A jornada das heroínas no cinema de animação: mitos, fantasia e símbolos em Alice no País das Maravilhas e a Viagem de Chihiro

Detalhes bibliográficos
Autor(a) principal: Cavalcante, Alexia Eloar Félix
Data de Publicação: 2021
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
Texto Completo: https://repositorio.ufpb.br/jspui/handle/123456789/21536
Resumo: Alice in Wonderland (1951) has attracted a large audience, from children to adults, for over a century, with many remakes and adaptations produced in different media. But it was in the USA, in the 50s, that Walt Disney was able to adapt in his studio the work of the Englishman Lewis Carroll into animated feature film. In Japan, famous for its anime and manga, there is Studio Ghibli, one of the major names in oriental animation. Among the many works that were produced, with the majority of it having a female protagonist, Hayao Miyazaki, one of the studio’s founders, gave us Chihiro, in Spirited Away (2001). In this research, we look through the eyes of Alice and Chihiro, using the theory of focalisation (GENETTE, 2017; STAM, 1992), that we follow their departure from similar structures in a moment of self-discovery with the transition between childhood and adult life to the heroine’s journey. Along with these objects we intend to understand the art of animation, with support from Fossati (2011) and Graça (2006), as a delegation of voices, paying attention to what stories are being told, by whom they are being told and how they were produced, disseminated and received by the public (SHOHAT, STAM, 2006). This work seeks to show which stereotype elements remain and which are broken up based on the analysis of the archetype of the hero’s journey, by Joseph Campbell (1989), compared to the heroine’s journey, by Maureen Murdock (2013). These models will be used to realize how the emotional gaze of Alice and Chihiro has significant value in their filmic animations, bringing specific issues of the female gender in their journeys of self-knowledge based on myths and symbols, based on the studies of Bachelard (1978, 1996, 1998), J. Brandão (1987), Chevalier and Gheerbrant (1986, 1982, 2015), Eliade (1979, 1996), Kato (2012) and Mendlesohn (2008), both in the West and in the East.
id UFPB_4bab9e7b2e5d213855c6325bc2af4d16
oai_identifier_str oai:repositorio.ufpb.br:123456789/21536
network_acronym_str UFPB
network_name_str Biblioteca Digital de Teses e Dissertações da UFPB
repository_id_str
spelling A jornada das heroínas no cinema de animação: mitos, fantasia e símbolos em Alice no País das Maravilhas e a Viagem de ChihiroJornada da heroínaCinemaAnimaçãoAliceChihiroHeroine’s journeyAnimationCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASAlice in Wonderland (1951) has attracted a large audience, from children to adults, for over a century, with many remakes and adaptations produced in different media. But it was in the USA, in the 50s, that Walt Disney was able to adapt in his studio the work of the Englishman Lewis Carroll into animated feature film. In Japan, famous for its anime and manga, there is Studio Ghibli, one of the major names in oriental animation. Among the many works that were produced, with the majority of it having a female protagonist, Hayao Miyazaki, one of the studio’s founders, gave us Chihiro, in Spirited Away (2001). In this research, we look through the eyes of Alice and Chihiro, using the theory of focalisation (GENETTE, 2017; STAM, 1992), that we follow their departure from similar structures in a moment of self-discovery with the transition between childhood and adult life to the heroine’s journey. Along with these objects we intend to understand the art of animation, with support from Fossati (2011) and Graça (2006), as a delegation of voices, paying attention to what stories are being told, by whom they are being told and how they were produced, disseminated and received by the public (SHOHAT, STAM, 2006). This work seeks to show which stereotype elements remain and which are broken up based on the analysis of the archetype of the hero’s journey, by Joseph Campbell (1989), compared to the heroine’s journey, by Maureen Murdock (2013). These models will be used to realize how the emotional gaze of Alice and Chihiro has significant value in their filmic animations, bringing specific issues of the female gender in their journeys of self-knowledge based on myths and symbols, based on the studies of Bachelard (1978, 1996, 1998), J. Brandão (1987), Chevalier and Gheerbrant (1986, 1982, 2015), Eliade (1979, 1996), Kato (2012) and Mendlesohn (2008), both in the West and in the East.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESAlice no País das Maravilhas (1951) atrai grande público, de crianças a adultos, há mais de um século, com diversas refilmagens e adaptações em mídias de diferentes formatos. Mas foi nos Estados Unidos, nos anos de 1950, que a Walt Disney conseguiu adaptar em seu estúdio a obra do inglês Lewis Carroll para uma animação audiovisual de longa-metragem. Indo até o Japão, famoso pelos animês e mangás, temos o Studio Ghibli, um dos principais nomes das animações orientais. Entre tantas obras produzidas, tendo em boa parte mulheres como protagonistas, Hayao Miyazaki, um dos fundadores do estúdio, nos apresenta Chihiro, em A viagem de Chihiro (2001). Nesta pesquisa, é sob os olhares das meninas Alice e Chihiro, a partir da teoria da focalização (GENETTE, 2017; STAM, 1992), que acompanharemos as suas partidas, de estruturas semelhantes em um momento de autodescoberta com a transição entre a infância e a vida adulta, para a jornada da heroína. Junto a esses objetos pretendemos entender a arte da animação, com apoio de Fossati (2011) e Graça (2006), como uma delegação de vozes, devendo atentar para que histórias estão sendo contadas, por quem estão sendo contadas e também como são produzidas, disseminadas e recebidas pelo público (SHOHAT; STAM, 2006). Com isso, este trabalho busca demonstrar quais elementos de estereótipos se mantêm e quais são quebrados a partir da análise do arquétipo da jornada do herói, de Joseph Campbell (1989), comparado à jornada da heroína, de Maureen Murdock (2013). Esses modelos serão usados para percebermos como o olhar afetivo de Alice e Chihiro tem valor significativo, em suas animações fílmicas, trazendo questões específicas do gênero feminino em suas jornadas de autoconhecimento a partir dos mitos e símbolos, apoiando-se nos estudos de Bachelard (1978, 1996, 1998), J. Brandão (1987), Chevalier e Gheerbrant (1986, 1982, 2015), Eliade (1979, 1996), Kato (2012) e Mendlesohn (2008), tanto no Ocidente quanto no Oriente.Universidade Federal da ParaíbaBrasilLetrasPrograma de Pós-Graduação em LetrasUFPBMagalhães, Luiz Antonio Mousinhohttp://lattes.cnpq.br/0046517404942505Miranda, Allana Dilene de Araújohttp://lattes.cnpq.br/5552282144164418Cavalcante, Alexia Eloar Félix2021-12-09T19:11:04Z2021-08-132021-12-09T19:11:04Z2021-07-05info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesishttps://repositorio.ufpb.br/jspui/handle/123456789/21536porAttribution-NoDerivs 3.0 Brazilhttp://creativecommons.org/licenses/by-nd/3.0/br/info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPB2022-08-09T16:41:13Zoai:repositorio.ufpb.br:123456789/21536Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufpb.br/PUBhttp://tede.biblioteca.ufpb.br:8080/oai/requestdiretoria@ufpb.br|| diretoria@ufpb.bropendoar:2022-08-09T16:41:13Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)false
dc.title.none.fl_str_mv A jornada das heroínas no cinema de animação: mitos, fantasia e símbolos em Alice no País das Maravilhas e a Viagem de Chihiro
title A jornada das heroínas no cinema de animação: mitos, fantasia e símbolos em Alice no País das Maravilhas e a Viagem de Chihiro
spellingShingle A jornada das heroínas no cinema de animação: mitos, fantasia e símbolos em Alice no País das Maravilhas e a Viagem de Chihiro
Cavalcante, Alexia Eloar Félix
Jornada da heroína
Cinema
Animação
Alice
Chihiro
Heroine’s journey
Animation
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
title_short A jornada das heroínas no cinema de animação: mitos, fantasia e símbolos em Alice no País das Maravilhas e a Viagem de Chihiro
title_full A jornada das heroínas no cinema de animação: mitos, fantasia e símbolos em Alice no País das Maravilhas e a Viagem de Chihiro
title_fullStr A jornada das heroínas no cinema de animação: mitos, fantasia e símbolos em Alice no País das Maravilhas e a Viagem de Chihiro
title_full_unstemmed A jornada das heroínas no cinema de animação: mitos, fantasia e símbolos em Alice no País das Maravilhas e a Viagem de Chihiro
title_sort A jornada das heroínas no cinema de animação: mitos, fantasia e símbolos em Alice no País das Maravilhas e a Viagem de Chihiro
author Cavalcante, Alexia Eloar Félix
author_facet Cavalcante, Alexia Eloar Félix
author_role author
dc.contributor.none.fl_str_mv Magalhães, Luiz Antonio Mousinho
http://lattes.cnpq.br/0046517404942505
Miranda, Allana Dilene de Araújo
http://lattes.cnpq.br/5552282144164418
dc.contributor.author.fl_str_mv Cavalcante, Alexia Eloar Félix
dc.subject.por.fl_str_mv Jornada da heroína
Cinema
Animação
Alice
Chihiro
Heroine’s journey
Animation
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
topic Jornada da heroína
Cinema
Animação
Alice
Chihiro
Heroine’s journey
Animation
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
description Alice in Wonderland (1951) has attracted a large audience, from children to adults, for over a century, with many remakes and adaptations produced in different media. But it was in the USA, in the 50s, that Walt Disney was able to adapt in his studio the work of the Englishman Lewis Carroll into animated feature film. In Japan, famous for its anime and manga, there is Studio Ghibli, one of the major names in oriental animation. Among the many works that were produced, with the majority of it having a female protagonist, Hayao Miyazaki, one of the studio’s founders, gave us Chihiro, in Spirited Away (2001). In this research, we look through the eyes of Alice and Chihiro, using the theory of focalisation (GENETTE, 2017; STAM, 1992), that we follow their departure from similar structures in a moment of self-discovery with the transition between childhood and adult life to the heroine’s journey. Along with these objects we intend to understand the art of animation, with support from Fossati (2011) and Graça (2006), as a delegation of voices, paying attention to what stories are being told, by whom they are being told and how they were produced, disseminated and received by the public (SHOHAT, STAM, 2006). This work seeks to show which stereotype elements remain and which are broken up based on the analysis of the archetype of the hero’s journey, by Joseph Campbell (1989), compared to the heroine’s journey, by Maureen Murdock (2013). These models will be used to realize how the emotional gaze of Alice and Chihiro has significant value in their filmic animations, bringing specific issues of the female gender in their journeys of self-knowledge based on myths and symbols, based on the studies of Bachelard (1978, 1996, 1998), J. Brandão (1987), Chevalier and Gheerbrant (1986, 1982, 2015), Eliade (1979, 1996), Kato (2012) and Mendlesohn (2008), both in the West and in the East.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-09T19:11:04Z
2021-08-13
2021-12-09T19:11:04Z
2021-07-05
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://repositorio.ufpb.br/jspui/handle/123456789/21536
url https://repositorio.ufpb.br/jspui/handle/123456789/21536
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv Attribution-NoDerivs 3.0 Brazil
http://creativecommons.org/licenses/by-nd/3.0/br/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NoDerivs 3.0 Brazil
http://creativecommons.org/licenses/by-nd/3.0/br/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Letras
Programa de Pós-Graduação em Letras
UFPB
publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Letras
Programa de Pós-Graduação em Letras
UFPB
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UFPB
instname:Universidade Federal da Paraíba (UFPB)
instacron:UFPB
instname_str Universidade Federal da Paraíba (UFPB)
instacron_str UFPB
institution UFPB
reponame_str Biblioteca Digital de Teses e Dissertações da UFPB
collection Biblioteca Digital de Teses e Dissertações da UFPB
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)
repository.mail.fl_str_mv diretoria@ufpb.br|| diretoria@ufpb.br
_version_ 1801842985832284160