Between opsis and akôe: the enunciation marks in the historical painting and in the art criticism of the 19th century

Detalhes bibliográficos
Autor(a) principal: de Castro, Isis Pimentel
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: História da Historiografia
Texto Completo: https://www.historiadahistoriografia.com.br/revista/article/view/6
Resumo: This article analyzes the relation between historical painting and the history disciplineduring the 19th century and draws a parellel between the artist’s work and thehistorian. These professionals were engaged in the formation of the national memoryand establishment of an identity. The Imperial Academy of Fine Arts (AIBA) andthe Historical and Geographical Brazilian Institute (IHGB) were the institutionsresponsible for the nation’s symbolic construction, by the narrative about thepast, through the historical painting and of the IHGB’s articles. This text intends tounderstand the esthetic choices of Vitor Meireles and Pedro Américo from themechanisms used for the artists to legitimize their paintings.
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spelling Between opsis and akôe: the enunciation marks in the historical painting and in the art criticism of the 19th centuryEntre a opsis e a akôe: as marcas de enunciação na pintura histórica e na crítica de arte do oitocentosHistorical knowledgeHistoriographical cultureArtConhecimento históricoCultura historiográficaArteThis article analyzes the relation between historical painting and the history disciplineduring the 19th century and draws a parellel between the artist’s work and thehistorian. These professionals were engaged in the formation of the national memoryand establishment of an identity. The Imperial Academy of Fine Arts (AIBA) andthe Historical and Geographical Brazilian Institute (IHGB) were the institutionsresponsible for the nation’s symbolic construction, by the narrative about thepast, through the historical painting and of the IHGB’s articles. This text intends tounderstand the esthetic choices of Vitor Meireles and Pedro Américo from themechanisms used for the artists to legitimize their paintings.Este artigo analisa a relação entre a pintura histórica e a disciplina história duranteo século XIX e traça paralelos entre o trabalho do artista e do historiador. Estesprofissionais estavam engajados na formação de uma memória nacional e noestabelecimento de uma identidade. A Academia Imperial de Belas Artes (AIBA) eo Instituto Histórico e Geográfico Brasileiro (IHGB) eram as instituiçõesresponsáveis pela construção simbólica da nação, por meio da narrativa sobre opassado, através da pintura histórica ou dos artigos do IHGB. Este texto buscaentender as escolhas estéticas de Vitor Meireles e Pedro Américo a partir dosmecanismos utilizados por eles para legitimar suas obras.Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro2009-05-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.historiadahistoriografia.com.br/revista/article/view/610.15848/hh.v0i2.6História da Historiografia: International Journal of Theory and History of Historiography; Vol. 2 No. 2 (2009); 29-49História da Historiografia: International Journal of Theory and History of Historiography; Vol. 2 Núm. 2 (2009); 29-49História da Historiografia: International Journal of Theory and History of Historiography; v. 2 n. 2 (2009); 29-491983-9928reponame:História da Historiografiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://www.historiadahistoriografia.com.br/revista/article/view/6/6de Castro, Isis Pimentelinfo:eu-repo/semantics/openAccess2020-05-02T02:43:52Zoai:ojs.www.historiadahistoriografia.com.br:article/6Revistahttps://www.historiadahistoriografia.com.br/revistaPUBhttps://www.historiadahistoriografia.com.br/revista/oaivaldei354@gmail.com || historiadahistoriografia@hotmail.com1983-99281983-9928opendoar:2020-05-02T02:43:52História da Historiografia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Between opsis and akôe: the enunciation marks in the historical painting and in the art criticism of the 19th century
Entre a opsis e a akôe: as marcas de enunciação na pintura histórica e na crítica de arte do oitocentos
title Between opsis and akôe: the enunciation marks in the historical painting and in the art criticism of the 19th century
spellingShingle Between opsis and akôe: the enunciation marks in the historical painting and in the art criticism of the 19th century
de Castro, Isis Pimentel
Historical knowledge
Historiographical culture
Art
Conhecimento histórico
Cultura historiográfica
Arte
title_short Between opsis and akôe: the enunciation marks in the historical painting and in the art criticism of the 19th century
title_full Between opsis and akôe: the enunciation marks in the historical painting and in the art criticism of the 19th century
title_fullStr Between opsis and akôe: the enunciation marks in the historical painting and in the art criticism of the 19th century
title_full_unstemmed Between opsis and akôe: the enunciation marks in the historical painting and in the art criticism of the 19th century
title_sort Between opsis and akôe: the enunciation marks in the historical painting and in the art criticism of the 19th century
author de Castro, Isis Pimentel
author_facet de Castro, Isis Pimentel
author_role author
dc.contributor.author.fl_str_mv de Castro, Isis Pimentel
dc.subject.por.fl_str_mv Historical knowledge
Historiographical culture
Art
Conhecimento histórico
Cultura historiográfica
Arte
topic Historical knowledge
Historiographical culture
Art
Conhecimento histórico
Cultura historiográfica
Arte
description This article analyzes the relation between historical painting and the history disciplineduring the 19th century and draws a parellel between the artist’s work and thehistorian. These professionals were engaged in the formation of the national memoryand establishment of an identity. The Imperial Academy of Fine Arts (AIBA) andthe Historical and Geographical Brazilian Institute (IHGB) were the institutionsresponsible for the nation’s symbolic construction, by the narrative about thepast, through the historical painting and of the IHGB’s articles. This text intends tounderstand the esthetic choices of Vitor Meireles and Pedro Américo from themechanisms used for the artists to legitimize their paintings.
publishDate 2009
dc.date.none.fl_str_mv 2009-05-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.historiadahistoriografia.com.br/revista/article/view/6
10.15848/hh.v0i2.6
url https://www.historiadahistoriografia.com.br/revista/article/view/6
identifier_str_mv 10.15848/hh.v0i2.6
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.historiadahistoriografia.com.br/revista/article/view/6/6
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro
publisher.none.fl_str_mv Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro
dc.source.none.fl_str_mv História da Historiografia: International Journal of Theory and History of Historiography; Vol. 2 No. 2 (2009); 29-49
História da Historiografia: International Journal of Theory and History of Historiography; Vol. 2 Núm. 2 (2009); 29-49
História da Historiografia: International Journal of Theory and History of Historiography; v. 2 n. 2 (2009); 29-49
1983-9928
reponame:História da Historiografia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str História da Historiografia
collection História da Historiografia
repository.name.fl_str_mv História da Historiografia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv valdei354@gmail.com || historiadahistoriografia@hotmail.com
_version_ 1797220356598005760

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