Fictional Modes and Historicity: Charles Dickens, Franz Kafka, Raymond Carver
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | História da Historiografia |
Texto Completo: | https://www.historiadahistoriografia.com.br/revista/article/view/824 |
Resumo: | This article proposes a comparative reading of the works by Charles Dickens (1812-1870), Franz Kafka (1883-1924) and Raymond Carver (1938-1988), based on Northrop Frye’s “Theory of Modes”. The different usages of the tragic mode and the comic mode are analyzed as signs of historicity that follow cultural transformations observed between the 19th and the 20th centuries in the Western world. The recurrent modal counterpoints of each writer are seen to create a dynamic of identities and differences in the relation between their narratives, and in the relations among the texts and their contextual circumstances. And, finally, the article indicates a possibility of using these analytical resources in order to understand the dialogue between literature and society in the post-1945 period, when the prevalence of the tragic mode confers a distinctive relevance to the more punctual manifestations of the comic mode. |
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Fictional Modes and Historicity: Charles Dickens, Franz Kafka, Raymond CarverModos ficcionais e historicidade: Charles Dickens, Franz Kafka, Raymond CarverFictionHistoricityNarrativesFicciónHistoricidadNarrativasFicçãoHistoricidadeNarrativasThis article proposes a comparative reading of the works by Charles Dickens (1812-1870), Franz Kafka (1883-1924) and Raymond Carver (1938-1988), based on Northrop Frye’s “Theory of Modes”. The different usages of the tragic mode and the comic mode are analyzed as signs of historicity that follow cultural transformations observed between the 19th and the 20th centuries in the Western world. The recurrent modal counterpoints of each writer are seen to create a dynamic of identities and differences in the relation between their narratives, and in the relations among the texts and their contextual circumstances. And, finally, the article indicates a possibility of using these analytical resources in order to understand the dialogue between literature and society in the post-1945 period, when the prevalence of the tragic mode confers a distinctive relevance to the more punctual manifestations of the comic mode.O artigo propõe uma leitura comparativa das obras de Charles Dickens (1812-1870), Franz Kafka (1883-1924) e Raymond Carver (1938-1988), com base na “Teoria dos Modos” de Northrop Frye. Neste percurso, os diferentes usos do modo cômico e do modo trágico são analisados como signos de historicidade que acompanham transformações culturais verificadas entre os séculos XIX e XX no ocidente. Observa-se, então, que os contrapontos modais recorrentes em cada autor criam uma dinâmica de identidades e diferenças entre suas narrativas, bem como entre os textos e as circunstâncias contextuais em que emergem. E, por fim, é indicada uma possibilidade de mobilização desses recursos analíticos para o entendimento de aspectos da relação entre literatura e sociedade no período pós-1945, quando a proeminência do modo trágico confere relevância distintiva às manifestações pontuais do cômico na ficção.Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro2014-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.historiadahistoriografia.com.br/revista/article/view/82410.15848/hh.v0i16.824História da Historiografia: International Journal of Theory and History of Historiography; Vol. 7 No. 16 (2014); 121-137História da Historiografia: International Journal of Theory and History of Historiography; Vol. 7 Núm. 16 (2014); 121-137História da Historiografia: International Journal of Theory and History of Historiography; v. 7 n. 16 (2014); 121-1371983-9928reponame:História da Historiografiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://www.historiadahistoriografia.com.br/revista/article/view/824/498Franco, Gustavo Navesinfo:eu-repo/semantics/openAccess2020-05-02T02:38:44Zoai:ojs.www.historiadahistoriografia.com.br:article/824Revistahttps://www.historiadahistoriografia.com.br/revistaPUBhttps://www.historiadahistoriografia.com.br/revista/oaivaldei354@gmail.com || historiadahistoriografia@hotmail.com1983-99281983-9928opendoar:2020-05-02T02:38:44História da Historiografia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
Fictional Modes and Historicity: Charles Dickens, Franz Kafka, Raymond Carver Modos ficcionais e historicidade: Charles Dickens, Franz Kafka, Raymond Carver |
title |
Fictional Modes and Historicity: Charles Dickens, Franz Kafka, Raymond Carver |
spellingShingle |
Fictional Modes and Historicity: Charles Dickens, Franz Kafka, Raymond Carver Franco, Gustavo Naves Fiction Historicity Narratives Ficción Historicidad Narrativas Ficção Historicidade Narrativas |
title_short |
Fictional Modes and Historicity: Charles Dickens, Franz Kafka, Raymond Carver |
title_full |
Fictional Modes and Historicity: Charles Dickens, Franz Kafka, Raymond Carver |
title_fullStr |
Fictional Modes and Historicity: Charles Dickens, Franz Kafka, Raymond Carver |
title_full_unstemmed |
Fictional Modes and Historicity: Charles Dickens, Franz Kafka, Raymond Carver |
title_sort |
Fictional Modes and Historicity: Charles Dickens, Franz Kafka, Raymond Carver |
author |
Franco, Gustavo Naves |
author_facet |
Franco, Gustavo Naves |
author_role |
author |
dc.contributor.author.fl_str_mv |
Franco, Gustavo Naves |
dc.subject.por.fl_str_mv |
Fiction Historicity Narratives Ficción Historicidad Narrativas Ficção Historicidade Narrativas |
topic |
Fiction Historicity Narratives Ficción Historicidad Narrativas Ficção Historicidade Narrativas |
description |
This article proposes a comparative reading of the works by Charles Dickens (1812-1870), Franz Kafka (1883-1924) and Raymond Carver (1938-1988), based on Northrop Frye’s “Theory of Modes”. The different usages of the tragic mode and the comic mode are analyzed as signs of historicity that follow cultural transformations observed between the 19th and the 20th centuries in the Western world. The recurrent modal counterpoints of each writer are seen to create a dynamic of identities and differences in the relation between their narratives, and in the relations among the texts and their contextual circumstances. And, finally, the article indicates a possibility of using these analytical resources in order to understand the dialogue between literature and society in the post-1945 period, when the prevalence of the tragic mode confers a distinctive relevance to the more punctual manifestations of the comic mode. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-12-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.historiadahistoriografia.com.br/revista/article/view/824 10.15848/hh.v0i16.824 |
url |
https://www.historiadahistoriografia.com.br/revista/article/view/824 |
identifier_str_mv |
10.15848/hh.v0i16.824 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.historiadahistoriografia.com.br/revista/article/view/824/498 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro |
publisher.none.fl_str_mv |
Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro |
dc.source.none.fl_str_mv |
História da Historiografia: International Journal of Theory and History of Historiography; Vol. 7 No. 16 (2014); 121-137 História da Historiografia: International Journal of Theory and History of Historiography; Vol. 7 Núm. 16 (2014); 121-137 História da Historiografia: International Journal of Theory and History of Historiography; v. 7 n. 16 (2014); 121-137 1983-9928 reponame:História da Historiografia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
História da Historiografia |
collection |
História da Historiografia |
repository.name.fl_str_mv |
História da Historiografia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
valdei354@gmail.com || historiadahistoriografia@hotmail.com |
_version_ |
1797220358588203008 |