Listening as the Work of Co-Composing:: A Note on the Actuality of Adorno’s Musical Thought.
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Artefilosofia |
Texto Completo: | https://periodicos.ufop.br/raf/article/view/427 |
Resumo: | For the work of listening can be understood as a collaboration with the musical work itself, and in this sense for Adorno listening, as will be discussed below, is an activity of co-composing or reconstituting the music. Certainly Adorno’s dialectical philosophical approach is at great variance with the 'empirical musicology'2 through which contemporary music studies explores these topics, but its contemporary relevance is all the greater in that it puts Adorno’s contributions in the larger context of critical social theory and its commitment to sustaining the human capacity for a vision of emancipation. It is not my intention here to enter into a detailed consideration of the relationship between Adorno’s perspective and the work of contemporary musicologists and music theorists. Rather, my aim is to elaborate Adorno’s conception of the work of listening in some detail, in the context of his thinking about what he calls ›the new music‹ and its place in the history of Western art music. |
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Listening as the Work of Co-Composing:: A Note on the Actuality of Adorno’s Musical Thought.Adornonew musicstructural listeningFor the work of listening can be understood as a collaboration with the musical work itself, and in this sense for Adorno listening, as will be discussed below, is an activity of co-composing or reconstituting the music. Certainly Adorno’s dialectical philosophical approach is at great variance with the 'empirical musicology'2 through which contemporary music studies explores these topics, but its contemporary relevance is all the greater in that it puts Adorno’s contributions in the larger context of critical social theory and its commitment to sustaining the human capacity for a vision of emancipation. It is not my intention here to enter into a detailed consideration of the relationship between Adorno’s perspective and the work of contemporary musicologists and music theorists. Rather, my aim is to elaborate Adorno’s conception of the work of listening in some detail, in the context of his thinking about what he calls ›the new music‹ and its place in the history of Western art music.Universidade Federal de Ouro Preto2017-03-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/427Artefilosofia; v. 11 n. 21 (2016); 41-56Artefilosofia; Vol. 11 No. 21 (2016); 41-562526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/427/391Copyright (c) 2017 Revista ArteFilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessNicholsen, Shierry Weber2021-06-22T13:26:19Zoai:pp.www.periodicos.ufop.br:article/427Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2021-06-22T13:26:19Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
Listening as the Work of Co-Composing:: A Note on the Actuality of Adorno’s Musical Thought. |
title |
Listening as the Work of Co-Composing:: A Note on the Actuality of Adorno’s Musical Thought. |
spellingShingle |
Listening as the Work of Co-Composing:: A Note on the Actuality of Adorno’s Musical Thought. Nicholsen, Shierry Weber Adorno new music structural listening |
title_short |
Listening as the Work of Co-Composing:: A Note on the Actuality of Adorno’s Musical Thought. |
title_full |
Listening as the Work of Co-Composing:: A Note on the Actuality of Adorno’s Musical Thought. |
title_fullStr |
Listening as the Work of Co-Composing:: A Note on the Actuality of Adorno’s Musical Thought. |
title_full_unstemmed |
Listening as the Work of Co-Composing:: A Note on the Actuality of Adorno’s Musical Thought. |
title_sort |
Listening as the Work of Co-Composing:: A Note on the Actuality of Adorno’s Musical Thought. |
author |
Nicholsen, Shierry Weber |
author_facet |
Nicholsen, Shierry Weber |
author_role |
author |
dc.contributor.author.fl_str_mv |
Nicholsen, Shierry Weber |
dc.subject.por.fl_str_mv |
Adorno new music structural listening |
topic |
Adorno new music structural listening |
description |
For the work of listening can be understood as a collaboration with the musical work itself, and in this sense for Adorno listening, as will be discussed below, is an activity of co-composing or reconstituting the music. Certainly Adorno’s dialectical philosophical approach is at great variance with the 'empirical musicology'2 through which contemporary music studies explores these topics, but its contemporary relevance is all the greater in that it puts Adorno’s contributions in the larger context of critical social theory and its commitment to sustaining the human capacity for a vision of emancipation. It is not my intention here to enter into a detailed consideration of the relationship between Adorno’s perspective and the work of contemporary musicologists and music theorists. Rather, my aim is to elaborate Adorno’s conception of the work of listening in some detail, in the context of his thinking about what he calls ›the new music‹ and its place in the history of Western art music. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-03-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/427 |
url |
https://periodicos.ufop.br/raf/article/view/427 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/427/391 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista ArteFilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista ArteFilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
dc.source.none.fl_str_mv |
Artefilosofia; v. 11 n. 21 (2016); 41-56 Artefilosofia; Vol. 11 No. 21 (2016); 41-56 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
Artefilosofia |
collection |
Artefilosofia |
repository.name.fl_str_mv |
Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
_version_ |
1798313556994686976 |