Crítica cultural e sociedade unidimensional

Detalhes bibliográficos
Autor(a) principal: Oliveira, Robespierre de
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/604
Resumo: The cultural critique of “Frankfurt School”is not summed up to the cultural orartistic question neither can be considered as“pessimist”or“elitist”. Cultural critique concerns to the critique of culture as much as of society, in the same way Marx showed the relation between material production and spiritual reproduction of society. In thisway, Benjamin developed his criticism to the cinema, Adorno coined an expression “culture industry” and Marcuse “repressivede-sublimation”. Benjamin noted the affection of experience by new technologies of cultural reproduction. Adorno pointed out the regression of hearingin the phenomenon of music distribution, but this could be extended to the regression of the senses. Marcuse also developed the“loss”with the concept of “repressive de-sublimation” pointing to the one-dimensional society. The changes in contemporary society show the limits of Frankfurt School cultural criticism, but at the same time, show its relevance.
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spelling Crítica cultural e sociedade unidimensionalcultural critiqueone-dimensional societycritical theoryAdornoMarcuseBenjamincrítica culturalsociedade unidimensionalteoria críticaAdornoMarcuseBenjaminThe cultural critique of “Frankfurt School”is not summed up to the cultural orartistic question neither can be considered as“pessimist”or“elitist”. Cultural critique concerns to the critique of culture as much as of society, in the same way Marx showed the relation between material production and spiritual reproduction of society. In thisway, Benjamin developed his criticism to the cinema, Adorno coined an expression “culture industry” and Marcuse “repressivede-sublimation”. Benjamin noted the affection of experience by new technologies of cultural reproduction. Adorno pointed out the regression of hearingin the phenomenon of music distribution, but this could be extended to the regression of the senses. Marcuse also developed the“loss”with the concept of “repressive de-sublimation” pointing to the one-dimensional society. The changes in contemporary society show the limits of Frankfurt School cultural criticism, but at the same time, show its relevance.A crítica cultural da “Escola de Frankfurt” não se resume apenas à questão cultural ou artística, tampouco pode ser considerada “pessimista” ou “elitista”. A crítica cultural relaciona tanto a crítica à cultura quanto à sociedade, do mesmo modo que Marx mostrou a relação entre a produção material e a reprodução espiritual da sociedade. É desta maneira que Benjamin elaborou sua crítica ao cinema, Adorno cunhou a expressão “indústria cultural” e Marcuse a “dessublimação repressiva”. Benjamin constatou a afecção da experiência pelas novas tecnologias de reprodução cultural. Adorno apontou a regressão da audição no fenômeno da distribuição musical, mas poder-se-ia estender a noção para a regressão dos sentidos. Marcuse também elaborou a “perda” com o conceito de “dessublimação repressiva” apontando para a sociedade unidimensional. As mudanças na sociedade contemporânea mostram os limites da crítica cultural frankfurtiana, mas, ao mesmo tempo, revelam sua atualidade.Universidade Federal de Ouro Preto2017-04-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/604Artefilosofia; v. 6 n. 11 (2011): Dossiê etnomusicologia; 158-169Artefilosofia; Vol. 6 No. 11 (2011): Dossiê etnomusicologia; 158-1692526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/604/560Copyright (c) 2017 Revista ArteFilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessOliveira, Robespierre de2022-03-25T11:18:15Zoai:pp.www.periodicos.ufop.br:article/604Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-03-25T11:18:15Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Crítica cultural e sociedade unidimensional
title Crítica cultural e sociedade unidimensional
spellingShingle Crítica cultural e sociedade unidimensional
Oliveira, Robespierre de
cultural critique
one-dimensional society
critical theory
Adorno
Marcuse
Benjamin
crítica cultural
sociedade unidimensional
teoria crítica
Adorno
Marcuse
Benjamin
title_short Crítica cultural e sociedade unidimensional
title_full Crítica cultural e sociedade unidimensional
title_fullStr Crítica cultural e sociedade unidimensional
title_full_unstemmed Crítica cultural e sociedade unidimensional
title_sort Crítica cultural e sociedade unidimensional
author Oliveira, Robespierre de
author_facet Oliveira, Robespierre de
author_role author
dc.contributor.author.fl_str_mv Oliveira, Robespierre de
dc.subject.por.fl_str_mv cultural critique
one-dimensional society
critical theory
Adorno
Marcuse
Benjamin
crítica cultural
sociedade unidimensional
teoria crítica
Adorno
Marcuse
Benjamin
topic cultural critique
one-dimensional society
critical theory
Adorno
Marcuse
Benjamin
crítica cultural
sociedade unidimensional
teoria crítica
Adorno
Marcuse
Benjamin
description The cultural critique of “Frankfurt School”is not summed up to the cultural orartistic question neither can be considered as“pessimist”or“elitist”. Cultural critique concerns to the critique of culture as much as of society, in the same way Marx showed the relation between material production and spiritual reproduction of society. In thisway, Benjamin developed his criticism to the cinema, Adorno coined an expression “culture industry” and Marcuse “repressivede-sublimation”. Benjamin noted the affection of experience by new technologies of cultural reproduction. Adorno pointed out the regression of hearingin the phenomenon of music distribution, but this could be extended to the regression of the senses. Marcuse also developed the“loss”with the concept of “repressive de-sublimation” pointing to the one-dimensional society. The changes in contemporary society show the limits of Frankfurt School cultural criticism, but at the same time, show its relevance.
publishDate 2017
dc.date.none.fl_str_mv 2017-04-24
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dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/604
url https://periodicos.ufop.br/raf/article/view/604
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/604/560
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista ArteFilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista ArteFilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 6 n. 11 (2011): Dossiê etnomusicologia; 158-169
Artefilosofia; Vol. 6 No. 11 (2011): Dossiê etnomusicologia; 158-169
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
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instname_str Universidade Federal de Ouro Preto (UFOP)
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repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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