Kurâ Iwenu (a nossa pintura) : performance e resistência na pintura corporal Kurâ-Bakairi

Detalhes bibliográficos
Autor(a) principal: Taukane, Isabel Teresa Cristina
Data de Publicação: 2019
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UFMT
Texto Completo: http://ri.ufmt.br/handle/1/2247
Resumo: The research in focus is carried out in the Bakairi Indigenous Land, located in the municipalities of Paranatinga and Planalto da Serra, in Mato Grosso. Unlike taking body paintings as artistic events in the field of fine arts, we consider it as an event of 'performance', whose interdisciplinary character permeates the fields of Anthropology, Fashion, Cultural Studies, Art, among others. However, even though body painting refers to mythical time, it is not static, it is all the time reinventing itself to continue existing, resisting the times, through hybridization processes, something particular and that justify the importance of research in this field. The aim of the research is to study the body painting of the Kurâ-Bakairi indigenous people as a skin garment. In order to understand how the practice resisted/resists the colonizing process to the present day, although initially the research was about graphics. Due to the extent of the theme, it was delimited that we would deal exclusively with body painting that has the graphics as a reason. The methodology used is participant and autoethnographic research using multiple research techniques such as: field research, interviews, research in bibliographic and ethnophotographic sources. The thesis explores body painting in contemporaneity, so that we can say that colonizing processes were not able to eliminate this cultural practice of the Kurâ-Bakairi people. We point out as the main reason for the permanence of this body graphic knowledge the cosmological relationships before colonization and its peculiar capacity to metamorphose. Thanks to this, not even in the face of the rupture of the way of existence, being and thinking, was able to eliminate the practices of body paintings. The thesis is structured in five chapters, initiated by this introduction and finalized with completion. In the second chapter, we approached indigenous graphics and paintings. In the third chapter, we deal with the origins of body paintings, geometric and graphic motifs and the processes of paint production and the transformations of the indigenous people. In the fourth chapter, we deal with performance and endurance from the performance of kurâbakairi body painting, the performactivities of the vest - body painting and nudity - and the performance of body painting as resistance.
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spelling Kurâ Iwenu (a nossa pintura) : performance e resistência na pintura corporal Kurâ-BakairiPintura corporalGrafismos indígenasKurâ-BakairiPerformanceVestimentaCNPQ::LINGUISTICA, LETRAS E ARTESBody paintingIndigenous graphicsKurâ-BakairiPerformanceDressThe research in focus is carried out in the Bakairi Indigenous Land, located in the municipalities of Paranatinga and Planalto da Serra, in Mato Grosso. Unlike taking body paintings as artistic events in the field of fine arts, we consider it as an event of 'performance', whose interdisciplinary character permeates the fields of Anthropology, Fashion, Cultural Studies, Art, among others. However, even though body painting refers to mythical time, it is not static, it is all the time reinventing itself to continue existing, resisting the times, through hybridization processes, something particular and that justify the importance of research in this field. The aim of the research is to study the body painting of the Kurâ-Bakairi indigenous people as a skin garment. In order to understand how the practice resisted/resists the colonizing process to the present day, although initially the research was about graphics. Due to the extent of the theme, it was delimited that we would deal exclusively with body painting that has the graphics as a reason. The methodology used is participant and autoethnographic research using multiple research techniques such as: field research, interviews, research in bibliographic and ethnophotographic sources. The thesis explores body painting in contemporaneity, so that we can say that colonizing processes were not able to eliminate this cultural practice of the Kurâ-Bakairi people. We point out as the main reason for the permanence of this body graphic knowledge the cosmological relationships before colonization and its peculiar capacity to metamorphose. Thanks to this, not even in the face of the rupture of the way of existence, being and thinking, was able to eliminate the practices of body paintings. The thesis is structured in five chapters, initiated by this introduction and finalized with completion. In the second chapter, we approached indigenous graphics and paintings. In the third chapter, we deal with the origins of body paintings, geometric and graphic motifs and the processes of paint production and the transformations of the indigenous people. In the fourth chapter, we deal with performance and endurance from the performance of kurâbakairi body painting, the performactivities of the vest - body painting and nudity - and the performance of body painting as resistance.CAPESA pesquisa em foco se desenvolve na Terra Indígena Bakairi, localizada nos municípios de Paranatinga e Planalto da Serra, em Mato Grosso. Ao contrário de tomar as pinturas corporais como eventos artísticos do campo das artes plásticas, a consideramos como evento da ‘performance’, cujo caráter interdisciplinar perpassa os campos da Antropologia, Moda, Estudos Culturais, Arte, entre outros. No entanto, ainda que a pintura corporal remeta ao tempo mítico, ela não é estática, está todo o tempo se reinventando para continuar existindo, resistindo aos tempos, por meio de processos de hibridação, algo particular e que justificam a importância de pesquisas nessa seara. O objetivo da pesquisa é estudar a pintura corporal do povo indígena Kurâ-Bakairi como vestimenta da pele. No intuito de entender como a prática resistiu/resiste ao processo colonizador até os dias atuais, embora inicialmente a pesquisa fosse a respeito dos grafismos. Devido à extensão do tema, foi delimitado que trataríamos exclusivamente da pintura corporal que tem os grafismos como motivo. A metodologia utilizada é a pesquisa participante e autoetnográfica com utilização de múltiplas técnicas de pesquisa tais como: pesquisa de campo, entrevistas, pesquisa em fontes bibliográficas e etnofotográfica. A tese explora a pintura corporal na contemporaneidade, de modo que podemos dizer que os processos colonizadores não foram capazes de eliminar essa prática cultural do povo Kurâ-Bakairi. Apontamos como a principal razão para a permanência desse saber gráfico corporal as relações cosmológicas de antes da colonização e de sua capacidade peculiar de metamorfosear. Graças a isso, nem mesmo perante a ruptura do modo de existir, ser e pensar, foi capaz de eliminar as práticas das pinturas corporais. A tese estrutura-se em cinco capítulos, iniciada por esta introdução e finalizada com a conclusão. No segundo capítulo, abordamos sobre grafismos e pinturas indígenas. No terceiro capítulo, tratamos das origens das pinturas corporais, os motivos geométricos e gráficos e os processos de produção das tintas e as transformações do povo indígena. No quarto capítulo, tratamos sobre a performance e resistência a partir da performática da pintura corporal Kurâ-Bakairi, as performatividades da veste - pintura corporal e nudez- e a performance da pintura corporal como resistência.Universidade Federal de Mato GrossoBrasilFaculdade de Comunicação e Artes (FCA)UFMT CUC - CuiabáPrograma de Pós-Graduação em Estudos de Cultura ContemporâneaBrandão, Ludmila de Limahttp://lattes.cnpq.br/3912278759228410Brandão, Ludmila de Lima725.084.267-68http://lattes.cnpq.br/3912278759228410Azevedo, Maria Thereza de Oliveira546.410.717-72http://lattes.cnpq.br/8345268053922687725.084.267-68Grando, Beleni Salete274.549.751-00http://lattes.cnpq.br/2322323427528838Poz Neto, João Dal316.207.107-06http://lattes.cnpq.br/6712490556968389Menendez, Larissa Lacerda894.436.751-53http://lattes.cnpq.br/8070939322802687Taukane, Isabel Teresa Cristina2021-01-11T13:20:59Z2020-02-052021-01-11T13:20:59Z2019-11-11info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisTAUKANE, Isabel Teresa Cristina. Kurâ Iwenu (a nossa pintura): performance e resistência na pintura corporal Kurâ-Bakairi. 2019. 191 f. Tese (Doutorado em Estudos de Cultura Contemporânea) - Universidade Federal de Mato Grosso, Faculdade de Comunicação e Artes, Cuiabá, 2019.http://ri.ufmt.br/handle/1/2247porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMTinstname:Universidade Federal de Mato Grosso (UFMT)instacron:UFMT2021-01-13T06:03:36Zoai:localhost:1/2247Repositório InstitucionalPUBhttp://ri.ufmt.br/oai/requestjordanbiblio@gmail.comopendoar:2021-01-13T06:03:36Repositório Institucional da UFMT - Universidade Federal de Mato Grosso (UFMT)false
dc.title.none.fl_str_mv Kurâ Iwenu (a nossa pintura) : performance e resistência na pintura corporal Kurâ-Bakairi
title Kurâ Iwenu (a nossa pintura) : performance e resistência na pintura corporal Kurâ-Bakairi
spellingShingle Kurâ Iwenu (a nossa pintura) : performance e resistência na pintura corporal Kurâ-Bakairi
Taukane, Isabel Teresa Cristina
Pintura corporal
Grafismos indígenas
Kurâ-Bakairi
Performance
Vestimenta
CNPQ::LINGUISTICA, LETRAS E ARTES
Body painting
Indigenous graphics
Kurâ-Bakairi
Performance
Dress
title_short Kurâ Iwenu (a nossa pintura) : performance e resistência na pintura corporal Kurâ-Bakairi
title_full Kurâ Iwenu (a nossa pintura) : performance e resistência na pintura corporal Kurâ-Bakairi
title_fullStr Kurâ Iwenu (a nossa pintura) : performance e resistência na pintura corporal Kurâ-Bakairi
title_full_unstemmed Kurâ Iwenu (a nossa pintura) : performance e resistência na pintura corporal Kurâ-Bakairi
title_sort Kurâ Iwenu (a nossa pintura) : performance e resistência na pintura corporal Kurâ-Bakairi
author Taukane, Isabel Teresa Cristina
author_facet Taukane, Isabel Teresa Cristina
author_role author
dc.contributor.none.fl_str_mv Brandão, Ludmila de Lima
http://lattes.cnpq.br/3912278759228410
Brandão, Ludmila de Lima
725.084.267-68
http://lattes.cnpq.br/3912278759228410
Azevedo, Maria Thereza de Oliveira
546.410.717-72
http://lattes.cnpq.br/8345268053922687
725.084.267-68
Grando, Beleni Salete
274.549.751-00
http://lattes.cnpq.br/2322323427528838
Poz Neto, João Dal
316.207.107-06
http://lattes.cnpq.br/6712490556968389
Menendez, Larissa Lacerda
894.436.751-53
http://lattes.cnpq.br/8070939322802687
dc.contributor.author.fl_str_mv Taukane, Isabel Teresa Cristina
dc.subject.por.fl_str_mv Pintura corporal
Grafismos indígenas
Kurâ-Bakairi
Performance
Vestimenta
CNPQ::LINGUISTICA, LETRAS E ARTES
Body painting
Indigenous graphics
Kurâ-Bakairi
Performance
Dress
topic Pintura corporal
Grafismos indígenas
Kurâ-Bakairi
Performance
Vestimenta
CNPQ::LINGUISTICA, LETRAS E ARTES
Body painting
Indigenous graphics
Kurâ-Bakairi
Performance
Dress
description The research in focus is carried out in the Bakairi Indigenous Land, located in the municipalities of Paranatinga and Planalto da Serra, in Mato Grosso. Unlike taking body paintings as artistic events in the field of fine arts, we consider it as an event of 'performance', whose interdisciplinary character permeates the fields of Anthropology, Fashion, Cultural Studies, Art, among others. However, even though body painting refers to mythical time, it is not static, it is all the time reinventing itself to continue existing, resisting the times, through hybridization processes, something particular and that justify the importance of research in this field. The aim of the research is to study the body painting of the Kurâ-Bakairi indigenous people as a skin garment. In order to understand how the practice resisted/resists the colonizing process to the present day, although initially the research was about graphics. Due to the extent of the theme, it was delimited that we would deal exclusively with body painting that has the graphics as a reason. The methodology used is participant and autoethnographic research using multiple research techniques such as: field research, interviews, research in bibliographic and ethnophotographic sources. The thesis explores body painting in contemporaneity, so that we can say that colonizing processes were not able to eliminate this cultural practice of the Kurâ-Bakairi people. We point out as the main reason for the permanence of this body graphic knowledge the cosmological relationships before colonization and its peculiar capacity to metamorphose. Thanks to this, not even in the face of the rupture of the way of existence, being and thinking, was able to eliminate the practices of body paintings. The thesis is structured in five chapters, initiated by this introduction and finalized with completion. In the second chapter, we approached indigenous graphics and paintings. In the third chapter, we deal with the origins of body paintings, geometric and graphic motifs and the processes of paint production and the transformations of the indigenous people. In the fourth chapter, we deal with performance and endurance from the performance of kurâbakairi body painting, the performactivities of the vest - body painting and nudity - and the performance of body painting as resistance.
publishDate 2019
dc.date.none.fl_str_mv 2019-11-11
2020-02-05
2021-01-11T13:20:59Z
2021-01-11T13:20:59Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
format doctoralThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv TAUKANE, Isabel Teresa Cristina. Kurâ Iwenu (a nossa pintura): performance e resistência na pintura corporal Kurâ-Bakairi. 2019. 191 f. Tese (Doutorado em Estudos de Cultura Contemporânea) - Universidade Federal de Mato Grosso, Faculdade de Comunicação e Artes, Cuiabá, 2019.
http://ri.ufmt.br/handle/1/2247
identifier_str_mv TAUKANE, Isabel Teresa Cristina. Kurâ Iwenu (a nossa pintura): performance e resistência na pintura corporal Kurâ-Bakairi. 2019. 191 f. Tese (Doutorado em Estudos de Cultura Contemporânea) - Universidade Federal de Mato Grosso, Faculdade de Comunicação e Artes, Cuiabá, 2019.
url http://ri.ufmt.br/handle/1/2247
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal de Mato Grosso
Brasil
Faculdade de Comunicação e Artes (FCA)
UFMT CUC - Cuiabá
Programa de Pós-Graduação em Estudos de Cultura Contemporânea
publisher.none.fl_str_mv Universidade Federal de Mato Grosso
Brasil
Faculdade de Comunicação e Artes (FCA)
UFMT CUC - Cuiabá
Programa de Pós-Graduação em Estudos de Cultura Contemporânea
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMT
instname:Universidade Federal de Mato Grosso (UFMT)
instacron:UFMT
instname_str Universidade Federal de Mato Grosso (UFMT)
instacron_str UFMT
institution UFMT
reponame_str Repositório Institucional da UFMT
collection Repositório Institucional da UFMT
repository.name.fl_str_mv Repositório Institucional da UFMT - Universidade Federal de Mato Grosso (UFMT)
repository.mail.fl_str_mv jordanbiblio@gmail.com
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