Truth, Life, and Philia: : The Nietzsche-Deleuze-Kiarostami Axis

Detalhes bibliográficos
Autor(a) principal: Viegas, Susana
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/1154
Resumo: The main purpose of the present essay is to outline the philosophical origins of the concept of ‘fabulation’, a Bergsonian concept that once interrelated with a Deleuzian reading of Nietzsche’s text “How the ‘true world’ finally became a fable”, will clarify the third type of the time-image, becoming. Giving a privileged focus on the processes of becoming in documentaries of fabulation, a genre represented by different filmmakers, such as Pierre Perrault, Jean Rouch, Pedro Costa, Joshua Oppenheimer, or Adirley Queirós, we will proceed with a close film analysis of “Close-Up” (1990), directed by Abbas Kiarostami. The images of a documentary of fabulation are defined by the ambiguity between fiction and non-fiction, authenticity and reenactment, controversy and choc. Thus, what is the philosophical interest and the aesthetic, ethical and existential extent of this artistic practice? What is the meaning and the artistic value of this genre?
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spelling Truth, Life, and Philia: : The Nietzsche-Deleuze-Kiarostami AxisVerdade, Vida e Philia: : O Eixo Nietzsche-Deleuze-KiarostamiGilles DeleuzeFriedrich NietzscheAbbas KiarostamiDocumentaryFabulationGilles DeleuzeFriedrich NietzscheAbbas KiarostamidocumentáriofabulaçãoThe main purpose of the present essay is to outline the philosophical origins of the concept of ‘fabulation’, a Bergsonian concept that once interrelated with a Deleuzian reading of Nietzsche’s text “How the ‘true world’ finally became a fable”, will clarify the third type of the time-image, becoming. Giving a privileged focus on the processes of becoming in documentaries of fabulation, a genre represented by different filmmakers, such as Pierre Perrault, Jean Rouch, Pedro Costa, Joshua Oppenheimer, or Adirley Queirós, we will proceed with a close film analysis of “Close-Up” (1990), directed by Abbas Kiarostami. The images of a documentary of fabulation are defined by the ambiguity between fiction and non-fiction, authenticity and reenactment, controversy and choc. Thus, what is the philosophical interest and the aesthetic, ethical and existential extent of this artistic practice? What is the meaning and the artistic value of this genre?Este ensaio tem como objetivo principal delinear as origens filosóficas do conceito de ‘fabulação’ em Deleuze, conceito bergsoniano que será relacionado com a interpretação do texto nietzschiano, “Como o ‘mundo verdadeiro’ se tornou finalmente fábula”, com o objetivo de esclarecer no que consiste o terceiro tipo de imagem-tempo, o devir. Com destaque dado aos processos de devir nos documentários de fabulação, género representado por realizadores tão diferentes como Pierre Perrault, Jean Rouch, Pedro Costa, Joshua Oppenheimer, ou Adirley Queirós, iremos proceder a uma análise pormenorizada do filme Close-Up (1990), de Abbas Kiarostami. As imagens do documentário de fabulação definem-se pela ambiguidade entre ficção e não-ficção, entre autenticidade e encenação, controvérsia e choque. Qual o interesse filosófico e o alcance estético, ético e existencial desta prática artística? Qual o sentido e o valor artístico neste género?Universidade Federal de Ouro Preto2018-08-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpeghttps://periodicos.ufop.br/raf/article/view/1154Artefilosofia; v. 13 n. 24 (2018); 217-236Artefilosofia; Vol. 13 No. 24 (2018); 217-2362526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/1154/1384https://periodicos.ufop.br/raf/article/view/1154/3260https://periodicos.ufop.br/raf/article/view/1154/3261https://periodicos.ufop.br/raf/article/view/1154/3262https://periodicos.ufop.br/raf/article/view/1154/3263https://periodicos.ufop.br/raf/article/view/1154/3264https://periodicos.ufop.br/raf/article/view/1154/3265https://periodicos.ufop.br/raf/article/view/1154/3266https://periodicos.ufop.br/raf/article/view/1154/3267https://periodicos.ufop.br/raf/article/view/1154/3268https://periodicos.ufop.br/raf/article/view/1154/3269https://periodicos.ufop.br/raf/article/view/1154/3270https://periodicos.ufop.br/raf/article/view/1154/3271Copyright (c) 2018 Artefilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessViegas, Susana2021-06-22T13:22:13Zoai:pp.www.periodicos.ufop.br:article/1154Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2021-06-22T13:22:13Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Truth, Life, and Philia: : The Nietzsche-Deleuze-Kiarostami Axis
Verdade, Vida e Philia: : O Eixo Nietzsche-Deleuze-Kiarostami
title Truth, Life, and Philia: : The Nietzsche-Deleuze-Kiarostami Axis
spellingShingle Truth, Life, and Philia: : The Nietzsche-Deleuze-Kiarostami Axis
Viegas, Susana
Gilles Deleuze
Friedrich Nietzsche
Abbas Kiarostami
Documentary
Fabulation
Gilles Deleuze
Friedrich Nietzsche
Abbas Kiarostami
documentário
fabulação
title_short Truth, Life, and Philia: : The Nietzsche-Deleuze-Kiarostami Axis
title_full Truth, Life, and Philia: : The Nietzsche-Deleuze-Kiarostami Axis
title_fullStr Truth, Life, and Philia: : The Nietzsche-Deleuze-Kiarostami Axis
title_full_unstemmed Truth, Life, and Philia: : The Nietzsche-Deleuze-Kiarostami Axis
title_sort Truth, Life, and Philia: : The Nietzsche-Deleuze-Kiarostami Axis
author Viegas, Susana
author_facet Viegas, Susana
author_role author
dc.contributor.author.fl_str_mv Viegas, Susana
dc.subject.por.fl_str_mv Gilles Deleuze
Friedrich Nietzsche
Abbas Kiarostami
Documentary
Fabulation
Gilles Deleuze
Friedrich Nietzsche
Abbas Kiarostami
documentário
fabulação
topic Gilles Deleuze
Friedrich Nietzsche
Abbas Kiarostami
Documentary
Fabulation
Gilles Deleuze
Friedrich Nietzsche
Abbas Kiarostami
documentário
fabulação
description The main purpose of the present essay is to outline the philosophical origins of the concept of ‘fabulation’, a Bergsonian concept that once interrelated with a Deleuzian reading of Nietzsche’s text “How the ‘true world’ finally became a fable”, will clarify the third type of the time-image, becoming. Giving a privileged focus on the processes of becoming in documentaries of fabulation, a genre represented by different filmmakers, such as Pierre Perrault, Jean Rouch, Pedro Costa, Joshua Oppenheimer, or Adirley Queirós, we will proceed with a close film analysis of “Close-Up” (1990), directed by Abbas Kiarostami. The images of a documentary of fabulation are defined by the ambiguity between fiction and non-fiction, authenticity and reenactment, controversy and choc. Thus, what is the philosophical interest and the aesthetic, ethical and existential extent of this artistic practice? What is the meaning and the artistic value of this genre?
publishDate 2018
dc.date.none.fl_str_mv 2018-08-10
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dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/1154
url https://periodicos.ufop.br/raf/article/view/1154
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dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/1154/1384
https://periodicos.ufop.br/raf/article/view/1154/3260
https://periodicos.ufop.br/raf/article/view/1154/3261
https://periodicos.ufop.br/raf/article/view/1154/3262
https://periodicos.ufop.br/raf/article/view/1154/3263
https://periodicos.ufop.br/raf/article/view/1154/3264
https://periodicos.ufop.br/raf/article/view/1154/3265
https://periodicos.ufop.br/raf/article/view/1154/3266
https://periodicos.ufop.br/raf/article/view/1154/3267
https://periodicos.ufop.br/raf/article/view/1154/3268
https://periodicos.ufop.br/raf/article/view/1154/3269
https://periodicos.ufop.br/raf/article/view/1154/3270
https://periodicos.ufop.br/raf/article/view/1154/3271
dc.rights.driver.fl_str_mv Copyright (c) 2018 Artefilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Artefilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
image/jpeg
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dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 13 n. 24 (2018); 217-236
Artefilosofia; Vol. 13 No. 24 (2018); 217-236
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
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reponame_str Artefilosofia
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repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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