Blogs de personagens de telenovelas: convergências entre o real e o ficcional

Detalhes bibliográficos
Autor(a) principal: Souza, José Glaydson Pereira de
Data de Publicação: 2014
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
Texto Completo: https://repositorio.ufpb.br/jspui/handle/tede/7910
Resumo: The convergence culture has led to significant changes in the forms of production and consumption of fictional narratives. In this context, the blogs of characters emerge as one of the forms of narratives that lead transmídias the fictional TV content into cyberspace. Thus, it is important to analyze the configuration of this new communications ambience involving fictional narratives and not fictional, character and surfer, as well as the relationship that builds between them. Thus, this dissertation is to investigate general purpose, in the process of transmediação of soap operas for internet, similarities between the fictional and the real. We selected as the unit of analysis Blog Indra, the soap opera “Caminho das Índias” (Passage to Indias) (Rede Globo, 2009). The specific research objectives were: to analyze, from blog posts as they are constructed identity of the character and the identity profile of the public; identify the forms of sociality explored at the blog for the relationship characters/public and investigate how these forms of sociality promote convergences between presential and fictional world. The research, qualitative and interpretative nature, was conducted in two stages. At first, with reference to the concept of “Communication Contract” (CHARADEAU 2006, 2012), we did a descriptive and discursive approach to the blog, in which we demonstrate how the television narrative, blog, articulates the fictional and non-fictional. In the second step, we seek to understand the forms of sociality involved in the blo g, from the notions of presenteism (emphasis on everyday), ethics, aesthetics (sense of belonging) and tribalism (IDs). In this direction, we seek theoretical support in the comprehensive sociology of Michel Meffesoli (MAFESOLLI, 2007, 2010). The analysis of the posts in the first phase showed us that the identity of the character becomes Indra from discursive strategies that "simulate" the existence of a "blogger real world", being the identity profile of the Internet audience designed according to this perspective. The second step of the analysis showed that the identification of Internet users with the character extends to the "everyday" presented on the blog, thus indicating that the public creates links with the fictional: also sharing their stories, their feelings and affinities. Accordingly, we conclude that sociality is a majo r factor on the similarities between the fictional and the real of transmedia narratives.
id UFPB_54eca9b25725514f821bf7bf76d65f76
oai_identifier_str oai:repositorio.ufpb.br:tede/7910
network_acronym_str UFPB
network_name_str Biblioteca Digital de Teses e Dissertações da UFPB
repository_id_str
spelling Blogs de personagens de telenovelas: convergências entre o real e o ficcionalTelenovelasSoap operasReal e FiccionalSocialidadeConvergênciasBlogReal and fictionalSocialityConvergencesCIENCIAS SOCIAIS APLICADAS::COMUNICACAOThe convergence culture has led to significant changes in the forms of production and consumption of fictional narratives. In this context, the blogs of characters emerge as one of the forms of narratives that lead transmídias the fictional TV content into cyberspace. Thus, it is important to analyze the configuration of this new communications ambience involving fictional narratives and not fictional, character and surfer, as well as the relationship that builds between them. Thus, this dissertation is to investigate general purpose, in the process of transmediação of soap operas for internet, similarities between the fictional and the real. We selected as the unit of analysis Blog Indra, the soap opera “Caminho das Índias” (Passage to Indias) (Rede Globo, 2009). The specific research objectives were: to analyze, from blog posts as they are constructed identity of the character and the identity profile of the public; identify the forms of sociality explored at the blog for the relationship characters/public and investigate how these forms of sociality promote convergences between presential and fictional world. The research, qualitative and interpretative nature, was conducted in two stages. At first, with reference to the concept of “Communication Contract” (CHARADEAU 2006, 2012), we did a descriptive and discursive approach to the blog, in which we demonstrate how the television narrative, blog, articulates the fictional and non-fictional. In the second step, we seek to understand the forms of sociality involved in the blo g, from the notions of presenteism (emphasis on everyday), ethics, aesthetics (sense of belonging) and tribalism (IDs). In this direction, we seek theoretical support in the comprehensive sociology of Michel Meffesoli (MAFESOLLI, 2007, 2010). The analysis of the posts in the first phase showed us that the identity of the character becomes Indra from discursive strategies that "simulate" the existence of a "blogger real world", being the identity profile of the Internet audience designed according to this perspective. The second step of the analysis showed that the identification of Internet users with the character extends to the "everyday" presented on the blog, thus indicating that the public creates links with the fictional: also sharing their stories, their feelings and affinities. Accordingly, we conclude that sociality is a majo r factor on the similarities between the fictional and the real of transmedia narratives.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESA cultura da convergência vem provocando significativas transformações nas formas de produção e consumo de narrativas ficcionais. Nesse contexto, os blogs de personagens surgem como uma das formas de narrativas transmídias que levam o conteúdo ficcional da TV para o ciberespaço. Desse modo, faz-se relevante analisar como se configura essa nova ambiência comunicacional envolvendo narrativas ficcionais e não ficcionais, personagem e internauta, bem como a relação que se constrói entre ambos. Nesse sentido, esta dissertação tem como propósito geral investigar, no processo de transmediação das telenovelas para a internet, convergências entre o ficcional e o real. Para tanto, selecionamos como unidade de análise o Blog do Indra, da Telenovela Caminho das Índias (Rede Globo, 2009). Os objetivos específicos da pesquisa foram: analisar, a partir das postagens no blog, como são construídas a identidade do personagem e o perfil identitário do público; identificar as formas de socialidade deflagradas no blog para a relação personagens/público e investigar como essas formas de socialidade promovem convergências entre o mundo presencial e o ficcional. A pesquisa, de natureza qualitativa e interpretativa, foi realizada em duas etapas. Na primeira, tendo com referência o conceito de Contrato de Comunicação (CHARADEAU, 2006, 2012), fizemos uma abordagem descritiva e discursiva do blog, na qual demonstramos como a narrativa televisiva, no blog, articula o ficcional e o não ficcional. Na segunda etapa, buscamos compreender as formas de socialidade implicadas no blog, a partir das noções de presenteísmo (ênfase no cotidiano), ética da estética (sentimento de partilha) e tribalismo (identificações). Nessa direção, buscamos aporte teórico na sociologia compreensiva de Michel Maffesoli (MAFESOLLI, 2007, 2010). A análise das postagens na primeira fase nos mostrou que a identidade do personagem Indra se faz a partir de estrat égias discursivas que “simulam” a existência de um “blogueiro do mundo real”, sendo o perfil identitário do público internauta projetado em função desta perspectiva. A segunda etapa da análise demonstrou que a identificação dos internautas com o personagem se estende ao “cotidiano” apresentado no blog, indicando assim que o público cria vínculos com o ficcional: compartilhando, também, suas histórias, seus sentimentos e afinidades. Nesse sentido, concluímos que a socialidade é um fator preponderante nas convergências entre o ficcional e o real das narrativas transmidiáticas.Universidade Federal da ParaíbaBrasilComunicaçãoPrograma de Pós-Graduação em ComunicaçãoUFPBPaiva, Cláudio Cardoso dehttp://lattes.cnpq.br/3105666841210272Souza, José Glaydson Pereira de2016-02-22T17:53:37Z2018-07-20T23:50:46Z2018-07-20T23:50:46Z2014-08-27info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfSOUZA, José Glaydson Pereira de. Blogs de personagens de telenovelas: convergências entre o real e o ficcional. 2014. 106 f. Dissertação (Mestrado em Comunicação) - Universidade Federal da Paraíba, João Pessoa, 2014.https://repositorio.ufpb.br/jspui/handle/tede/7910porinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPB2018-09-05T23:51:21Zoai:repositorio.ufpb.br:tede/7910Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufpb.br/PUBhttp://tede.biblioteca.ufpb.br:8080/oai/requestdiretoria@ufpb.br|| diretoria@ufpb.bropendoar:2018-09-05T23:51:21Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)false
dc.title.none.fl_str_mv Blogs de personagens de telenovelas: convergências entre o real e o ficcional
title Blogs de personagens de telenovelas: convergências entre o real e o ficcional
spellingShingle Blogs de personagens de telenovelas: convergências entre o real e o ficcional
Souza, José Glaydson Pereira de
Telenovelas
Soap operas
Real e Ficcional
Socialidade
Convergências
Blog
Real and fictional
Sociality
Convergences
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short Blogs de personagens de telenovelas: convergências entre o real e o ficcional
title_full Blogs de personagens de telenovelas: convergências entre o real e o ficcional
title_fullStr Blogs de personagens de telenovelas: convergências entre o real e o ficcional
title_full_unstemmed Blogs de personagens de telenovelas: convergências entre o real e o ficcional
title_sort Blogs de personagens de telenovelas: convergências entre o real e o ficcional
author Souza, José Glaydson Pereira de
author_facet Souza, José Glaydson Pereira de
author_role author
dc.contributor.none.fl_str_mv Paiva, Cláudio Cardoso de
http://lattes.cnpq.br/3105666841210272
dc.contributor.author.fl_str_mv Souza, José Glaydson Pereira de
dc.subject.por.fl_str_mv Telenovelas
Soap operas
Real e Ficcional
Socialidade
Convergências
Blog
Real and fictional
Sociality
Convergences
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
topic Telenovelas
Soap operas
Real e Ficcional
Socialidade
Convergências
Blog
Real and fictional
Sociality
Convergences
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description The convergence culture has led to significant changes in the forms of production and consumption of fictional narratives. In this context, the blogs of characters emerge as one of the forms of narratives that lead transmídias the fictional TV content into cyberspace. Thus, it is important to analyze the configuration of this new communications ambience involving fictional narratives and not fictional, character and surfer, as well as the relationship that builds between them. Thus, this dissertation is to investigate general purpose, in the process of transmediação of soap operas for internet, similarities between the fictional and the real. We selected as the unit of analysis Blog Indra, the soap opera “Caminho das Índias” (Passage to Indias) (Rede Globo, 2009). The specific research objectives were: to analyze, from blog posts as they are constructed identity of the character and the identity profile of the public; identify the forms of sociality explored at the blog for the relationship characters/public and investigate how these forms of sociality promote convergences between presential and fictional world. The research, qualitative and interpretative nature, was conducted in two stages. At first, with reference to the concept of “Communication Contract” (CHARADEAU 2006, 2012), we did a descriptive and discursive approach to the blog, in which we demonstrate how the television narrative, blog, articulates the fictional and non-fictional. In the second step, we seek to understand the forms of sociality involved in the blo g, from the notions of presenteism (emphasis on everyday), ethics, aesthetics (sense of belonging) and tribalism (IDs). In this direction, we seek theoretical support in the comprehensive sociology of Michel Meffesoli (MAFESOLLI, 2007, 2010). The analysis of the posts in the first phase showed us that the identity of the character becomes Indra from discursive strategies that "simulate" the existence of a "blogger real world", being the identity profile of the Internet audience designed according to this perspective. The second step of the analysis showed that the identification of Internet users with the character extends to the "everyday" presented on the blog, thus indicating that the public creates links with the fictional: also sharing their stories, their feelings and affinities. Accordingly, we conclude that sociality is a majo r factor on the similarities between the fictional and the real of transmedia narratives.
publishDate 2014
dc.date.none.fl_str_mv 2014-08-27
2016-02-22T17:53:37Z
2018-07-20T23:50:46Z
2018-07-20T23:50:46Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv SOUZA, José Glaydson Pereira de. Blogs de personagens de telenovelas: convergências entre o real e o ficcional. 2014. 106 f. Dissertação (Mestrado em Comunicação) - Universidade Federal da Paraíba, João Pessoa, 2014.
https://repositorio.ufpb.br/jspui/handle/tede/7910
identifier_str_mv SOUZA, José Glaydson Pereira de. Blogs de personagens de telenovelas: convergências entre o real e o ficcional. 2014. 106 f. Dissertação (Mestrado em Comunicação) - Universidade Federal da Paraíba, João Pessoa, 2014.
url https://repositorio.ufpb.br/jspui/handle/tede/7910
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Comunicação
Programa de Pós-Graduação em Comunicação
UFPB
publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Comunicação
Programa de Pós-Graduação em Comunicação
UFPB
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UFPB
instname:Universidade Federal da Paraíba (UFPB)
instacron:UFPB
instname_str Universidade Federal da Paraíba (UFPB)
instacron_str UFPB
institution UFPB
reponame_str Biblioteca Digital de Teses e Dissertações da UFPB
collection Biblioteca Digital de Teses e Dissertações da UFPB
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)
repository.mail.fl_str_mv diretoria@ufpb.br|| diretoria@ufpb.br
_version_ 1801842879523454976