Non-metaphysical foundations of the concept of presence in Hans Ulrich Gumbrecht

Detalhes bibliográficos
Autor(a) principal: Lage, Mariana
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/1349
Resumo: This article proposes to highlight the influences and conceptual foundations of Hans Ulrich Gumbrecht’s theoretical elaboration of a non-hermeneutic field, conceptual elaboration that has been focusing for the last three decades on terms such as “presence effects”, ”presentification” and ”broad present”. With this intent, this work sheds light on philosophers and historical references that exert a decisive influence on the gradual development of Gumbrecht’s thinking, especially Paul Zumthor and Martin Heidegger, the medieval era and the serenity (Gelassenheit) as existential posture. Highlighting these references, the article analyzes the re-establishing of the body as the origin and vehicle of a meaning, which the act of interpreting does not reach or does not encompass. Finally, it aims to demonstrate the relevance of Gumbrecht’s theory to present researches on contemporary aesthetics and philosophy of art.
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spelling Non-metaphysical foundations of the concept of presence in Hans Ulrich GumbrechtFundamentos não metafísicos do conceito de presença em Hans Ulrich GumbrechtAestheticspresençacorposentidoexperiência estéticaGelassenheitEstética contemporâneaThis article proposes to highlight the influences and conceptual foundations of Hans Ulrich Gumbrecht’s theoretical elaboration of a non-hermeneutic field, conceptual elaboration that has been focusing for the last three decades on terms such as “presence effects”, ”presentification” and ”broad present”. With this intent, this work sheds light on philosophers and historical references that exert a decisive influence on the gradual development of Gumbrecht’s thinking, especially Paul Zumthor and Martin Heidegger, the medieval era and the serenity (Gelassenheit) as existential posture. Highlighting these references, the article analyzes the re-establishing of the body as the origin and vehicle of a meaning, which the act of interpreting does not reach or does not encompass. Finally, it aims to demonstrate the relevance of Gumbrecht’s theory to present researches on contemporary aesthetics and philosophy of art.Esse artigo propõe evidenciar as influências e os fundamentos conceituais da elaboração conceitual de Hans Ulrich Gumbrecht em torno de um campo não hermenêutico, elaboração conceitual que nas últimas três décadas vem se concentrando sobre termos como efeitos de presença, presentificação e presente amplo. Para tanto, o trabalho lança luz sobre pensadores e referências históricas que exercem influência determinante sobre o desenvolvimento gradual de seu pensamento, em especial, Paul Zumthor e Martin Heidegger, a época medieval e a serenidade como postura existencial. Destacando essas referências, analisa-se o movimento de retomada do corpo como origem e veículo de um sentido que a interpretação não alcança ou não abarca. Por fim, busca-se demonstrar a relevância da teoria de Gumbrecht para as pesquisas da Estética e da Filosofia da Arte contemporâneas.Universidade Federal de Ouro Preto2019-02-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/1349Artefilosofia; v. 13 n. 25 (2018): Dossiê Hans Ulrich Gumbrecht; 68-87Artefilosofia; Vol. 13 No. 25 (2018): Dossiê Hans Ulrich Gumbrecht; 68-872526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/1349/1476Copyright (c) 2019 Artefilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessLage, Mariana2021-06-22T13:22:03Zoai:pp.www.periodicos.ufop.br:article/1349Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2021-06-22T13:22:03Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Non-metaphysical foundations of the concept of presence in Hans Ulrich Gumbrecht
Fundamentos não metafísicos do conceito de presença em Hans Ulrich Gumbrecht
title Non-metaphysical foundations of the concept of presence in Hans Ulrich Gumbrecht
spellingShingle Non-metaphysical foundations of the concept of presence in Hans Ulrich Gumbrecht
Lage, Mariana
Aesthetics
presença
corpo
sentido
experiência estética
Gelassenheit
Estética contemporânea
title_short Non-metaphysical foundations of the concept of presence in Hans Ulrich Gumbrecht
title_full Non-metaphysical foundations of the concept of presence in Hans Ulrich Gumbrecht
title_fullStr Non-metaphysical foundations of the concept of presence in Hans Ulrich Gumbrecht
title_full_unstemmed Non-metaphysical foundations of the concept of presence in Hans Ulrich Gumbrecht
title_sort Non-metaphysical foundations of the concept of presence in Hans Ulrich Gumbrecht
author Lage, Mariana
author_facet Lage, Mariana
author_role author
dc.contributor.author.fl_str_mv Lage, Mariana
dc.subject.por.fl_str_mv Aesthetics
presença
corpo
sentido
experiência estética
Gelassenheit
Estética contemporânea
topic Aesthetics
presença
corpo
sentido
experiência estética
Gelassenheit
Estética contemporânea
description This article proposes to highlight the influences and conceptual foundations of Hans Ulrich Gumbrecht’s theoretical elaboration of a non-hermeneutic field, conceptual elaboration that has been focusing for the last three decades on terms such as “presence effects”, ”presentification” and ”broad present”. With this intent, this work sheds light on philosophers and historical references that exert a decisive influence on the gradual development of Gumbrecht’s thinking, especially Paul Zumthor and Martin Heidegger, the medieval era and the serenity (Gelassenheit) as existential posture. Highlighting these references, the article analyzes the re-establishing of the body as the origin and vehicle of a meaning, which the act of interpreting does not reach or does not encompass. Finally, it aims to demonstrate the relevance of Gumbrecht’s theory to present researches on contemporary aesthetics and philosophy of art.
publishDate 2019
dc.date.none.fl_str_mv 2019-02-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/1349
url https://periodicos.ufop.br/raf/article/view/1349
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/1349/1476
dc.rights.driver.fl_str_mv Copyright (c) 2019 Artefilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Artefilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 13 n. 25 (2018): Dossiê Hans Ulrich Gumbrecht; 68-87
Artefilosofia; Vol. 13 No. 25 (2018): Dossiê Hans Ulrich Gumbrecht; 68-87
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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