O registro da beleza nas mãos: a tradição de produções poéticas em língua de sinais no Brasil

• Autor(a) principal: Paixoto, Janaína Aguiar
• Data de Publicação: 2016
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
• Texto Completo: https://repositorio.ufpb.br/jspui/handle/tede/9184
• topic: Poesia; Literatura Surda; Cultura; Tradição; Deaf Literature; Libras; Culture; Tradition; LINGUISTICA, LETRAS E ARTES::LETRAS

Based on the assumption that the analysis and the comprehension of texts play a fundamental role in the acquisition of any language, the proposal of the present work, by pointing to the textual genre poetry in Brazilian Sign Language, as literary productions of Brazilian deaf subjects, reflects the Need for appreciation of these flagged texts and their authors, the deaf poets. As well as the identification of a vast open field for investigations: the rarely studied area known as Deaf Literature. Based on this reality and based theoretically in Hegel (2004), Sutton-Spence (2005) and Edgar-Hunt (2013) the research has as general objective to investigate the elements present in the poetic productions signaled and the voice of the tradition of the community called Brazilian Deaf Community who determine the signaled texts that should be considered as literary works belonging to the Deaf Literature. Thus, a qualitative research with survey and analysis of digital media, which contemplates the poetic universe of the Brazilian Sign Language (LIBRAS), in which (70) seventy poetic works of deaf authors were cataloged and available on Internet sites and in digital media produced by the LSB video. The research was carried out in the city of João Pessoa - PB with the participation of representatives of the Brazilian deaf community (deaf people from different states, students of Arts course with qualification in Brazilian Sign Language (Libras) in the distance modality of the virtual UFPB), acting in the validation of comparative analysis of the signed texts presented in three experiments. In view of the appreciation of these works, several specificities of the visual record of these flagged poems were listed, of which twenty-five (25) aesthetic elements were identified most frequently in the three experiments carried out during the research. In addition, it was verified where these poems appeared (events, associations and churches), investigating the influence of deaf poets from other countries in the style of deaf Brazilian poets, identifying the themes and analyzing the structure of these poems. In view of these and other data obtained in this work, the hypothesis was confirmed that the subjective elements of the poetry signaled, identified by a voice of a recent tradition, are decisive for the consecration of a work, since they are part of the set also composed of cinematographic and linguistic elements. Therefore, through this literary rescue of the poetic works of the Brazilian Deaf Literature that emerges from a signaled tradition, the intention was to contribute with data for the understanding, divulgation and valorization of these works with the esthetic value in the signaling hands.