Em busca da fama: performances e representações no programa Idolos
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFMG |
Texto Completo: | http://hdl.handle.net/1843/FAFI-85NMPC |
Resumo: | This studys main purpose is to discuss how the participants of the reality show Ídolos, broadcasted by Rede Record de Televisão, perform themselves to their publics, in order to attract attention and achieve the position of celebrities. Thus, we are discussing the notions of performance, representation, celebrity and framing, which proved to be important concepts to guide our empirical analysis, once they enabled us to discuss both how individuals act towards those with whom they are interacting and how a world of meanings and significations crosses the actions in this reality show. We developed discussions concerningthe format and structure of the program; the reciprocal affectation between the competitors while acting in a situation of interaction; the universe of meanings and significations hidden behind the phenomenon of celebrities; the kind of relationship that this universe establishedamong individuals as well as the shared meanings that cross social life. The corpus of this work is the program's third season, broadcasted in 2008. More specifically, we chose to focus on the participation of the winner of Ídolos, Rafael Barreto. We analyzed his interactions withmembers of the jury, the presenter, other competitors, the audience and the viewers, throughout the season. The choice of Rafael Barreto was due to his route in the program, which enabled an understanding of how the actions were weaved along the reality show. According to the conceptions that guide this work, we understand that the subjects and thesocial are constituted and constituent of an interaction. We also understand the interaction as a place a locus where we can see meanings and practices that cross social relations. |
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Em busca da fama: performances e representações no programa IdolosReality showPerformancesComunicação de massaIdolosCelebridadesPerformance (Arte)ComunicaçãoComunicação de massaÍdolos (Programa de televisão)CelebridadesThis studys main purpose is to discuss how the participants of the reality show Ídolos, broadcasted by Rede Record de Televisão, perform themselves to their publics, in order to attract attention and achieve the position of celebrities. Thus, we are discussing the notions of performance, representation, celebrity and framing, which proved to be important concepts to guide our empirical analysis, once they enabled us to discuss both how individuals act towards those with whom they are interacting and how a world of meanings and significations crosses the actions in this reality show. We developed discussions concerningthe format and structure of the program; the reciprocal affectation between the competitors while acting in a situation of interaction; the universe of meanings and significations hidden behind the phenomenon of celebrities; the kind of relationship that this universe establishedamong individuals as well as the shared meanings that cross social life. The corpus of this work is the program's third season, broadcasted in 2008. More specifically, we chose to focus on the participation of the winner of Ídolos, Rafael Barreto. We analyzed his interactions withmembers of the jury, the presenter, other competitors, the audience and the viewers, throughout the season. The choice of Rafael Barreto was due to his route in the program, which enabled an understanding of how the actions were weaved along the reality show. According to the conceptions that guide this work, we understand that the subjects and thesocial are constituted and constituent of an interaction. We also understand the interaction as a place a locus where we can see meanings and practices that cross social relations.O presente trabalho tem como objetivo principal pensar sobre como os participantes do reality show Ídolos, veiculado pela Rede Record de Televisão, performam a si mesmos diante de seus públicos, na busca por destaque e por ocupar o lugar de celebridade. Tendo isso em vista, é feita a discussão dos conceitos performance, representação, celebridade e enquadramento, os quais se mostram importantes para embasar a análise empírica, ao possibilitar que pensemos sobre como os sujeitos desenvolvem suas ações em relação àqueles com quem interagem e sobre os universos de sentido que atravessam as ações dentro desse reality show. São desenvolvidas, então, reflexões sobre o formato e a estrutura do programa; sobre como os indivíduos afetam uns aos outros, através de suas ações em uma situação de interação; sobre o universo de sentidos que está por trás do fenômeno das celebridades e o tipo de relação que ele faz emergir entre os sujeitos, assim como sobre significados compartilhados que permeiam a vida social. Para a realização do estudo, foi definido como corpus deste trabalho a terceira temporada do programa, veiculada em 2008. Mais especificamente, focou-se a análise das participações do vencedor do Ídolos, Rafael Barreto, de quem são observadas as interações com os jurados, com o apresentador, com os outros participantes, com o auditório e com os telespectadores, durante toda a temporada. A escolha desse participante se deve à sua trajetória dentro do programa, que possibilita o entendimento de como as ações são tecidas ao longo do reality show. Conforme a concepção que orienta este trabalho, entendem-se os sujeitos e o social como constituídos e constituintes da interação; assim como a interação como lócus em que se dão a ver significados e práticas que permeiam as relações sociais.Universidade Federal de Minas GeraisUFMGVera Regina Veiga FrancaMaria Aparecida BaccegaCarlos Alberto Avila AraujoMarina Lopes Andalecio2019-08-13T04:32:32Z2019-08-13T04:32:32Z2010-04-20info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/1843/FAFI-85NMPCinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2019-11-15T00:12:26Zoai:repositorio.ufmg.br:1843/FAFI-85NMPCRepositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2019-11-15T00:12:26Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Em busca da fama: performances e representações no programa Idolos |
title |
Em busca da fama: performances e representações no programa Idolos |
spellingShingle |
Em busca da fama: performances e representações no programa Idolos Marina Lopes Andalecio Reality show Performances Comunicação de massa Idolos Celebridades Performance (Arte) Comunicação Comunicação de massa Ídolos (Programa de televisão) Celebridades |
title_short |
Em busca da fama: performances e representações no programa Idolos |
title_full |
Em busca da fama: performances e representações no programa Idolos |
title_fullStr |
Em busca da fama: performances e representações no programa Idolos |
title_full_unstemmed |
Em busca da fama: performances e representações no programa Idolos |
title_sort |
Em busca da fama: performances e representações no programa Idolos |
author |
Marina Lopes Andalecio |
author_facet |
Marina Lopes Andalecio |
author_role |
author |
dc.contributor.none.fl_str_mv |
Vera Regina Veiga Franca Maria Aparecida Baccega Carlos Alberto Avila Araujo |
dc.contributor.author.fl_str_mv |
Marina Lopes Andalecio |
dc.subject.por.fl_str_mv |
Reality show Performances Comunicação de massa Idolos Celebridades Performance (Arte) Comunicação Comunicação de massa Ídolos (Programa de televisão) Celebridades |
topic |
Reality show Performances Comunicação de massa Idolos Celebridades Performance (Arte) Comunicação Comunicação de massa Ídolos (Programa de televisão) Celebridades |
description |
This studys main purpose is to discuss how the participants of the reality show Ídolos, broadcasted by Rede Record de Televisão, perform themselves to their publics, in order to attract attention and achieve the position of celebrities. Thus, we are discussing the notions of performance, representation, celebrity and framing, which proved to be important concepts to guide our empirical analysis, once they enabled us to discuss both how individuals act towards those with whom they are interacting and how a world of meanings and significations crosses the actions in this reality show. We developed discussions concerningthe format and structure of the program; the reciprocal affectation between the competitors while acting in a situation of interaction; the universe of meanings and significations hidden behind the phenomenon of celebrities; the kind of relationship that this universe establishedamong individuals as well as the shared meanings that cross social life. The corpus of this work is the program's third season, broadcasted in 2008. More specifically, we chose to focus on the participation of the winner of Ídolos, Rafael Barreto. We analyzed his interactions withmembers of the jury, the presenter, other competitors, the audience and the viewers, throughout the season. The choice of Rafael Barreto was due to his route in the program, which enabled an understanding of how the actions were weaved along the reality show. According to the conceptions that guide this work, we understand that the subjects and thesocial are constituted and constituent of an interaction. We also understand the interaction as a place a locus where we can see meanings and practices that cross social relations. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-04-20 2019-08-13T04:32:32Z 2019-08-13T04:32:32Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/1843/FAFI-85NMPC |
url |
http://hdl.handle.net/1843/FAFI-85NMPC |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais UFMG |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais UFMG |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFMG instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Repositório Institucional da UFMG |
collection |
Repositório Institucional da UFMG |
repository.name.fl_str_mv |
Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
repositorio@ufmg.br |
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1823248149422014464 |