Vers une musique asubjective: Do material musical às intensidades livres

Detalhes bibliográficos
Autor(a) principal: Ramos de Souza, Alisson
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/5169
Resumo: This paper aims to establish a confrontation between two conceptions of the so-called musical material and its development in the music history, namely, those of Theodor Adorno and Jean-François Lyotard. The “material trend”, due to a process of increasing rationalization, especially from Schoenberg’s dodecaphonism and serialists incursions, converges to a process of desensitization and erasure of subjective expressiveness, culminating in its fetishism, that is, as if the material took on a life of its own. However, something seems to escape this desensitization: the act, the intensity, the non-connected, which are not reduced to a dialectic of the material.
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spelling Vers une musique asubjective: Do material musical às intensidades livresAdornoAdornoLyotardmaterial musicalfetichismo musicalgestoThis paper aims to establish a confrontation between two conceptions of the so-called musical material and its development in the music history, namely, those of Theodor Adorno and Jean-François Lyotard. The “material trend”, due to a process of increasing rationalization, especially from Schoenberg’s dodecaphonism and serialists incursions, converges to a process of desensitization and erasure of subjective expressiveness, culminating in its fetishism, that is, as if the material took on a life of its own. However, something seems to escape this desensitization: the act, the intensity, the non-connected, which are not reduced to a dialectic of the material.Trata-se de estabelecer um confronto entre duas concepções do chamado material musical e seu desenvolvimento na história da música, a saber, aquelas de Theodor Adorno e Jean-François Lyotard. A “tendência de material”, devido a um processo de racionalização crescente, sobretudo a partir do dodecafonismo de Schoenberg e as incursões serialistas, conflui para um processo de dessensibilização e apagamento da expressividade subjetiva, culminando em seu fetichismo, ou seja, como se o material ganhasse vida própria. Entretanto, algo parece escapar a essa dessensibilização: o gesto, a intensidade, o não-ligado, os quais não se reduzem a uma dialética do material.Universidade Federal de Ouro Preto2022-05-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/5169Artefilosofia; v. 17 n. 32 (2022): DOSSIÊ O CONCEITO DE MATERIAL MUSICAL: DEFINIÇÕES E NARRATIVAS POSSÍVEIS; 123-143Artefilosofia; Vol. 17 No. 32 (2022): The concept of musical material: definitions and possible narratives; 123-1432526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/5169/4064Copyright (c) 2022 Alisson Ramos de Souzahttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessRamos de Souza, Alisson2022-05-16T15:01:53Zoai:pp.www.periodicos.ufop.br:article/5169Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-05-16T15:01:53Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Vers une musique asubjective: Do material musical às intensidades livres
title Vers une musique asubjective: Do material musical às intensidades livres
spellingShingle Vers une musique asubjective: Do material musical às intensidades livres
Ramos de Souza, Alisson
Adorno
Adorno
Lyotard
material musical
fetichismo musical
gesto
title_short Vers une musique asubjective: Do material musical às intensidades livres
title_full Vers une musique asubjective: Do material musical às intensidades livres
title_fullStr Vers une musique asubjective: Do material musical às intensidades livres
title_full_unstemmed Vers une musique asubjective: Do material musical às intensidades livres
title_sort Vers une musique asubjective: Do material musical às intensidades livres
author Ramos de Souza, Alisson
author_facet Ramos de Souza, Alisson
author_role author
dc.contributor.author.fl_str_mv Ramos de Souza, Alisson
dc.subject.por.fl_str_mv Adorno
Adorno
Lyotard
material musical
fetichismo musical
gesto
topic Adorno
Adorno
Lyotard
material musical
fetichismo musical
gesto
description This paper aims to establish a confrontation between two conceptions of the so-called musical material and its development in the music history, namely, those of Theodor Adorno and Jean-François Lyotard. The “material trend”, due to a process of increasing rationalization, especially from Schoenberg’s dodecaphonism and serialists incursions, converges to a process of desensitization and erasure of subjective expressiveness, culminating in its fetishism, that is, as if the material took on a life of its own. However, something seems to escape this desensitization: the act, the intensity, the non-connected, which are not reduced to a dialectic of the material.
publishDate 2022
dc.date.none.fl_str_mv 2022-05-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/5169
url https://periodicos.ufop.br/raf/article/view/5169
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/5169/4064
dc.rights.driver.fl_str_mv Copyright (c) 2022 Alisson Ramos de Souza
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Alisson Ramos de Souza
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 17 n. 32 (2022): DOSSIÊ O CONCEITO DE MATERIAL MUSICAL: DEFINIÇÕES E NARRATIVAS POSSÍVEIS; 123-143
Artefilosofia; Vol. 17 No. 32 (2022): The concept of musical material: definitions and possible narratives; 123-143
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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