34:59Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
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