Os Sete Ricercari de Domenico Gabrielli e suas aplicações no ensino do violoncelo
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UFPB |
Texto Completo: | https://repositorio.ufpb.br/jspui/handle/123456789/16862 |
Resumo: | This work endeavors to analyze the seven Ricercari for solo cello written by Domenico Gabrielli, as well as develop a strategy for their incorporation into the standard cello repertoire. These pieces, composed in 1689 in Bologna, Italy, represent the first examples of the solo genre for the instrument. This change in paradigm, as well as the modifications made to the instrument itself, were of great significance to the evolution of the cello into a solo instrument. Our present examination of these works determines their relevance in the study of modern and Baroque techniques, and displays the increasing importance of the cello to composers in the seventeenth century. These seven Ricercari are some of the most virtuosic and technically demanding pieces written for the cello up until this point, as the instrument typically performed the more relaxed role of doubling the figured bass line in ensembles. Although they were originally composed as technical studies, there is evidence that these Ricercari were written as etudes for Gabrielli’s students. Within its pages exist frequent changes of position, chords, double stops, dotted rhythms, rapid scales, and virtuosic ornamentation. This dissertation is based on ample bibliographical research, with theoretic references to the authors Dimitry Markevitch, Robin Stowell, Marc Vanscheeuwijck, Stephen Bonta, and Gregory Barnett. Besides providing historical contextualization, this work possesses a strong pedagogical stimulus that seeks to demonstrate the importance of this repertoire, previously unexamined, to the study of the cello. Our objectives are to examine the history that created Gabrielli’s Ricercari, as well as formulate a pedagogical plan for the teaching of this repertoire to modern cellists. It will discuss this work’s applicability as preparatory material for the approach of advanced cello repertoire, through a thorough analysis of period-appropriate scordatura, bowings, shifting, and fingerings. These considerations come to fruition within the annex of this dissertation, as our own performance edition of the seven Ricercari is presented. This edition contains all of Domenico Gabrielli’s Ricercari, and provides suggested bowings, fingerings, and expression marks, based on Baroque period practices and modern techniques, to facilitate the addition of this piece of music into the classroom. |
id |
UFPB_f0ba665fd0278f2a2977e4a21c09d7cb |
---|---|
oai_identifier_str |
oai:repositorio.ufpb.br:123456789/16862 |
network_acronym_str |
UFPB |
network_name_str |
Biblioteca Digital de Teses e Dissertações da UFPB |
repository_id_str |
|
spelling |
Os Sete Ricercari de Domenico Gabrielli e suas aplicações no ensino do violonceloDomenico GabrielliRicercarViolonceloEnsino do violonceloCelloCello teachingVioloncelo – EnsinoMúsicaDomenico Gabrielli - Sete RicercariInstrumento musical – EnsinoCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICAThis work endeavors to analyze the seven Ricercari for solo cello written by Domenico Gabrielli, as well as develop a strategy for their incorporation into the standard cello repertoire. These pieces, composed in 1689 in Bologna, Italy, represent the first examples of the solo genre for the instrument. This change in paradigm, as well as the modifications made to the instrument itself, were of great significance to the evolution of the cello into a solo instrument. Our present examination of these works determines their relevance in the study of modern and Baroque techniques, and displays the increasing importance of the cello to composers in the seventeenth century. These seven Ricercari are some of the most virtuosic and technically demanding pieces written for the cello up until this point, as the instrument typically performed the more relaxed role of doubling the figured bass line in ensembles. Although they were originally composed as technical studies, there is evidence that these Ricercari were written as etudes for Gabrielli’s students. Within its pages exist frequent changes of position, chords, double stops, dotted rhythms, rapid scales, and virtuosic ornamentation. This dissertation is based on ample bibliographical research, with theoretic references to the authors Dimitry Markevitch, Robin Stowell, Marc Vanscheeuwijck, Stephen Bonta, and Gregory Barnett. Besides providing historical contextualization, this work possesses a strong pedagogical stimulus that seeks to demonstrate the importance of this repertoire, previously unexamined, to the study of the cello. Our objectives are to examine the history that created Gabrielli’s Ricercari, as well as formulate a pedagogical plan for the teaching of this repertoire to modern cellists. It will discuss this work’s applicability as preparatory material for the approach of advanced cello repertoire, through a thorough analysis of period-appropriate scordatura, bowings, shifting, and fingerings. These considerations come to fruition within the annex of this dissertation, as our own performance edition of the seven Ricercari is presented. This edition contains all of Domenico Gabrielli’s Ricercari, and provides suggested bowings, fingerings, and expression marks, based on Baroque period practices and modern techniques, to facilitate the addition of this piece of music into the classroom.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESEste trabalho busca analisar os sete Ricercari para violoncelo solo de Domenico Gabrielli, bem como desenvolver uma estratégia para sua incorporação no ensino do instrumento. Estas obras, compostas em 1689 em Bolonha, Itália, representam as primeiras peças do gênero solo escritas para o violoncelo. Essa mudança de paradigma, como também a partir das modificações do instrumento em si, propulsionou a incorporação do violoncelo como instrumento solista. Desta forma, nossa análise demonstra que este repertório tem caráter virtuosístico e tecnicamente exigente, que retrata o desenvolvimento do nível técnico, as demandas e possibilidades do violoncelo, que era empregado unicamente para realizar a base do baixo continuo em conjuntos. Originalmente compostas como estudos técnicos, imaginamos que essas obras foram escritas como exercícios para os alunos de Gabrielli. Dentro de suas páginas, são introduzidas frequentes mudanças de posição, acordes, cordas duplas, ritmos pontuados, escalas rápidas, arpeggios, além de uma ornamentação virtuosística. O trabalho está baseado em ampla pesquisa bibliográfica, tendo como referencial teórico os autores Dimitry Markevitch, Robin Stowell, Marc Vanscheeuwijck, Stephen Bonta e Gregory Barnett. Uma vez que o trabalho tem, além de um perfil histórico, um forte teor pedagógico, que busca demonstrar a importância deste repertório, até aqui negligenciado, para o ensino do violoncelo. Desta forma tem o objetivo de mergulhar na história que originou os Ricercari de Gabrielli, além de formular um plano pedagógico para o ensino deste repertório. Discutindo sua aplicabilidade em sala de aula, como material preparatório para a aprendizagem do repertório avançado do violoncelo, através de uma abordagem técnica minuciosa, que inclui o uso de scordatura, golpes de arco específicos, mudanças de posição, parâmetros para a escolha de dedilhados, dentre outros aspectos. Como anexo à dissertação, é incluída nossa própria edição de performance dos sete Ricercari, de caráter pedagógico, além de desenvolver um plano de estudo baseado nas práticas no período Barroco e as necessidades aplicadas aos dias de hoje.Universidade Federal da ParaíbaBrasilMúsicaPrograma de Pós-Graduação em MúsicaUFPBAquino, Felipe José Avellar dehttp://lattes.cnpq.br/6836200714885118Dutton, Leah Elizabeth2020-02-20T16:41:18Z2018-05-162020-02-20T16:41:18Z2017-08-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesishttps://repositorio.ufpb.br/jspui/handle/123456789/16862porAttribution-NoDerivs 3.0 Brazilhttp://creativecommons.org/licenses/by-nd/3.0/br/info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPB2020-02-21T06:12:50Zoai:repositorio.ufpb.br:123456789/16862Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufpb.br/PUBhttp://tede.biblioteca.ufpb.br:8080/oai/requestdiretoria@ufpb.br|| diretoria@ufpb.bropendoar:2020-02-21T06:12:50Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)false |
dc.title.none.fl_str_mv |
Os Sete Ricercari de Domenico Gabrielli e suas aplicações no ensino do violoncelo |
title |
Os Sete Ricercari de Domenico Gabrielli e suas aplicações no ensino do violoncelo |
spellingShingle |
Os Sete Ricercari de Domenico Gabrielli e suas aplicações no ensino do violoncelo Dutton, Leah Elizabeth Domenico Gabrielli Ricercar Violoncelo Ensino do violoncelo Cello Cello teaching Violoncelo – Ensino Música Domenico Gabrielli - Sete Ricercari Instrumento musical – Ensino CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA |
title_short |
Os Sete Ricercari de Domenico Gabrielli e suas aplicações no ensino do violoncelo |
title_full |
Os Sete Ricercari de Domenico Gabrielli e suas aplicações no ensino do violoncelo |
title_fullStr |
Os Sete Ricercari de Domenico Gabrielli e suas aplicações no ensino do violoncelo |
title_full_unstemmed |
Os Sete Ricercari de Domenico Gabrielli e suas aplicações no ensino do violoncelo |
title_sort |
Os Sete Ricercari de Domenico Gabrielli e suas aplicações no ensino do violoncelo |
author |
Dutton, Leah Elizabeth |
author_facet |
Dutton, Leah Elizabeth |
author_role |
author |
dc.contributor.none.fl_str_mv |
Aquino, Felipe José Avellar de http://lattes.cnpq.br/6836200714885118 |
dc.contributor.author.fl_str_mv |
Dutton, Leah Elizabeth |
dc.subject.por.fl_str_mv |
Domenico Gabrielli Ricercar Violoncelo Ensino do violoncelo Cello Cello teaching Violoncelo – Ensino Música Domenico Gabrielli - Sete Ricercari Instrumento musical – Ensino CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA |
topic |
Domenico Gabrielli Ricercar Violoncelo Ensino do violoncelo Cello Cello teaching Violoncelo – Ensino Música Domenico Gabrielli - Sete Ricercari Instrumento musical – Ensino CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA |
description |
This work endeavors to analyze the seven Ricercari for solo cello written by Domenico Gabrielli, as well as develop a strategy for their incorporation into the standard cello repertoire. These pieces, composed in 1689 in Bologna, Italy, represent the first examples of the solo genre for the instrument. This change in paradigm, as well as the modifications made to the instrument itself, were of great significance to the evolution of the cello into a solo instrument. Our present examination of these works determines their relevance in the study of modern and Baroque techniques, and displays the increasing importance of the cello to composers in the seventeenth century. These seven Ricercari are some of the most virtuosic and technically demanding pieces written for the cello up until this point, as the instrument typically performed the more relaxed role of doubling the figured bass line in ensembles. Although they were originally composed as technical studies, there is evidence that these Ricercari were written as etudes for Gabrielli’s students. Within its pages exist frequent changes of position, chords, double stops, dotted rhythms, rapid scales, and virtuosic ornamentation. This dissertation is based on ample bibliographical research, with theoretic references to the authors Dimitry Markevitch, Robin Stowell, Marc Vanscheeuwijck, Stephen Bonta, and Gregory Barnett. Besides providing historical contextualization, this work possesses a strong pedagogical stimulus that seeks to demonstrate the importance of this repertoire, previously unexamined, to the study of the cello. Our objectives are to examine the history that created Gabrielli’s Ricercari, as well as formulate a pedagogical plan for the teaching of this repertoire to modern cellists. It will discuss this work’s applicability as preparatory material for the approach of advanced cello repertoire, through a thorough analysis of period-appropriate scordatura, bowings, shifting, and fingerings. These considerations come to fruition within the annex of this dissertation, as our own performance edition of the seven Ricercari is presented. This edition contains all of Domenico Gabrielli’s Ricercari, and provides suggested bowings, fingerings, and expression marks, based on Baroque period practices and modern techniques, to facilitate the addition of this piece of music into the classroom. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-08-28 2018-05-16 2020-02-20T16:41:18Z 2020-02-20T16:41:18Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufpb.br/jspui/handle/123456789/16862 |
url |
https://repositorio.ufpb.br/jspui/handle/123456789/16862 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
Attribution-NoDerivs 3.0 Brazil http://creativecommons.org/licenses/by-nd/3.0/br/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Attribution-NoDerivs 3.0 Brazil http://creativecommons.org/licenses/by-nd/3.0/br/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal da Paraíba Brasil Música Programa de Pós-Graduação em Música UFPB |
publisher.none.fl_str_mv |
Universidade Federal da Paraíba Brasil Música Programa de Pós-Graduação em Música UFPB |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações da UFPB instname:Universidade Federal da Paraíba (UFPB) instacron:UFPB |
instname_str |
Universidade Federal da Paraíba (UFPB) |
instacron_str |
UFPB |
institution |
UFPB |
reponame_str |
Biblioteca Digital de Teses e Dissertações da UFPB |
collection |
Biblioteca Digital de Teses e Dissertações da UFPB |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB) |
repository.mail.fl_str_mv |
diretoria@ufpb.br|| diretoria@ufpb.br |
_version_ |
1801842956821331968 |