O clássico e o moderno
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Albuquerque (Online) |
Texto Completo: | https://periodicos.ufms.br/index.php/AlbRHis/article/view/9484 |
Resumo: | It is about analyzing two essays produced by the critic and historian Paulo Emilio Sales Gomes about the filmmakers Serguei Eisenstein and Orson Welles. Published in the second half of 1950 in the O Estado de S. Paulo Literary Supplement, the essays analyze aspects of the language, style and social expression of Eisenstein and Welles films from a historical-biographical cut out from of the historical studies developed by the filmmaker during his stay in Paris and the research on the French filmmaker Jean Vigo. We'll see how revisiting Eisenstein's artistic fortune will be instrumental in understanding aspects of classic film language, based significantly on parallel editing and close-up. In Welles's case, the focus rests on discoveries of depth of field and sequential plane as characteristic narrative features of modern cinema. Taken together, the commentary on the works of Eisenstein and Welles opens the way for very refined historical-biographical reflections, which still today can inspire those who have cinema as the theme of their historical research, based on a methodology capable of guiding questions of language, style. and social expression that flow from the cinematographic phenomenon. |
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O clássico e o modernoPaulo Emílio Sales GomesSerguei EisensteinOrson WellesIt is about analyzing two essays produced by the critic and historian Paulo Emilio Sales Gomes about the filmmakers Serguei Eisenstein and Orson Welles. Published in the second half of 1950 in the O Estado de S. Paulo Literary Supplement, the essays analyze aspects of the language, style and social expression of Eisenstein and Welles films from a historical-biographical cut out from of the historical studies developed by the filmmaker during his stay in Paris and the research on the French filmmaker Jean Vigo. We'll see how revisiting Eisenstein's artistic fortune will be instrumental in understanding aspects of classic film language, based significantly on parallel editing and close-up. In Welles's case, the focus rests on discoveries of depth of field and sequential plane as characteristic narrative features of modern cinema. Taken together, the commentary on the works of Eisenstein and Welles opens the way for very refined historical-biographical reflections, which still today can inspire those who have cinema as the theme of their historical research, based on a methodology capable of guiding questions of language, style. and social expression that flow from the cinematographic phenomenon.Trata-se de analisar dois ensaios produzidos pelo crítico e historiador Paulo Emílio Sales Gomes sobre os cineastas Serguei Eisenstein e Orson Welles. Publicados na segunda metade de 1950 no Suplemento Literário do jornal O Estado de S. Paulo, os ensaios analisam aspectos da linguagem, do estilo e da expressão social dos filmes de Eisenstein e Welles a partir de um recorte histórico-biogr´áfico delineado a partir dos estudos históricos desenvolvidos pelo cineasta em sua estada em Paris e na pesquisa sobre o cineasta francês Jean Vigo. Veremos como revisitar a fortuna artística de Eisenstein será fundamental para compreender aspectos da linguagem cinematográfica clássica, fundamentada significativamente na montagem paralela e no close-up. No caso de Welles, o foco repousa nas descobertas da profundidade de campo e do plano sequência como recursos narrativos carácterísticos do cinema moderno. Em conjunto, o comentário às obras de Eisenstein e Welles abrem caminho para reflexões histórico-biográficas bastante refinadas, que ainda hoje podem inspirar aqueles que tem o cinema como tema de suas pesquisas históricas, embasadas em uma metodologia apta a pautar questões de linguagem, estilo e expressão social que afluem do fenômeno cinematográfico. Universidade Federal de Mato Grosso do Sul2020-01-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufms.br/index.php/AlbRHis/article/view/948410.46401/ajh.2019.v11.9484albuquerque: journal of history; Vol 11 No 21 (2019): Dossier: Contemporary Aesthetic Experiences; 77-91albuquerque: revista de historia; Vol. 11 Núm. 21 (2019): Dossiê: Experiências Estéticas Contemporâneas ; 77-91albuquerque: revista de história; v. 11 n. 21 (2019): Dossiê: Experiências Estéticas Contemporâneas ; 77-912526-72801983-9472reponame:Albuquerque (Online)instname:Universidade Federal de Mato Grosso do Sul (UFMS)instacron:UFMSporhttps://periodicos.ufms.br/index.php/AlbRHis/article/view/9484/7138Copyright (c) 2020 albuquerque: revista de históriahttps://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessZanatto, Rafael2020-11-16T19:36:53Zoai:periodicos.ufms.br:article/9484Revistahttps://periodicos.ufms.br/index.php/AlbRHisPUBhttps://periodicos.ufms.br/index.php/AlbRHis/oairevista.albuquerque@ufms.br||revista.albuquerque@ufms.br1983-94722526-7280opendoar:2020-11-16T19:36:53Albuquerque (Online) - Universidade Federal de Mato Grosso do Sul (UFMS)false |
dc.title.none.fl_str_mv |
O clássico e o moderno |
title |
O clássico e o moderno |
spellingShingle |
O clássico e o moderno Zanatto, Rafael Paulo Emílio Sales Gomes Serguei Eisenstein Orson Welles |
title_short |
O clássico e o moderno |
title_full |
O clássico e o moderno |
title_fullStr |
O clássico e o moderno |
title_full_unstemmed |
O clássico e o moderno |
title_sort |
O clássico e o moderno |
author |
Zanatto, Rafael |
author_facet |
Zanatto, Rafael |
author_role |
author |
dc.contributor.author.fl_str_mv |
Zanatto, Rafael |
dc.subject.por.fl_str_mv |
Paulo Emílio Sales Gomes Serguei Eisenstein Orson Welles |
topic |
Paulo Emílio Sales Gomes Serguei Eisenstein Orson Welles |
description |
It is about analyzing two essays produced by the critic and historian Paulo Emilio Sales Gomes about the filmmakers Serguei Eisenstein and Orson Welles. Published in the second half of 1950 in the O Estado de S. Paulo Literary Supplement, the essays analyze aspects of the language, style and social expression of Eisenstein and Welles films from a historical-biographical cut out from of the historical studies developed by the filmmaker during his stay in Paris and the research on the French filmmaker Jean Vigo. We'll see how revisiting Eisenstein's artistic fortune will be instrumental in understanding aspects of classic film language, based significantly on parallel editing and close-up. In Welles's case, the focus rests on discoveries of depth of field and sequential plane as characteristic narrative features of modern cinema. Taken together, the commentary on the works of Eisenstein and Welles opens the way for very refined historical-biographical reflections, which still today can inspire those who have cinema as the theme of their historical research, based on a methodology capable of guiding questions of language, style. and social expression that flow from the cinematographic phenomenon. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-01-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufms.br/index.php/AlbRHis/article/view/9484 10.46401/ajh.2019.v11.9484 |
url |
https://periodicos.ufms.br/index.php/AlbRHis/article/view/9484 |
identifier_str_mv |
10.46401/ajh.2019.v11.9484 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufms.br/index.php/AlbRHis/article/view/9484/7138 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 albuquerque: revista de história https://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 albuquerque: revista de história https://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Mato Grosso do Sul |
publisher.none.fl_str_mv |
Universidade Federal de Mato Grosso do Sul |
dc.source.none.fl_str_mv |
albuquerque: journal of history; Vol 11 No 21 (2019): Dossier: Contemporary Aesthetic Experiences; 77-91 albuquerque: revista de historia; Vol. 11 Núm. 21 (2019): Dossiê: Experiências Estéticas Contemporâneas ; 77-91 albuquerque: revista de história; v. 11 n. 21 (2019): Dossiê: Experiências Estéticas Contemporâneas ; 77-91 2526-7280 1983-9472 reponame:Albuquerque (Online) instname:Universidade Federal de Mato Grosso do Sul (UFMS) instacron:UFMS |
instname_str |
Universidade Federal de Mato Grosso do Sul (UFMS) |
instacron_str |
UFMS |
institution |
UFMS |
reponame_str |
Albuquerque (Online) |
collection |
Albuquerque (Online) |
repository.name.fl_str_mv |
Albuquerque (Online) - Universidade Federal de Mato Grosso do Sul (UFMS) |
repository.mail.fl_str_mv |
revista.albuquerque@ufms.br||revista.albuquerque@ufms.br |
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1797068877548486656 |