Tatuagens literárias: o corpo como suporte para o texto poético

Detalhes bibliográficos
Autor(a) principal: Carneiro, Jessica Torquato
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
Texto Completo: https://repositorio.ufpb.br/jspui/handle/123456789/14992
Resumo: Literary works are absorbed by the public and are often transformed into various types of artistic expression, such as cinema, theater, painting, sculpture, among others. As it is discussed in this paper, tattoos are also influenced by literature. This research aims to explore how literature marks human bodies by accessing what people who have these types of tattoos say about the decision to bear a specific text on their skin, verbal or non-verbal. The theoretical basis that permeates this research is the historical record of conceptions about the body, mainly based on Corbin, Courtine and Vigarello (2005[2008]). The practice of corporal modifications and tattoo history are present themes, focusing especially on Pires (2005), Marques (1997) and Gilbert (2000). Psychoanalysis also offers important contributions to the discussion, especially in subjects such as the unconscious, language, self-image and body marks. The subjectivity that exists in the definition of literature is another relevant point, because understanding what is considered as ―literature‖ contributes to the definition of what is considered a ―literary tattoo‖. This theme is mostly based on Eagleton (1985[2006]). Five tattoos are analyzed, inspired by three poems and a novel: ―A Virgem Maria‖ (1930) by Manuel Bandeira, ―Poeminho do contra‖ (1973) by Mário Quintana, ―Amor sem saída‖ (2013) by Pedro Gabriel, and Frankenstein (1831[s/d]) by Mary Shelley. The participants’ speeches are analyzed in order to observe how the literary text is blended with their lives and how they have found, on the skin, a space to express their relationship with the poetic text, which means a link between body, psyche and literature. Due to the fact that it is a type of artistic expression that occurs (almost) indelibly on the skin, a literary tattoo stimulates rich discussions about how literature leaves marks in people’s minds and bodies.
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spelling Tatuagens literárias: o corpo como suporte para o texto poéticoLiteraturaModificações corporaisTatuagensPsicanáliseLiteratureBody modificationTattoosPsychoanalysisCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASLiterary works are absorbed by the public and are often transformed into various types of artistic expression, such as cinema, theater, painting, sculpture, among others. As it is discussed in this paper, tattoos are also influenced by literature. This research aims to explore how literature marks human bodies by accessing what people who have these types of tattoos say about the decision to bear a specific text on their skin, verbal or non-verbal. The theoretical basis that permeates this research is the historical record of conceptions about the body, mainly based on Corbin, Courtine and Vigarello (2005[2008]). The practice of corporal modifications and tattoo history are present themes, focusing especially on Pires (2005), Marques (1997) and Gilbert (2000). Psychoanalysis also offers important contributions to the discussion, especially in subjects such as the unconscious, language, self-image and body marks. The subjectivity that exists in the definition of literature is another relevant point, because understanding what is considered as ―literature‖ contributes to the definition of what is considered a ―literary tattoo‖. This theme is mostly based on Eagleton (1985[2006]). Five tattoos are analyzed, inspired by three poems and a novel: ―A Virgem Maria‖ (1930) by Manuel Bandeira, ―Poeminho do contra‖ (1973) by Mário Quintana, ―Amor sem saída‖ (2013) by Pedro Gabriel, and Frankenstein (1831[s/d]) by Mary Shelley. The participants’ speeches are analyzed in order to observe how the literary text is blended with their lives and how they have found, on the skin, a space to express their relationship with the poetic text, which means a link between body, psyche and literature. Due to the fact that it is a type of artistic expression that occurs (almost) indelibly on the skin, a literary tattoo stimulates rich discussions about how literature leaves marks in people’s minds and bodies.Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqObras literárias são absorvidas pelo público e frequentemente transformadas em variados tipos de expressão artística, como o cinema, o teatro, a pintura, a escultura, entre outros. Conforme é discutido no presente trabalho, tatuagens também são influenciadas pela literatura. Esta pesquisa objetiva explorar como a literatura marca os corpos humanos ao acessar o que pessoas que possuem esse tipo de tatuagens dizem sobre a decisão de ter na pele determinado texto, verbal ou não-verbal. A base teórica que perpassa toda a pesquisa é o apanhado histórico de concepções sobre o corpo, com base principalmente em Corbin, Courtine e Vigarello (2005[2008]). A prática de modificações corporais e história da tatuagem são temas presentes, focando especialmente em Pires (2005), Marques (1997) e Gilbert (2000). A psicanálise igualmente oferece importantes contribuições para a discussão, em especial em temas como o inconsciente, linguagem, imagem do eu e marcas corporais. A subjetividade que há na definição de literatura é outro ponto relevante, pois compreender o que é tido como ―literatura‖ colabora para a definição do que se considera uma ―tatuagem literária‖, tema que é discutido, principalmente, com base em Eagleton (1985[2006]). Ao todo, são analisadas cinco tatuagens inspiradas em três poemas e um romance: ―A Virgem Maria‖ (1930), de Manuel Bandeira, ―Poeminho do contra‖ (1973), de Mário Quintana, ―Amor sem saída‖ (2013), de Pedro Gabriel, e Frankenstein (1831[s/d]), de Mary Shelley. As falas dos participantes são analisadas com o intuito de observar a forma como o texto literário funde-se às suas histórias e como eles encontraram, na pele, um espaço para expressar a relação com o texto poético, o que demonstra a relação entre corpo, psique e literatura. Por se tratar de um tipo de expressão artística que se dá de maneira (quase) indelével na pele, a tatuagem literária promove ricas discussões sobre como a literatura deixa marcas nas mentes e nos corpos dos sujeitos.Universidade Federal da ParaíbaBrasilLetrasPrograma de Pós-Graduação em LetrasUFPBRodrigues, Hermano de Françahttp://lattes.cnpq.br/7615268087421599Carneiro, Jessica Torquato2019-07-04T18:50:27Z2019-07-042019-07-04T18:50:27Z2018-08-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesishttps://repositorio.ufpb.br/jspui/handle/123456789/14992porAttribution-NoDerivs 3.0 Brazilhttp://creativecommons.org/licenses/by-nd/3.0/br/info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPB2019-07-04T18:50:27Zoai:repositorio.ufpb.br:123456789/14992Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufpb.br/PUBhttp://tede.biblioteca.ufpb.br:8080/oai/requestdiretoria@ufpb.br|| diretoria@ufpb.bropendoar:2019-07-04T18:50:27Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)false
dc.title.none.fl_str_mv Tatuagens literárias: o corpo como suporte para o texto poético
title Tatuagens literárias: o corpo como suporte para o texto poético
spellingShingle Tatuagens literárias: o corpo como suporte para o texto poético
Carneiro, Jessica Torquato
Literatura
Modificações corporais
Tatuagens
Psicanálise
Literature
Body modification
Tattoos
Psychoanalysis
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
title_short Tatuagens literárias: o corpo como suporte para o texto poético
title_full Tatuagens literárias: o corpo como suporte para o texto poético
title_fullStr Tatuagens literárias: o corpo como suporte para o texto poético
title_full_unstemmed Tatuagens literárias: o corpo como suporte para o texto poético
title_sort Tatuagens literárias: o corpo como suporte para o texto poético
author Carneiro, Jessica Torquato
author_facet Carneiro, Jessica Torquato
author_role author
dc.contributor.none.fl_str_mv Rodrigues, Hermano de França
http://lattes.cnpq.br/7615268087421599
dc.contributor.author.fl_str_mv Carneiro, Jessica Torquato
dc.subject.por.fl_str_mv Literatura
Modificações corporais
Tatuagens
Psicanálise
Literature
Body modification
Tattoos
Psychoanalysis
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
topic Literatura
Modificações corporais
Tatuagens
Psicanálise
Literature
Body modification
Tattoos
Psychoanalysis
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
description Literary works are absorbed by the public and are often transformed into various types of artistic expression, such as cinema, theater, painting, sculpture, among others. As it is discussed in this paper, tattoos are also influenced by literature. This research aims to explore how literature marks human bodies by accessing what people who have these types of tattoos say about the decision to bear a specific text on their skin, verbal or non-verbal. The theoretical basis that permeates this research is the historical record of conceptions about the body, mainly based on Corbin, Courtine and Vigarello (2005[2008]). The practice of corporal modifications and tattoo history are present themes, focusing especially on Pires (2005), Marques (1997) and Gilbert (2000). Psychoanalysis also offers important contributions to the discussion, especially in subjects such as the unconscious, language, self-image and body marks. The subjectivity that exists in the definition of literature is another relevant point, because understanding what is considered as ―literature‖ contributes to the definition of what is considered a ―literary tattoo‖. This theme is mostly based on Eagleton (1985[2006]). Five tattoos are analyzed, inspired by three poems and a novel: ―A Virgem Maria‖ (1930) by Manuel Bandeira, ―Poeminho do contra‖ (1973) by Mário Quintana, ―Amor sem saída‖ (2013) by Pedro Gabriel, and Frankenstein (1831[s/d]) by Mary Shelley. The participants’ speeches are analyzed in order to observe how the literary text is blended with their lives and how they have found, on the skin, a space to express their relationship with the poetic text, which means a link between body, psyche and literature. Due to the fact that it is a type of artistic expression that occurs (almost) indelibly on the skin, a literary tattoo stimulates rich discussions about how literature leaves marks in people’s minds and bodies.
publishDate 2018
dc.date.none.fl_str_mv 2018-08-28
2019-07-04T18:50:27Z
2019-07-04
2019-07-04T18:50:27Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://repositorio.ufpb.br/jspui/handle/123456789/14992
url https://repositorio.ufpb.br/jspui/handle/123456789/14992
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv Attribution-NoDerivs 3.0 Brazil
http://creativecommons.org/licenses/by-nd/3.0/br/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NoDerivs 3.0 Brazil
http://creativecommons.org/licenses/by-nd/3.0/br/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Letras
Programa de Pós-Graduação em Letras
UFPB
publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Letras
Programa de Pós-Graduação em Letras
UFPB
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UFPB
instname:Universidade Federal da Paraíba (UFPB)
instacron:UFPB
instname_str Universidade Federal da Paraíba (UFPB)
instacron_str UFPB
institution UFPB
reponame_str Biblioteca Digital de Teses e Dissertações da UFPB
collection Biblioteca Digital de Teses e Dissertações da UFPB
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)
repository.mail.fl_str_mv diretoria@ufpb.br|| diretoria@ufpb.br
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