MAYBE IT’S A LIE: STUDIES ABOUT FICTIONAL PHOTOGRAPHIC NARRATIVES IN CONTEMPORARY ART

Detalhes bibliográficos
Autor(a) principal: Melo, Havane Maria Bezerra de
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/12491
Resumo: The following research aims to clarify the meaning of contemporary cinematographic photography, locating it in social space-time, based on the texts of authors as Charlotte Cotton and Vilém Flusser, among others from several areas of knowledge such as communication, literature and anthropology, however, concerned with dealing with fictional narrative and symbolic interpretation. The fallowing ideas are holded mainly on the tripod: fiction, narrative and interpretation, emphasizing the construction of identity, the participation of the model and the public in the interpretation of a work and other features characteristic of the visual narrative that can be used by the author as a way of approaching the receiver. Throughout the text, some works were choosen to make considerations about its narrative and creation process, in order to exemplify the concepts discussed. As a result of the research, we have inserted some works of authorship, developed under the mantle of the concepts discussed.
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spelling MAYBE IT’S A LIE: STUDIES ABOUT FICTIONAL PHOTOGRAPHIC NARRATIVES IN CONTEMPORARY ARTTALVEZ SEA MENTIRA: ESTUDIOS SOBRE LA FOTO NARRATIVAS DE FICCIÓN EN EL ARTE CONTEMPORÁNEOTalvez seja mentira: estudos sobre narrativas fotográficas ficcionais na Arte ContemporâneaphotographynarrativefictionfotografianarrativaficçãofotografíanarrativaficciónThe following research aims to clarify the meaning of contemporary cinematographic photography, locating it in social space-time, based on the texts of authors as Charlotte Cotton and Vilém Flusser, among others from several areas of knowledge such as communication, literature and anthropology, however, concerned with dealing with fictional narrative and symbolic interpretation. The fallowing ideas are holded mainly on the tripod: fiction, narrative and interpretation, emphasizing the construction of identity, the participation of the model and the public in the interpretation of a work and other features characteristic of the visual narrative that can be used by the author as a way of approaching the receiver. Throughout the text, some works were choosen to make considerations about its narrative and creation process, in order to exemplify the concepts discussed. As a result of the research, we have inserted some works of authorship, developed under the mantle of the concepts discussed.Esta investigación tiene como objetivo aclarar el significado de la fotografía ficticia contemporánea, ubicándola en el espacio-tiempo social, basada en los textos de autores como Charlotte Cotton, Vilém Flusser y otros tomados de diversas áreas del conocimiento, como la comunicación, la literatura y la antropología, preocupados por tratar con la narrativa ficticia y la interpretación simbólica. Las ideas se basan principalmente en el trípode: ficción, narrativa e interpretación, destacando la construcción de la identidad, la participación del modelo y el público en la interpretación de una obra y otros rasgos característicos de la narrativa visual que el autor puede utilizar para abordar el receptor. Como resultado de la investigación, señalamos algunas obras desarrolladas bajo el manto de los conceptos discutidos y hacemos consideraciones sobre el proceso narrativo y de creación.Essa pesquisa visa esclarecer o significado da fotografia cinematográfica contemporânea, localizando-a no espaço-tempo social, baseada nos textos de autores como Charlotte Cotton, Vilém Flusser e outros emprestados de diversas áreas do conhecimento como a comunicação, a literatura e a antropologia, porém, preocupados em tratar da narrativa ficcional e da interpretação simbólica. As ideias são sustentadas principalmente sobre o tripé: ficção, narrativa e interpretação, destacando a construção identitária, a participação do modelo e do público na interpretação de um trabalho e outros recursos característicos da narrativa visual que podem ser utilizados pelo autor como forma de aproximação com o receptor. Ao longo do texto, apontamos algumas obras, sobre as quais tecemos considerações a cerca da narrativa e processo de criação, a fim de exemplificar os conceitos discutidos. Como resultado da pesquisa, inserimos alguns trabalhos autorais, desenvolvidos sob o manto dos conceitos discutidos.Universidade do Estado de Santa Catarina2019-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1249110.5965/2175234611252019266Palíndromo; Vol. 11 No. 25 (2019): Pesquisa em Arte e Arte Educação; 266-284Palíndromo; v. 11 n. 25 (2019): Pesquisa em Arte e Arte Educação; 266-2842175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/12491/10453Copyright (c) 2019 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMelo, Havane Maria Bezerra de2023-04-11T13:54:37Zoai::article/12491Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-04-11T13:54:37Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv MAYBE IT’S A LIE: STUDIES ABOUT FICTIONAL PHOTOGRAPHIC NARRATIVES IN CONTEMPORARY ART
TALVEZ SEA MENTIRA: ESTUDIOS SOBRE LA FOTO NARRATIVAS DE FICCIÓN EN EL ARTE CONTEMPORÁNEO
Talvez seja mentira: estudos sobre narrativas fotográficas ficcionais na Arte Contemporânea
title MAYBE IT’S A LIE: STUDIES ABOUT FICTIONAL PHOTOGRAPHIC NARRATIVES IN CONTEMPORARY ART
spellingShingle MAYBE IT’S A LIE: STUDIES ABOUT FICTIONAL PHOTOGRAPHIC NARRATIVES IN CONTEMPORARY ART
Melo, Havane Maria Bezerra de
photography
narrative
fiction
fotografia
narrativa
ficção
fotografía
narrativa
ficción
title_short MAYBE IT’S A LIE: STUDIES ABOUT FICTIONAL PHOTOGRAPHIC NARRATIVES IN CONTEMPORARY ART
title_full MAYBE IT’S A LIE: STUDIES ABOUT FICTIONAL PHOTOGRAPHIC NARRATIVES IN CONTEMPORARY ART
title_fullStr MAYBE IT’S A LIE: STUDIES ABOUT FICTIONAL PHOTOGRAPHIC NARRATIVES IN CONTEMPORARY ART
title_full_unstemmed MAYBE IT’S A LIE: STUDIES ABOUT FICTIONAL PHOTOGRAPHIC NARRATIVES IN CONTEMPORARY ART
title_sort MAYBE IT’S A LIE: STUDIES ABOUT FICTIONAL PHOTOGRAPHIC NARRATIVES IN CONTEMPORARY ART
author Melo, Havane Maria Bezerra de
author_facet Melo, Havane Maria Bezerra de
author_role author
dc.contributor.author.fl_str_mv Melo, Havane Maria Bezerra de
dc.subject.por.fl_str_mv photography
narrative
fiction
fotografia
narrativa
ficção
fotografía
narrativa
ficción
topic photography
narrative
fiction
fotografia
narrativa
ficção
fotografía
narrativa
ficción
description The following research aims to clarify the meaning of contemporary cinematographic photography, locating it in social space-time, based on the texts of authors as Charlotte Cotton and Vilém Flusser, among others from several areas of knowledge such as communication, literature and anthropology, however, concerned with dealing with fictional narrative and symbolic interpretation. The fallowing ideas are holded mainly on the tripod: fiction, narrative and interpretation, emphasizing the construction of identity, the participation of the model and the public in the interpretation of a work and other features characteristic of the visual narrative that can be used by the author as a way of approaching the receiver. Throughout the text, some works were choosen to make considerations about its narrative and creation process, in order to exemplify the concepts discussed. As a result of the research, we have inserted some works of authorship, developed under the mantle of the concepts discussed.
publishDate 2019
dc.date.none.fl_str_mv 2019-09-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/12491
10.5965/2175234611252019266
url https://www.revistas.udesc.br/index.php/palindromo/article/view/12491
identifier_str_mv 10.5965/2175234611252019266
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/12491/10453
dc.rights.driver.fl_str_mv Copyright (c) 2019 Palíndromo
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Palíndromo
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 11 No. 25 (2019): Pesquisa em Arte e Arte Educação; 266-284
Palíndromo; v. 11 n. 25 (2019): Pesquisa em Arte e Arte Educação; 266-284
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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