Baudelaire and the human condition
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Artefilosofia |
Texto Completo: | https://periodicos.ufop.br/raf/article/view/851 |
Resumo: | This article aims to study the work of Charles Baudelaire, taking into account the reality within it, its historical moment and the society in which the poet lived. Through his presentation of Erick Auerbach's conception of Baudelaire's work, as opposed to Walter Benjamin's analysis of the author's work in order to address not only the work of the poet, but his importance to his time and his society. Through different interpretive methods, the authors painted the portrait of a poet who is essentially ambiguous, contradictory, whose poetry presents opposing instances that are not solved in any synthesis. Baudelaire, however, appears in both authors as a man of his time, both Auerbach and Benjamin tracing the outlook of a figure who was an example of the human condition of his time, subjected to the degradation imposed by bourgeois society, Baudelaire claims the dignity which is that of the human species itself. |
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Baudelaire and the human conditionBaudelaire e a condição humanaBaudelaireHuman ConditionErich AuerbachWalter Benjamin.BaudelaireCondição humanaErich AuerbachWalter BenjaminThis article aims to study the work of Charles Baudelaire, taking into account the reality within it, its historical moment and the society in which the poet lived. Through his presentation of Erick Auerbach's conception of Baudelaire's work, as opposed to Walter Benjamin's analysis of the author's work in order to address not only the work of the poet, but his importance to his time and his society. Through different interpretive methods, the authors painted the portrait of a poet who is essentially ambiguous, contradictory, whose poetry presents opposing instances that are not solved in any synthesis. Baudelaire, however, appears in both authors as a man of his time, both Auerbach and Benjamin tracing the outlook of a figure who was an example of the human condition of his time, subjected to the degradation imposed by bourgeois society, Baudelaire claims the dignity which is that of the human species itself.O presente artigo tem como objetivo realizar um estudo da obra de Charles Baudelaire, levando em consideração a realidade inerente a ela, seu momento histórico e a sociedade na qual se inseriu o poeta. Através da apresentação da concepção Erick Auerbach da obra de Baudelaire, em seu ensaio “As flores do mal e o sublime”, em contraposição à análise que Walter Benjamin realizou da obra do autor, com o objetivo de abordar não apenas a obra do poeta, mas a importância de sua figura para seu tempo e sua sociedade. Através de métodos interpretativos diversos, os autores constroem o retrato de um poeta que é, essencialmente, bifronte, ambíguo, contraditório, sua poesia apresenta instâncias opostas que não se resolvem em nenhuma síntese. Entretanto, em ambos os autores, Baudelaire aparece como um homem de seu tempo, tanto Auerbach, quanto Benjamin, traçam o panorama de uma figura que foi exemplo da condição humana de seu tempo, submetido à degradação imposta pela sociedade burguesa, Baudelaire reclama uma dignidade que é a da própria espécie humana.Universidade Federal de Ouro Preto2018-08-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/851Artefilosofia; v. 13 n. 24 (2018); 182-198Artefilosofia; Vol. 13 No. 24 (2018); 182-1982526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/851/1371Copyright (c) 2018 Artefilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessHott, Luís Otávio2021-06-22T13:22:18Zoai:pp.www.periodicos.ufop.br:article/851Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2021-06-22T13:22:18Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
Baudelaire and the human condition Baudelaire e a condição humana |
title |
Baudelaire and the human condition |
spellingShingle |
Baudelaire and the human condition Hott, Luís Otávio Baudelaire Human Condition Erich Auerbach Walter Benjamin. Baudelaire Condição humana Erich Auerbach Walter Benjamin |
title_short |
Baudelaire and the human condition |
title_full |
Baudelaire and the human condition |
title_fullStr |
Baudelaire and the human condition |
title_full_unstemmed |
Baudelaire and the human condition |
title_sort |
Baudelaire and the human condition |
author |
Hott, Luís Otávio |
author_facet |
Hott, Luís Otávio |
author_role |
author |
dc.contributor.author.fl_str_mv |
Hott, Luís Otávio |
dc.subject.por.fl_str_mv |
Baudelaire Human Condition Erich Auerbach Walter Benjamin. Baudelaire Condição humana Erich Auerbach Walter Benjamin |
topic |
Baudelaire Human Condition Erich Auerbach Walter Benjamin. Baudelaire Condição humana Erich Auerbach Walter Benjamin |
description |
This article aims to study the work of Charles Baudelaire, taking into account the reality within it, its historical moment and the society in which the poet lived. Through his presentation of Erick Auerbach's conception of Baudelaire's work, as opposed to Walter Benjamin's analysis of the author's work in order to address not only the work of the poet, but his importance to his time and his society. Through different interpretive methods, the authors painted the portrait of a poet who is essentially ambiguous, contradictory, whose poetry presents opposing instances that are not solved in any synthesis. Baudelaire, however, appears in both authors as a man of his time, both Auerbach and Benjamin tracing the outlook of a figure who was an example of the human condition of his time, subjected to the degradation imposed by bourgeois society, Baudelaire claims the dignity which is that of the human species itself. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-08-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/851 |
url |
https://periodicos.ufop.br/raf/article/view/851 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/851/1371 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Artefilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Artefilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
dc.source.none.fl_str_mv |
Artefilosofia; v. 13 n. 24 (2018); 182-198 Artefilosofia; Vol. 13 No. 24 (2018); 182-198 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
Artefilosofia |
collection |
Artefilosofia |
repository.name.fl_str_mv |
Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
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1798313558451159040 |