They have no names and no stories, but they are beloved: the writing of the history of slavery in Lose Your Mother, by Saidiya Hartman

Detalhes bibliográficos
Autor(a) principal: Silva e Sousa, Fernanda
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: História da Historiografia
Texto Completo: https://www.historiadahistoriografia.com.br/revista/article/view/1997
Resumo: The article aims to think of Lose Your Mother: A Journey Along the Atlantic Slave Route, by Saidiya Hartman, in dialogue with “Time of Slavery” and “Venus in Two Acts” as a writing of the history of slavery that considers slaves as her ancestors inasmuch as she claims to be a descendant of slaves who lives the afterlife of slavery. Situating her work in the new social history of slavery and in the debate about the narrative and fictional character of history, we argue that Hartman, based on a black radical tradition, elaborates a historical writing that tries to account for the millions of dead people who have no names and no stories throughout the slave trade years. In this sense, not only forgetfulness but also the impossibility to remember in face of the scarcity of documentary sources, or to avoid the violence of the archive challenges the work of mourning these lost lives, leading her to create the method of critical fabulation, which dialogues with the thoughts of Toni Morrison on the novel Beloved. In the end, this text concludes that the writing of the history of slavery must be accompanied by an ethical gesture of care for the dead, seeking not redemption, but the narration of these lost lives.
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spelling They have no names and no stories, but they are beloved: the writing of the history of slavery in Lose Your Mother, by Saidiya HartmanSem nomes e sem histórias, mas amados: a escrita da história da escravidão em Perder a mãe, de Saidiya HartmanSlaveryWriting historyMourningEscravidãoEscrita da históriaLutoThe article aims to think of Lose Your Mother: A Journey Along the Atlantic Slave Route, by Saidiya Hartman, in dialogue with “Time of Slavery” and “Venus in Two Acts” as a writing of the history of slavery that considers slaves as her ancestors inasmuch as she claims to be a descendant of slaves who lives the afterlife of slavery. Situating her work in the new social history of slavery and in the debate about the narrative and fictional character of history, we argue that Hartman, based on a black radical tradition, elaborates a historical writing that tries to account for the millions of dead people who have no names and no stories throughout the slave trade years. In this sense, not only forgetfulness but also the impossibility to remember in face of the scarcity of documentary sources, or to avoid the violence of the archive challenges the work of mourning these lost lives, leading her to create the method of critical fabulation, which dialogues with the thoughts of Toni Morrison on the novel Beloved. In the end, this text concludes that the writing of the history of slavery must be accompanied by an ethical gesture of care for the dead, seeking not redemption, but the narration of these lost lives.O artigo se propõe a pensar Perder a mãe: uma jornada pela rota atlântica da escravidão, de Saidiya Hartman, em diálogo com os seus ensaios “Tempo da escravidão” e “Vênus em dois atos”, como uma escrita da história da escravidão que concebe os escravizados como seus ancestrais à medida que a autora se afirma como uma descendente de escravizados que vive a sobrevida da escravidão. Situando-a na nova história social da escravidão e no debate em torno do caráternarrativo e ficcional da história, argumentamos como Hartman, apoiada em uma tradição radical negra, elabora uma escrita da história que tenta dar conta dos milhões de mortos sem nomes e sem histórias ao longo do tráfico de escravos. Nesse processo, não apenas o esquecimento, mas também a impossibilidade de lembrar diante da escassez de fontes documentais ou de contornar a violência do arquivo se impõem como desafios ao trabalho de luto dessas vidas perdidas, levando-a à criação do método da fabulação crítica, que dialoga com o pensamento de Toni Morrison ao escrever o romance Amada. Ao fim, conclui-se que a escrita da história da escravidão deve ser acompanhada por um gesto ético de cuidado com os mortos, buscando não a redenção, mas a narração dessas vidas perdidas.Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro2023-06-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo Originalapplication/pdfhttps://www.historiadahistoriografia.com.br/revista/article/view/199710.15848/hh.v16i41.1997História da Historiografia: International Journal of Theory and History of Historiography; Vol. 16 No. 41 (2023); 1-31História da Historiografia: International Journal of Theory and History of Historiography; Vol. 16 Núm. 41 (2023); 1-31História da Historiografia: International Journal of Theory and History of Historiography; v. 16 n. 41 (2023); 1-311983-9928reponame:História da Historiografiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://www.historiadahistoriografia.com.br/revista/article/view/1997/1023Copyright (c) 2023 Fernanda Silva e Sousahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSilva e Sousa, Fernanda2023-08-08T23:26:12Zoai:ojs.www.historiadahistoriografia.com.br:article/1997Revistahttps://www.historiadahistoriografia.com.br/revistaPUBhttps://www.historiadahistoriografia.com.br/revista/oaivaldei354@gmail.com || historiadahistoriografia@hotmail.com1983-99281983-9928opendoar:2023-08-08T23:26:12História da Historiografia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv They have no names and no stories, but they are beloved: the writing of the history of slavery in Lose Your Mother, by Saidiya Hartman
Sem nomes e sem histórias, mas amados: a escrita da história da escravidão em Perder a mãe, de Saidiya Hartman
title They have no names and no stories, but they are beloved: the writing of the history of slavery in Lose Your Mother, by Saidiya Hartman
spellingShingle They have no names and no stories, but they are beloved: the writing of the history of slavery in Lose Your Mother, by Saidiya Hartman
Silva e Sousa, Fernanda
Slavery
Writing history
Mourning
Escravidão
Escrita da história
Luto
title_short They have no names and no stories, but they are beloved: the writing of the history of slavery in Lose Your Mother, by Saidiya Hartman
title_full They have no names and no stories, but they are beloved: the writing of the history of slavery in Lose Your Mother, by Saidiya Hartman
title_fullStr They have no names and no stories, but they are beloved: the writing of the history of slavery in Lose Your Mother, by Saidiya Hartman
title_full_unstemmed They have no names and no stories, but they are beloved: the writing of the history of slavery in Lose Your Mother, by Saidiya Hartman
title_sort They have no names and no stories, but they are beloved: the writing of the history of slavery in Lose Your Mother, by Saidiya Hartman
author Silva e Sousa, Fernanda
author_facet Silva e Sousa, Fernanda
author_role author
dc.contributor.author.fl_str_mv Silva e Sousa, Fernanda
dc.subject.por.fl_str_mv Slavery
Writing history
Mourning
Escravidão
Escrita da história
Luto
topic Slavery
Writing history
Mourning
Escravidão
Escrita da história
Luto
description The article aims to think of Lose Your Mother: A Journey Along the Atlantic Slave Route, by Saidiya Hartman, in dialogue with “Time of Slavery” and “Venus in Two Acts” as a writing of the history of slavery that considers slaves as her ancestors inasmuch as she claims to be a descendant of slaves who lives the afterlife of slavery. Situating her work in the new social history of slavery and in the debate about the narrative and fictional character of history, we argue that Hartman, based on a black radical tradition, elaborates a historical writing that tries to account for the millions of dead people who have no names and no stories throughout the slave trade years. In this sense, not only forgetfulness but also the impossibility to remember in face of the scarcity of documentary sources, or to avoid the violence of the archive challenges the work of mourning these lost lives, leading her to create the method of critical fabulation, which dialogues with the thoughts of Toni Morrison on the novel Beloved. In the end, this text concludes that the writing of the history of slavery must be accompanied by an ethical gesture of care for the dead, seeking not redemption, but the narration of these lost lives.
publishDate 2023
dc.date.none.fl_str_mv 2023-06-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo Original
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.historiadahistoriografia.com.br/revista/article/view/1997
10.15848/hh.v16i41.1997
url https://www.historiadahistoriografia.com.br/revista/article/view/1997
identifier_str_mv 10.15848/hh.v16i41.1997
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.historiadahistoriografia.com.br/revista/article/view/1997/1023
dc.rights.driver.fl_str_mv Copyright (c) 2023 Fernanda Silva e Sousa
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Fernanda Silva e Sousa
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro
publisher.none.fl_str_mv Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro
dc.source.none.fl_str_mv História da Historiografia: International Journal of Theory and History of Historiography; Vol. 16 No. 41 (2023); 1-31
História da Historiografia: International Journal of Theory and History of Historiography; Vol. 16 Núm. 41 (2023); 1-31
História da Historiografia: International Journal of Theory and History of Historiography; v. 16 n. 41 (2023); 1-31
1983-9928
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instname_str Universidade Federal de Ouro Preto (UFOP)
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reponame_str História da Historiografia
collection História da Historiografia
repository.name.fl_str_mv História da Historiografia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv valdei354@gmail.com || historiadahistoriografia@hotmail.com
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