Cor, forma e composição na pintura pré-colonial em Pernambuco

• Autor(a) principal: Cabral, Carlos Henrique Romeu
• Data de Publicação: 2012
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
• Texto Completo: https://repositorio.ufpb.br/jspui/handle/tede/3893
• topic: Pré-História; Pintura; Processo; Prehistory; Painting; Process; ARTES::EDUCACAO ARTISTICA

The dissertation has been designed by several visits to the Site of the Boqueirão, district of Venturosa - PE, where pictorial manifestations have been identified that offer rich material for the study of the printing process developed by the authors of such actions. The study area is defined from an archaeological site with petroglyphs have not dated and printed on a granite formation that stands out in the Vale Ipanema. The pictorial works in these rocky surface is present within a predominantly geometric style, reflecting complex printing processes that use paint as a vehicle of expression. After identifying and analyzing sets of graphs, there are aspects to form, rhythm, technical combinations, hierarchies and structures that aesthetically the object of research, as well as characteristics linked to forms of exposure and preservation of visual production concerned. Analyzing the graphical material selected, designed the presence of point, line, plane and color as structural elements of morphogenesis lytic printed surfaces. This material will be observed in different expressive contexts that allow an information meeting on the historical, cultural and aesthetic object of the present study. Based on theoretical references from different areas of academic knowledge, the process of analyzing the paintings of Archaeological Sitio da Buquinha present in this work is presented in an interdisciplinary way, investigating the relationships between contexts and the structures attached to the object visual analysis. Thus, it becomes possible with the work proposed, a universe of foster interdisciplinary research, analyzing this type of prehistoric visual production as part of a system of visual representation reinterpret them mainly through theoretical studies that pervade the Visual Arts. They are different and complementary steps of the research: a literature review that provides context and relates to the object of research, the research field, where it was possible to visit the primary sources and organize a database by collecting and conducting photographic decals Finally, the last stage of work is presented through the construction of the dissertative text.