A construção do sentido no gênero canção: Cazuza - uma voz singular no meio plural

• Autor(a) principal: Santos, Ronilson Ferreira dos
• Data de Publicação: 2008
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
• Texto Completo: https://repositorio.ufpb.br/jspui/handle/tede/6478
• topic: Sujeito; Dialogismo; Erotismo; Ideologia; Subject; Dialogism; Eroticism; Ideology; CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA

This research aims at investigating the eroticism construction sense in Cazuza s song, especially, thorough the enunciator subject. The shortage of studies concerning the work of this artist in a linguistic context is what makes this research pioneer in the Brazilian musical field. The corpus is composed of 10 songs, in a chronological order of Cazuza s productions. All this production translates the singular tone of the eroticism revealed by the poet who stands up in the scene of the epoch. The first objective is to develop a linguistic-discursive analysis about the construction forms of the eroticism sense, by the subject, in Cazuza s songs to, then, separate the following ends: to identify the subject importance in the dialogic process of language; to admit the relevance of the voices in the eroticism construction sense and assimilate the ideological interference in the selected songs. The theoretical axis is based in Bakhtin s socio-interactionism (1997) that works with the dialogical subject in a purely social perspective, in which characterizes the voices that speak in the discourses pronounced by the subject. The analysis demonstrates that the eroticism present in this artist s songs naked familiar and personal values intrinsic in man and society, putting them as one beings truth. The conclusion points to a new direction of linguistic analysis from the song gender as also reveals the subject role in the moment that the eroticism is announced in the discourses, as to personal or social order.