Beyond the vicious circle:: time and repetition in Béla Tarr's films under analysis

Detalhes bibliográficos
Autor(a) principal: Benedykt, Breno Isaac
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/4048
Resumo: This article brings an analysis of repetition and time in Béla Tarr's films, with an emphasis upon The horse of Turin. Our analysis is directed to the intensive and positivity inhuman aspect of repetition, exploring it as a procedural mode of Béla Tarr's cinema. Our theoretical sources, besides the books dedicated to the film-maker's work, are philosophilcal writings such as those by Gilles Deleuze and those by Pierre Klossowski.
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spelling Beyond the vicious circle:: time and repetition in Béla Tarr's films under analysisPara além do círculo vicioso:: uma análise do tempo e da repetição no cinema de Béla TarrAetheticsBéla TarrCinemaGilles DeleuzePhilosophyBéla TarrCinemaEstéticaFilosofiaGilles DeleuzeThis article brings an analysis of repetition and time in Béla Tarr's films, with an emphasis upon The horse of Turin. Our analysis is directed to the intensive and positivity inhuman aspect of repetition, exploring it as a procedural mode of Béla Tarr's cinema. Our theoretical sources, besides the books dedicated to the film-maker's work, are philosophilcal writings such as those by Gilles Deleuze and those by Pierre Klossowski.Este artigo traz à tona uma análise da repetição e do tempo nos filmes de Béla Tarr, mais detidamente no filme O Cavalo de Turim. Visando a potência da imagem, a análise deste artigo volta-se para o teor intensivo da repetição e sua positividade inumana, investigando-a como um modo procedimental de Béla Tarr. Como fonte teórica, além de livros dedicados à obra do cineasta, fez-se uso de alguns escritos filosóficos, como de Gilles Deleuze e de Pierre Klossowski. Universidade Federal de Ouro Preto2021-03-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/4048Artefilosofia; v. 16 n. 30 (2021); 67-89Artefilosofia; Vol. 16 No. 30 (2021); 67-892526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/4048/3703Copyright (c) 2021 Artefilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessBenedykt, Breno Isaac2022-01-11T19:07:40Zoai:pp.www.periodicos.ufop.br:article/4048Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-01-11T19:07:40Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Beyond the vicious circle:: time and repetition in Béla Tarr's films under analysis
Para além do círculo vicioso:: uma análise do tempo e da repetição no cinema de Béla Tarr
title Beyond the vicious circle:: time and repetition in Béla Tarr's films under analysis
spellingShingle Beyond the vicious circle:: time and repetition in Béla Tarr's films under analysis
Benedykt, Breno Isaac
Aethetics
Béla Tarr
Cinema
Gilles Deleuze
Philosophy
Béla Tarr
Cinema
Estética
Filosofia
Gilles Deleuze
title_short Beyond the vicious circle:: time and repetition in Béla Tarr's films under analysis
title_full Beyond the vicious circle:: time and repetition in Béla Tarr's films under analysis
title_fullStr Beyond the vicious circle:: time and repetition in Béla Tarr's films under analysis
title_full_unstemmed Beyond the vicious circle:: time and repetition in Béla Tarr's films under analysis
title_sort Beyond the vicious circle:: time and repetition in Béla Tarr's films under analysis
author Benedykt, Breno Isaac
author_facet Benedykt, Breno Isaac
author_role author
dc.contributor.author.fl_str_mv Benedykt, Breno Isaac
dc.subject.por.fl_str_mv Aethetics
Béla Tarr
Cinema
Gilles Deleuze
Philosophy
Béla Tarr
Cinema
Estética
Filosofia
Gilles Deleuze
topic Aethetics
Béla Tarr
Cinema
Gilles Deleuze
Philosophy
Béla Tarr
Cinema
Estética
Filosofia
Gilles Deleuze
description This article brings an analysis of repetition and time in Béla Tarr's films, with an emphasis upon The horse of Turin. Our analysis is directed to the intensive and positivity inhuman aspect of repetition, exploring it as a procedural mode of Béla Tarr's cinema. Our theoretical sources, besides the books dedicated to the film-maker's work, are philosophilcal writings such as those by Gilles Deleuze and those by Pierre Klossowski.
publishDate 2021
dc.date.none.fl_str_mv 2021-03-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/4048
url https://periodicos.ufop.br/raf/article/view/4048
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/4048/3703
dc.rights.driver.fl_str_mv Copyright (c) 2021 Artefilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Artefilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 16 n. 30 (2021); 67-89
Artefilosofia; Vol. 16 No. 30 (2021); 67-89
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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