Narration and drama in Aristotle
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Artefilosofia |
Texto Completo: | https://periodicos.ufop.br/raf/article/view/755 |
Resumo: | Aristotle devotes a great part of his Poetics to the comparison of tragic poetry and epic poetry, and to the defense of the superiority of the fi rst to the second. One of the comparative elements is the fact that, in tragic poetry, we are witnesses of the very action of the characters, that is: we directly see people acting, while in epic poetry the storyteller frequently locates himself between the hearer and the narrated facts. That distinction has direct infl uence upon the reaction of the spectator – or the hearer – to poetry, because it tends to produce, in each case, an intensifi cation or an attenuation of the presented actions. This work tries to investigate in which measure the poetic arts, as well as other mimetic arts like painting and sculpture, are capable of producing a double movement of approximating and distancing the spectators from the contents of the work of art. Having that in view, we will take as a reference the observations found in the fourth chapter of the Poetics, as well as some passages found in the Rhetoric that are directly related to this subject. |
id |
UFOP-1_d695eed3c5704b0c40dd4ca9a99b4ca9 |
---|---|
oai_identifier_str |
oai:pp.www.periodicos.ufop.br:article/755 |
network_acronym_str |
UFOP-1 |
network_name_str |
Artefilosofia |
repository_id_str |
|
spelling |
Narration and drama in AristotleNarração e drama em AristótelesAristotleTragedyEpic PoetryIntensificationAttenuation.AristótelesTragédiaEpopéiaAproximaçãoDistanciamento.Aristotle devotes a great part of his Poetics to the comparison of tragic poetry and epic poetry, and to the defense of the superiority of the fi rst to the second. One of the comparative elements is the fact that, in tragic poetry, we are witnesses of the very action of the characters, that is: we directly see people acting, while in epic poetry the storyteller frequently locates himself between the hearer and the narrated facts. That distinction has direct infl uence upon the reaction of the spectator – or the hearer – to poetry, because it tends to produce, in each case, an intensifi cation or an attenuation of the presented actions. This work tries to investigate in which measure the poetic arts, as well as other mimetic arts like painting and sculpture, are capable of producing a double movement of approximating and distancing the spectators from the contents of the work of art. Having that in view, we will take as a reference the observations found in the fourth chapter of the Poetics, as well as some passages found in the Rhetoric that are directly related to this subject.Aristóteles dedica grande parte da sua Poética à comparação entre poesia trágica e poesia épica, e à defesa da superioridade da primeira sobre a segunda. Um dos elementos comparativos é o fato de que, na poesia trágica, somos testemunhas da própria ação das personagens, ou seja, vemos agentes operando diretamente, enquanto que na poesia épica o narrador freqüentemente se posiciona entre o ouvinte e os fatos narrados. Tal distinção tem infl uência direta sobre a reação do espectador, ou do ouvinte, à poesia, pois tende a efetuar, em cada caso, uma aproximação ou um distanciamento das ações apresentadas. O presente trabalho pretende investigar em que medida as artes poéticas e, por extensão, outras artes miméticas tais como a pintura e a escultura, são capazes de realizar um duplo movimento de aproximação e de distanciamento entre os espectadores e o conteúdo representado pela obra. Para tanto, tomaremos como base tanto as observações de Poética IV quanto algumas passagens da Retórica aristotélica que se relacionam diretamente com o assunto.Universidade Federal de Ouro Preto2017-04-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/755Artefilosofia; v. 2 n. 3 (2007); 71-77Artefilosofia; Vol. 2 No. 3 (2007); 71-772526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/755/711Copyright (c) 2017 Revista ArteFilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessHolanda, Luisa Severo Buarque de2022-03-25T11:13:20Zoai:pp.www.periodicos.ufop.br:article/755Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-03-25T11:13:20Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
Narration and drama in Aristotle Narração e drama em Aristóteles |
title |
Narration and drama in Aristotle |
spellingShingle |
Narration and drama in Aristotle Holanda, Luisa Severo Buarque de Aristotle Tragedy Epic Poetry Intensification Attenuation. Aristóteles Tragédia Epopéia Aproximação Distanciamento. |
title_short |
Narration and drama in Aristotle |
title_full |
Narration and drama in Aristotle |
title_fullStr |
Narration and drama in Aristotle |
title_full_unstemmed |
Narration and drama in Aristotle |
title_sort |
Narration and drama in Aristotle |
author |
Holanda, Luisa Severo Buarque de |
author_facet |
Holanda, Luisa Severo Buarque de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Holanda, Luisa Severo Buarque de |
dc.subject.por.fl_str_mv |
Aristotle Tragedy Epic Poetry Intensification Attenuation. Aristóteles Tragédia Epopéia Aproximação Distanciamento. |
topic |
Aristotle Tragedy Epic Poetry Intensification Attenuation. Aristóteles Tragédia Epopéia Aproximação Distanciamento. |
description |
Aristotle devotes a great part of his Poetics to the comparison of tragic poetry and epic poetry, and to the defense of the superiority of the fi rst to the second. One of the comparative elements is the fact that, in tragic poetry, we are witnesses of the very action of the characters, that is: we directly see people acting, while in epic poetry the storyteller frequently locates himself between the hearer and the narrated facts. That distinction has direct infl uence upon the reaction of the spectator – or the hearer – to poetry, because it tends to produce, in each case, an intensifi cation or an attenuation of the presented actions. This work tries to investigate in which measure the poetic arts, as well as other mimetic arts like painting and sculpture, are capable of producing a double movement of approximating and distancing the spectators from the contents of the work of art. Having that in view, we will take as a reference the observations found in the fourth chapter of the Poetics, as well as some passages found in the Rhetoric that are directly related to this subject. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-04-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/755 |
url |
https://periodicos.ufop.br/raf/article/view/755 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/755/711 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista ArteFilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista ArteFilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
dc.source.none.fl_str_mv |
Artefilosofia; v. 2 n. 3 (2007); 71-77 Artefilosofia; Vol. 2 No. 3 (2007); 71-77 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
Artefilosofia |
collection |
Artefilosofia |
repository.name.fl_str_mv |
Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
_version_ |
1798313558058991616 |