Arte ou bugiganga? a estética africana da coleção perseverança

Bibliographic Details
Main Author: Almeida, Anderson Diego
Publication Date: 2020
Format: Article
Language: por
Source: Artefilosofia
Download full: https://periodicos.ufop.br/raf/article/view/2195
Summary: There are ashes, blood, oils, ritual smell. There are foreign substances and materials. Thereis a wonder. This article is built from the perspective ofthat which is still troubling: are theritual objects of African-based yards (rituals) of art? From that question, we will go through the history of the Perseverance Collection, which originated from an episode of policeforce seazure in Alagoas, in 1912. From this entanglement, we will show that the memories of the African are found in the making and in the symbols that form the resignified African aesthetic, which is still seen by many as “trinkets” of religious grounds [terreiros]
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spelling Arte ou bugiganga? a estética africana da coleção perseverançaArtAfrican AestheticCollectionShango BreakArteEstética africanaColeção PerseverançaQuebra de XangôThere are ashes, blood, oils, ritual smell. There are foreign substances and materials. Thereis a wonder. This article is built from the perspective ofthat which is still troubling: are theritual objects of African-based yards (rituals) of art? From that question, we will go through the history of the Perseverance Collection, which originated from an episode of policeforce seazure in Alagoas, in 1912. From this entanglement, we will show that the memories of the African are found in the making and in the symbols that form the resignified African aesthetic, which is still seen by many as “trinkets” of religious grounds [terreiros]Há cinzas, sangue, óleos, cheiro de ritual. Há substâncias e materiais estranhos. Há um assombro. Este artigo é construído a partir da perspectiva daquilo que ainda causa incômodo: os objetos de rituais de terreiros de matriz africana são objetos de arte?. A partir desta questão, percorreremos a história da Coleção Perseverança, que se formou num episódio de apreensão policial em Alagoas em 1912. Deste meandro, mostraremos que as memórias do africano encontram-se na feitura e nos símbolos que compõem a estética africana ressignificada, que por muitos ainda é vista como “bugigangas” de terreiros.Universidade Federal de Ouro Preto2020-09-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/2195Artefilosofia; v. 15 n. 29 (2020): DOSSIÊ FIGURAÇÕES E INTERLOCUÇÕES: A QUESTÃO FEMININA EM WALTER BENJAMIN; 223-245Artefilosofia; Vol. 15 No. 29 (2020): FIGURATIONS AND INTERLOCUTIONS: THE FEMININE QUESTION IN WALTER BENJAMIN’S OEUVRE; 223-2452526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/2195/3483Copyright (c) 2020 Artefilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessAlmeida, Anderson Diego2021-06-22T13:21:44Zoai:pp.www.periodicos.ufop.br:article/2195Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2021-06-22T13:21:44Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Arte ou bugiganga? a estética africana da coleção perseverança
title Arte ou bugiganga? a estética africana da coleção perseverança
spellingShingle Arte ou bugiganga? a estética africana da coleção perseverança
Almeida, Anderson Diego
Art
African Aesthetic
Collection
Shango Break
Arte
Estética africana
Coleção Perseverança
Quebra de Xangô
title_short Arte ou bugiganga? a estética africana da coleção perseverança
title_full Arte ou bugiganga? a estética africana da coleção perseverança
title_fullStr Arte ou bugiganga? a estética africana da coleção perseverança
title_full_unstemmed Arte ou bugiganga? a estética africana da coleção perseverança
title_sort Arte ou bugiganga? a estética africana da coleção perseverança
author Almeida, Anderson Diego
author_facet Almeida, Anderson Diego
author_role author
dc.contributor.author.fl_str_mv Almeida, Anderson Diego
dc.subject.por.fl_str_mv Art
African Aesthetic
Collection
Shango Break
Arte
Estética africana
Coleção Perseverança
Quebra de Xangô
topic Art
African Aesthetic
Collection
Shango Break
Arte
Estética africana
Coleção Perseverança
Quebra de Xangô
description There are ashes, blood, oils, ritual smell. There are foreign substances and materials. Thereis a wonder. This article is built from the perspective ofthat which is still troubling: are theritual objects of African-based yards (rituals) of art? From that question, we will go through the history of the Perseverance Collection, which originated from an episode of policeforce seazure in Alagoas, in 1912. From this entanglement, we will show that the memories of the African are found in the making and in the symbols that form the resignified African aesthetic, which is still seen by many as “trinkets” of religious grounds [terreiros]
publishDate 2020
dc.date.none.fl_str_mv 2020-09-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/2195
url https://periodicos.ufop.br/raf/article/view/2195
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/2195/3483
dc.rights.driver.fl_str_mv Copyright (c) 2020 Artefilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Artefilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 15 n. 29 (2020): DOSSIÊ FIGURAÇÕES E INTERLOCUÇÕES: A QUESTÃO FEMININA EM WALTER BENJAMIN; 223-245
Artefilosofia; Vol. 15 No. 29 (2020): FIGURATIONS AND INTERLOCUTIONS: THE FEMININE QUESTION IN WALTER BENJAMIN’S OEUVRE; 223-245
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
_version_ 1798313558592716800

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