On rethoric of the visible to distribution of the sensible: the policy of the esthetic in J. Rancière
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Aufklärung (João Pessoa. Online) |
Texto Completo: | https://periodicos.ufpb.br/index.php/arf/article/view/23425 |
Resumo: | The present paper aims to investigate the critique of the French philosopher Jacques Rancière to a traditional way of looking the relationship between politics and art appropriated for a specific current of social criticism that examines political vocation of artistic creation as simple privileged means of showing the real domination behind the numerous other images released to us. Against this perspective, Rancière proposes to reconsider the logic that is involved in the common distribution of the sensible, the audible and speakable while real political vocation of art, since he believes that political action is precisely the one that changes the places and the calculation of bodies organized by police device. |
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Aufklärung (João Pessoa. Online) |
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On rethoric of the visible to distribution of the sensible: the policy of the esthetic in J. RancièreDa retórica do visível à distribuição do sensível: a política da estética em Jacques Rancièrepolitical actionartistic creationemancipationcommon sensibilityprofanationFilosofiaação políticacriação artísticaemancipaçãosensibilidade comumprofanaçãoFilosofiaThe present paper aims to investigate the critique of the French philosopher Jacques Rancière to a traditional way of looking the relationship between politics and art appropriated for a specific current of social criticism that examines political vocation of artistic creation as simple privileged means of showing the real domination behind the numerous other images released to us. Against this perspective, Rancière proposes to reconsider the logic that is involved in the common distribution of the sensible, the audible and speakable while real political vocation of art, since he believes that political action is precisely the one that changes the places and the calculation of bodies organized by police device.O presente trabalho tem por objetivo investigar a crítica do filósofo francês Jacques Rancière a um modo tradicional de encarar a relação entre política e arte apropriada por uma corrente específica de crítica social que encara a vocação política da criação artística como simples meio privilegiado de mostrar o real da dominação por trás das outras inúmeras imagens lançadas a nós. Contra esta perspectiva, Rancière propõe reconsiderar a lógica que esta envolvida na distribuição comum do sensível, do audível e falável enquanto verdadeira vocação política da arte, uma vez que ele entende que ação política é justamente aquela que muda os lugares e o cálculo dos corpos organizados pelo dispositivo da polícia.Aufklärung: Journal of Philosophy2016-04-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufpb.br/index.php/arf/article/view/2342510.18012/arf.2016.23425Aufklärung; Vol. 3 No. 1 (2016): Revista Aufklärung. v. 3, n. 1 (2016), Janeiro-Junho; p.155-168Aufklärung: revista de filosofia; v. 3 n. 1 (2016): Revista Aufklärung. v. 3, n. 1 (2016), Janeiro-Junho; p.155-1682318-94282358-8470reponame:Aufklärung (João Pessoa. Online)instname:Universidade Federal da Paraíba (UFPB)instacron:UFPBporhttps://periodicos.ufpb.br/index.php/arf/article/view/23425/15212Copyright (c) 2016 Aufklärung: revista de filosofiainfo:eu-repo/semantics/openAccessDulci, Pedro Lucas2019-12-20T15:13:22Zoai:periodicos.ufpb.br:article/23425Revistahttp://periodicos.ufpb.br/ojs/index.php/arf/indexPUBhttp://periodicos.ufpb.br/ojs/index.php/arf/oairevistaaufklarung@hotmail.com || blsic@hotmail.com || hyoretsu@gmail.com2318-94282318-9428opendoar:2019-12-20T15:13:22Aufklärung (João Pessoa. Online) - Universidade Federal da Paraíba (UFPB)false |
dc.title.none.fl_str_mv |
On rethoric of the visible to distribution of the sensible: the policy of the esthetic in J. Rancière Da retórica do visível à distribuição do sensível: a política da estética em Jacques Rancière |
title |
On rethoric of the visible to distribution of the sensible: the policy of the esthetic in J. Rancière |
spellingShingle |
On rethoric of the visible to distribution of the sensible: the policy of the esthetic in J. Rancière Dulci, Pedro Lucas political action artistic creation emancipation common sensibility profanation Filosofia ação política criação artística emancipação sensibilidade comum profanação Filosofia |
title_short |
On rethoric of the visible to distribution of the sensible: the policy of the esthetic in J. Rancière |
title_full |
On rethoric of the visible to distribution of the sensible: the policy of the esthetic in J. Rancière |
title_fullStr |
On rethoric of the visible to distribution of the sensible: the policy of the esthetic in J. Rancière |
title_full_unstemmed |
On rethoric of the visible to distribution of the sensible: the policy of the esthetic in J. Rancière |
title_sort |
On rethoric of the visible to distribution of the sensible: the policy of the esthetic in J. Rancière |
author |
Dulci, Pedro Lucas |
author_facet |
Dulci, Pedro Lucas |
author_role |
author |
dc.contributor.author.fl_str_mv |
Dulci, Pedro Lucas |
dc.subject.por.fl_str_mv |
political action artistic creation emancipation common sensibility profanation Filosofia ação política criação artística emancipação sensibilidade comum profanação Filosofia |
topic |
political action artistic creation emancipation common sensibility profanation Filosofia ação política criação artística emancipação sensibilidade comum profanação Filosofia |
description |
The present paper aims to investigate the critique of the French philosopher Jacques Rancière to a traditional way of looking the relationship between politics and art appropriated for a specific current of social criticism that examines political vocation of artistic creation as simple privileged means of showing the real domination behind the numerous other images released to us. Against this perspective, Rancière proposes to reconsider the logic that is involved in the common distribution of the sensible, the audible and speakable while real political vocation of art, since he believes that political action is precisely the one that changes the places and the calculation of bodies organized by police device. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-04-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufpb.br/index.php/arf/article/view/23425 10.18012/arf.2016.23425 |
url |
https://periodicos.ufpb.br/index.php/arf/article/view/23425 |
identifier_str_mv |
10.18012/arf.2016.23425 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufpb.br/index.php/arf/article/view/23425/15212 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Aufklärung: revista de filosofia info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Aufklärung: revista de filosofia |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Aufklärung: Journal of Philosophy |
publisher.none.fl_str_mv |
Aufklärung: Journal of Philosophy |
dc.source.none.fl_str_mv |
Aufklärung; Vol. 3 No. 1 (2016): Revista Aufklärung. v. 3, n. 1 (2016), Janeiro-Junho; p.155-168 Aufklärung: revista de filosofia; v. 3 n. 1 (2016): Revista Aufklärung. v. 3, n. 1 (2016), Janeiro-Junho; p.155-168 2318-9428 2358-8470 reponame:Aufklärung (João Pessoa. Online) instname:Universidade Federal da Paraíba (UFPB) instacron:UFPB |
instname_str |
Universidade Federal da Paraíba (UFPB) |
instacron_str |
UFPB |
institution |
UFPB |
reponame_str |
Aufklärung (João Pessoa. Online) |
collection |
Aufklärung (João Pessoa. Online) |
repository.name.fl_str_mv |
Aufklärung (João Pessoa. Online) - Universidade Federal da Paraíba (UFPB) |
repository.mail.fl_str_mv |
revistaaufklarung@hotmail.com || blsic@hotmail.com || hyoretsu@gmail.com |
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1799711980018204672 |