Crítica cultural e sociedade unidimensional
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Artefilosofia |
Texto Completo: | https://periodicos.ufop.br/raf/article/view/604 |
Resumo: | The cultural critique of “Frankfurt School”is not summed up to the cultural orartistic question neither can be considered as“pessimist”or“elitist”. Cultural critique concerns to the critique of culture as much as of society, in the same way Marx showed the relation between material production and spiritual reproduction of society. In thisway, Benjamin developed his criticism to the cinema, Adorno coined an expression “culture industry” and Marcuse “repressivede-sublimation”. Benjamin noted the affection of experience by new technologies of cultural reproduction. Adorno pointed out the regression of hearingin the phenomenon of music distribution, but this could be extended to the regression of the senses. Marcuse also developed the“loss”with the concept of “repressive de-sublimation” pointing to the one-dimensional society. The changes in contemporary society show the limits of Frankfurt School cultural criticism, but at the same time, show its relevance. |
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Crítica cultural e sociedade unidimensionalcultural critiqueone-dimensional societycritical theoryAdornoMarcuseBenjamincrítica culturalsociedade unidimensionalteoria críticaAdornoMarcuseBenjaminThe cultural critique of “Frankfurt School”is not summed up to the cultural orartistic question neither can be considered as“pessimist”or“elitist”. Cultural critique concerns to the critique of culture as much as of society, in the same way Marx showed the relation between material production and spiritual reproduction of society. In thisway, Benjamin developed his criticism to the cinema, Adorno coined an expression “culture industry” and Marcuse “repressivede-sublimation”. Benjamin noted the affection of experience by new technologies of cultural reproduction. Adorno pointed out the regression of hearingin the phenomenon of music distribution, but this could be extended to the regression of the senses. Marcuse also developed the“loss”with the concept of “repressive de-sublimation” pointing to the one-dimensional society. The changes in contemporary society show the limits of Frankfurt School cultural criticism, but at the same time, show its relevance.A crítica cultural da “Escola de Frankfurt” não se resume apenas à questão cultural ou artística, tampouco pode ser considerada “pessimista” ou “elitista”. A crítica cultural relaciona tanto a crítica à cultura quanto à sociedade, do mesmo modo que Marx mostrou a relação entre a produção material e a reprodução espiritual da sociedade. É desta maneira que Benjamin elaborou sua crítica ao cinema, Adorno cunhou a expressão “indústria cultural” e Marcuse a “dessublimação repressiva”. Benjamin constatou a afecção da experiência pelas novas tecnologias de reprodução cultural. Adorno apontou a regressão da audição no fenômeno da distribuição musical, mas poder-se-ia estender a noção para a regressão dos sentidos. Marcuse também elaborou a “perda” com o conceito de “dessublimação repressiva” apontando para a sociedade unidimensional. As mudanças na sociedade contemporânea mostram os limites da crítica cultural frankfurtiana, mas, ao mesmo tempo, revelam sua atualidade.Universidade Federal de Ouro Preto2017-04-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/604Artefilosofia; v. 6 n. 11 (2011): Dossiê etnomusicologia; 158-169Artefilosofia; Vol. 6 No. 11 (2011): Dossiê etnomusicologia; 158-1692526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/604/560Copyright (c) 2017 Revista ArteFilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessOliveira, Robespierre de2022-03-25T11:18:15Zoai:pp.www.periodicos.ufop.br:article/604Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-03-25T11:18:15Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
Crítica cultural e sociedade unidimensional |
title |
Crítica cultural e sociedade unidimensional |
spellingShingle |
Crítica cultural e sociedade unidimensional Oliveira, Robespierre de cultural critique one-dimensional society critical theory Adorno Marcuse Benjamin crítica cultural sociedade unidimensional teoria crítica Adorno Marcuse Benjamin |
title_short |
Crítica cultural e sociedade unidimensional |
title_full |
Crítica cultural e sociedade unidimensional |
title_fullStr |
Crítica cultural e sociedade unidimensional |
title_full_unstemmed |
Crítica cultural e sociedade unidimensional |
title_sort |
Crítica cultural e sociedade unidimensional |
author |
Oliveira, Robespierre de |
author_facet |
Oliveira, Robespierre de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Robespierre de |
dc.subject.por.fl_str_mv |
cultural critique one-dimensional society critical theory Adorno Marcuse Benjamin crítica cultural sociedade unidimensional teoria crítica Adorno Marcuse Benjamin |
topic |
cultural critique one-dimensional society critical theory Adorno Marcuse Benjamin crítica cultural sociedade unidimensional teoria crítica Adorno Marcuse Benjamin |
description |
The cultural critique of “Frankfurt School”is not summed up to the cultural orartistic question neither can be considered as“pessimist”or“elitist”. Cultural critique concerns to the critique of culture as much as of society, in the same way Marx showed the relation between material production and spiritual reproduction of society. In thisway, Benjamin developed his criticism to the cinema, Adorno coined an expression “culture industry” and Marcuse “repressivede-sublimation”. Benjamin noted the affection of experience by new technologies of cultural reproduction. Adorno pointed out the regression of hearingin the phenomenon of music distribution, but this could be extended to the regression of the senses. Marcuse also developed the“loss”with the concept of “repressive de-sublimation” pointing to the one-dimensional society. The changes in contemporary society show the limits of Frankfurt School cultural criticism, but at the same time, show its relevance. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-04-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/604 |
url |
https://periodicos.ufop.br/raf/article/view/604 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/604/560 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista ArteFilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista ArteFilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
dc.source.none.fl_str_mv |
Artefilosofia; v. 6 n. 11 (2011): Dossiê etnomusicologia; 158-169 Artefilosofia; Vol. 6 No. 11 (2011): Dossiê etnomusicologia; 158-169 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
Artefilosofia |
collection |
Artefilosofia |
repository.name.fl_str_mv |
Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
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